S-Town podcast shouldn't have been made
vox.com
vox.com
Having listened to S-Town, I strongly disagree with this article. The article itself is far more equivocal than the click-bait title suggests. Yes, S-Town is an intimate probe into a person's private life, but the subject is dead. S-town is careful to protect the privacy of the living. Any remaining concerns are far outweighed, in my opinion, by the value of a poignant exploration of the human condition that resolutely affirms the dignity of the eccentric subject.
And then literally the second sentence in your comment is a massive spoiler of the biggest twist in the whole show :)
I've been a big podcast fan for quite a while and never quite understood the huge hype for Serial. Don't get me wrong, I think Serial is good--maybe even great--however S-Town deserves whatever hype comes its way. It is a masterfully told audio journey.
The most cogent among them is that I did feel a sense of invasiveness when the podcast took the hard turn to dive deep into John's personal life. Unlike the author's criticisms, I think this arises from the combination of unexpected and unsatisfied expectations; unexpected expectations due to the sharp turn away from a linear plot and its primary subject; unsatisfied expectations because the story, probably inherently and by no fault of the producers, left many questions unanswered regarding the original plot. Perhaps this feeling of invasiveness is intended so the listener feels more invested in or connected to the intimate details of John's personal life that shaped his character and his flaws, but that feeling is nonetheless instilled in the listener.
I deeply enjoyed listening to the series in full and think that others should listen, but I can't say I don't have many lingering questions. I can understand how the mix of unanswered questions regarding the initial story and the possibility of perceived guilt for intruding into the man's personal life could leave a sour taste in the mouths [of] some, perhaps sour enough to title a [critique] scorning the podcast's creation.
Edit: [grammar]
It was obvious as Reed tried to medicalize John B's behavior and pigeonhole it into a heteronormative context that he was reducing him in a similar fashion as the townspeople, who despite his resentments, he obviously felt more kinship with. It's probably an inescapable narrative bias, but as someone from a similar background as John B (albeit in the rural north, not the south), I couldn't help but feel this was about making everything digestible for the kind of audience Reed represents.
I think there's a big difference between S-Town, which to my ears was masterful and balanced, and Missing Richard Simmons which crossed some ethical lines of privacy and respect.
It worries me that other eccentric geniuses will follow suit or that it at least opens a door to a type of journalism that I don't want to think about.
I thought the podcast was extraordinary and highly recommend it.
I have no doubt listeners found it enlightening and engaging. A probe into any of your lives could yield similar "intrigue."
Ethics and standards exist not because salacious personal stories aren't interesting, but because they tend to harm people.