Disclaimer: I have not written a novel yet.
[0] http://www.advancedfictionwriting.com/articles/snowflake-met...
Disclaimer: I have not written a novel yet.
[0] http://www.advancedfictionwriting.com/articles/snowflake-met...
The novel is called The Final Six Days, about an asteroid about to destroy civilization and the strange man who is endlessly time looping in the those final days.
(P.S. I'm a introverted engineer not a shameless self-promoter. I don't want to feel like I'm spamming so if you want me to check out a novel you wrote let me know.)
This leads to a lot of pacing problems that I have to solve when editing, and a really inconsistent rate of progress on the initial draft (lots of days spent just trying to "hear" what happens next) so I've tried a lot of plans like this to make myself a better writer. But every time I've tried I've come up with nothing. I don't know the characters, so how can I possibly plan out what they're going to do? I can't fill out a spreadsheet about them either, because I don't know anything about them yet, how do I know what the right answers are to put down? The only exception I've found is when I write a bunch of short stories and/or scenes outside of the longer novel from their POV and get to know them that way, then I can fill in the character worksheets and figure out what they would do and write down the scenes in one sentence or less summaries a long time ahead of time. I get that writing scenes involving them is logically making stuff up just as much as picking personality traits to fill in the blank in a worksheet is, but it doesn't feel that way. It feels like I'm an observer.
Disclaimer: never had anything past a short story published by anyone other than myself, so I'm not exactly an authority. It's definitely not an efficient style, but it's how it works for me.