Japan has more old-fashioned music stores than anywhere else
qz.com
qz.com
As a Beatles junkie, it was so cool. And a very grounding moment for someone still experiencing a bit of culture shock, to share something in common with this culture.
Here is what it looked like inside, nearly empty of shoppers: http://i.imgur.com/kcrYKG6.jpg
http://www.soundandvision.com/content/vinyl-obsession-revill...
I enjoy browsing a music store much more than a book store.
* chatting with the owner who is supremely knowledgeable about the kinds of music I like, and buying records based on his advice
* looking for something similar to music I've found online, perhaps by the same artist or label
* looking for music I can't easily stream online, such as jazz from the ECM label. I stumbled upon one album while digging last time I went that I'd had in my sights for a while, but bought it for half what it would have cost on discogs (like an eBay/catalog for music). Or the Zimbabwean soukous album I just got that is super funky that doesn't exist online at all, and I'd never have heard had I not picked it up in the record shop for a listen.
* looking at cool things that I won't easily find online but probably also won't actually buy (e.g. the €70 original pressing 1970s Ghanaian highlife, or any other unusual rarity)
I'm super passionate about music and I love everything about the physical aspects of vinyl, so hopefully now you can see how ridiculous it is to suggest that record stores are useless because Spotify and the like exist. I'm listening to Spotify all the time too, but I definitely love my records more. I'm definitely not the only one.
No, I haven't yet. I do have a good phono preamp with a digital output for digitizing records that I got as an open-box deal. I have one album that doesn't exist online anywhere so I've been thinking about uploading it to Youtube, but I really adore listening to the physical format at home. At work I'm always listening to Spotify or something.
I tend to curate my record collection to albums I really love, so often it happens that I'll seek out something on vinyl that I'm already familiar with.
speak for yourself.
There's also a bunch of sub-culture signalling, which I accept is off-putting to many people. But the fact that at least two reasonably good films were set in record stores means something.
I'm not sure it's truly a solved problem for brick and mortar, either. For a big box, curation is generally done at the corporate level, and their staff are not much more knowledgeable than the average patron.
Imagine my surprise when I landed in Osaka in 2011 and saw Tower Records still very much a thing there.
http://dangerousminds.net/comments/the_rise_and_fall_of_towe...
That said, they had some idea what they were doing: they cut the least profitable 25% of their artists and SKUs, dropping unit sales by 4.1%, then blamed "piracy":
http://web.archive.org/web/20030113094231/http://www.azoz.co...