You've changed my mind.
I don't know if such a study has been done, but if it works and impacts the intended endpoints, it isn't really theatre.
Perhaps I could call them part of the "set" on which the theater conducts its act.
In this case, however, the intended targets are presumably crimes of opportunity, not exhaustively preplanned crimes. For these, the threat of "you're being watched, and if you do something, we'll see it" is probably sufficient. Also they provide low grade confrontation situations to be defused by someone pointing to the camera and saying "There's a camera monitoring this".
Public transportation of the terrestrial variety has very little theater, and very little security anyway. Even the cameras that do work probably exist for the playback, not for the live "surveillance". I just don't think they're watching closely enough.
Surveillance can absolutely add security.
Eyewitnesses might not be foolproof, but they're better than a cost effective dummy camera after a murder has taken place.
I don't think the murderer in this case was deterred at all, perhaps an intimidating rent-a-cop would have allowed the murder to occur near a working security camera where the police could have gathered useful information about the crime.