Facsimile of the Voynich Manuscript Now Available to Citizen Cryptographers
hyperallergic.com
hyperallergic.com
The one mentioned here is a photographic reproduction done by the Yale Press, and is available from major sellers like Amazon for a reasonable price: https://www.amazon.com/dp/0300217234
The other is a little more exotic. The Spanish publisher Siloé has been authorized to make a limited-edition 'look and feel' replica. They will handmake 898 full facsimiles, down to the wormholes in the pages. The expected price is €7,000-8,000.
So if you are asking for a copy for Christmas, make sure to be be specific to avoid a (possibly) disappointing surprise!
http://blog.siloe.es/siloe-editara-la-replica-del-manuscrito...
http://www.telegraph.co.uk/news/2016/08/21/voynich-manuscrip...
Authorized by whom? I mean there's surely no copyright protection for the original anymore. (I hope at least but you never know).
(Do not buy the linked to book. It's very subpar. Multipage foldouts are shrunk-to-fit, and there's no accompany text. It's literally, just the archive.org images printed and bound.)
[0] https://archive.org/details/TheVoynichManuscript
[1] https://www.amazon.com/gp/product/1599865556/ref=oh_aui_deta...
You want to see how the book looks in 3D, in real lighting and at different angles. A PDF cannot convey how that will look. The only way to produce a high quality replica is to look at the real thing and work to match how it really is.
They would need authorisation for that access.
Copyright of copies of public domain artworks is odd: the original artwork is not under copyright, but a photo (and possibly a scan?) of the artwork can be. The US legal theory (I don't know about elsewhere) is that a photo of a public domain artwork can itself be an artistic creation, deserving of separate protection.
For example, the photographer might have made an artistic choice to use a diffuse white light without glare, to have the entire frame in focus, and to crop the photo at the edge of the artwork. It is commonly thought that a mechanistic scan fails to meet this ridiculously low threshold of creativity, but this defense has not been well tested in the courts.
So in the absence of a contractual agreement to the contrary, if you make a copy directly from the original, you are likely legal. But if you made a reproduction from a reproduction that could be considered itself an artistic work, you could be infringing on the copyright of that reproduction.
I don't know what the rule would be for making a copy of an authorized "slavish" physical reproduction, but given the low bar for copyright, I'd guess it would still be considered infringement? Anyway, here's an overview of the legal situation in the US: http://blogs.library.duke.edu/scholcomm/2013/06/14/museums-c...
Here's a link to someone who went ahead and created his own physical version from the published scans, printed on a color laser printer, then 'aged' by dunking them in coffee: http://scienceblogs.de/klausis-krypto-kolumne/2016/08/27/pub...
Here's a link with a little bit more detail about the arrangement between the publisher and the library: http://www.thelocal.es/20160821/tiny-spanish-publisher-clone...
Finally here's the page about the Manuscript on the publisher's website, which might have more information if you read Spanish: http://voynich.siloe.es/manuscrito/
This is often claimed by rights holders, but not generally true. The copy must be transformative and have distinct artistic merit. Basically any scan/photo that I/you/we would want from the owner of the book would not be copyrightable.
https://archive.org/details/TheVoynichManuscript
For example, a friend of mine is fascinated with the Zodiac Killer's unsolved ciphers, so he put the note into a program, where you can replace the cryptic symbols in the serial killer's note with various letters:
http://www.oranchak.com/zodiac/webtoy/
A printed-book of the Voynich Manuscript--to my mind--actually reduces the ability of cryptographers to decode it (if there's even anything there to actually decode[1]). I would love to see the symbols in this book broken out into a font where we can run statistics on them, replace them with various letters from different alphabets, and seek patterns in their occurrence.
[1] An analysis of the manuscript found the distribution of words " is not compatible with natural languages": https://arxiv.org/abs/1601.07435
Only if you assume that choice of layout, spacing, character size, colors, relative positioning of text and illustrations etc. etc. aren't an integral part of the whole message.
Odds are, if there was a 1-to-1 relationship between symbols and letters, someone would have figured it out by now. So a font may be statistically interesting, but probably not a major tool towards solving the puzzle.
It's been done: http://www.voynich.nu/analysis.html
Counting and enumeration systems can reveal a lot about where something is from.
To give an example, for a written natural language, https://en.wikipedia.org/wiki/Zipf%27s_law should generally apply to letters, words, and, I think, to n-grams as well. This is not true for encrypted or compressed data, or for data produced by a random process like throwing dice, so you can distinguish the two pretty well with histograms.
The simplest tests like this generally went in favor of the Voynich manuscript having real linguistic content, but there are other statistical tests too and I'm not familiar with what they've shown. :-)
I'm working on the assumption that it's a natural language with fairly light encryption, similar to that described here: http://ciphermysteries.com/2016/07/06/fifteenth-century-cryp...
My initial aim is to identify the language, and to do that I need to map the glyphs onto characters. My suspicion based on the limited analysis I've done (running a PCA on the glyphs) is that it's in a dialect of German.
Have you read Stephen Bax' paper on partial decode based on botany?
https://stephenbax.net/?page_id=11
I find it quite compelling.
I've come down to three possibilities:
(1) it could be a copy of a much older, now lost document, which puts the timeline in question.
(2) Colonialism and imperialism really did a number on indigenous people and culture. This could be an ethnography of sorts of am indigenous people's knowledge in their now lost language.
(3) We could be fundamentally "reading it wrong". I've extended this question as to "Well how else would this be done?" beyond mechanical cypher machines.
Maybe glyphs we've bucketed are actually distinct or maybe some aspect of it such as the length of a stroke have semantic meaning. It could be an extremely poorly designed and confusing script.
I know it's been looked at by people likely smarter than me, but I really don't believe in gods, whether human or otherwise - so I'm not discouraged ... although really, finite time, finite time.
Yes, everyone else already linked the strip, but I couldn't resist.