The European (PAL) ones are sharp. The American (NTSC) ones are accurate (or very very slightly flat).
And in cinema they were better (I seem to remember Geoffrey Rush 'playing' Rachmaninov 3rd Piano Concerto in that film, at excellent pitch in the cinema), so I knew they were sometimes right. But i think the tape, TV and DVD formats I'll have rewound most often in perplexity.
Another confounding: living in California a lot and not having incorrect pitch on local copies. And nowadays, when sources are digital, bit may have originated from analogue recordings, it's now very unclear what to expect.