This is sort of rambly, but in pd/max/msp you end up with at least 2 types of data flow rates (common in musical stuff like supercollider as well) for musical sample rates (aka 44.1khz or whatnot) and 'control flow' rates (like an LFO wub at 120bpm half notes). Those are all still wired up with the same "lines" in pd so it can end up being confusing if you put a control rate into a sample rate or vice versa. I'm sure current MaxMSP has ways to separate and handle those (along w/ "bangs" which are one off messages), but the beauty of something like drakon is that it is just control flow. The data is explicitly defined in the boxes. So even though dataflow is the phrase google and microsoft are throwing around, the real art is in the control flow. Look at the scopes and contexts from the naiad paper: http://www.frankmcsherry.org/dataflow/naiad/2014/12/29/TD_ti... I think that drakon would be an interesting way to draw that diagram out. Not one hundred percent sure, but it's a thought.