Gnome vs. KDE is probably the least technical thing they've gotten right in the show. There were a couple of minor howlers in the most recent episode, unfortunately (up until then, no significant lapses I've noticed -- staggering for a TV show).
Gnome vs. KDE is probably the least technical thing they've gotten right in the show. There were a couple of minor howlers in the most recent episode, unfortunately (up until then, no significant lapses I've noticed -- staggering for a TV show).
But that is not a flaw or limitation in the writing -- it's helping to characterize Tyrell as a bit of douche. This goes beyond the typical 'ssh' or 'wget' screengrab (which only provides some mechanistic plausibility in achieving a plot-point.). The Gnome-KDE bit defines character. It's brilliant.
That's the entire point, though - telling the viewer who the villain is quickly (and, most importantly, cost effectively) to get to the part where the hero busts down their door. Designing the UIs realistically and eating up valuable screen time with analysts poring over the data would be a waste of money in most cases.
Also, realistic design increases the chances of someone actually suing for copyright infringement or something.
I think the "tell the viewer who the villain is quickly" is correct in terms of the director/writer's intention, but in fact the word is "badly".
Also bear in mind the relationship between camera distance and screen resolution, and that the design requirements for UIs intended to be used by someone physically sitting inches away from the screen, and the composition of elements in a scene for television or film, which may place the viewer halfway across the room in terms of perceived distance, are necessarily different. Text that would be normal sized on the web might not even be legible when the viewer sees it, much less be capable of leading the viewer's attention.
FWIW I mostly agree with you, it's absurd for anyone who's technically competent, but still not as simple a matter as getting it realistic versus getting it wrong, rather of not boring the viewer with tedium and visual clutter.
It always bugged me. Does anyone know why realisators spend so much energy into making faux computer interfaces in almost every movie/show ?
See, for example, http://www.oldskoolphreak.com/tfiles/phreak/jenny07.txt
Using a real phone number, license plate number, IP address, or physical address in a show/movie/song has the potential to provoke throngs of fans into malicious, or merely inconsiderate, actions -- prank calls, ping bombs, or simply visiting and not cleaning up after yourself (which is what led to the Goonies house closing: http://www.independent.co.uk/arts-entertainment/films/news/g... )