The Troubadour and the Lady
newyorker.com
newyorker.com
I am just an amateur musician and I am amazed at those with those that could hear such minute details. I have attended various rehearsal session for classical music, and it is astonishing to hear the conductor (or the choral maestro) pick out a certain note in a certain measure from a certain instrument. I can recognize a bad ensemble from a good one, but such detail at that level is simply amazing
She started composing with a PDP-10 supercomputer.
In one work from that time, “Vers le Blanc,” she
used a program called Chant to create three synthetic
voices, which over fifteen minutes change pitch
almost imperceptibly.
I didn't know PDP-10 was used in this area.