Considering Kathryn Bigelow, the director of 'the Hurt Locker', also did 'Zero Dark Thirty' in many respects, the non plus ultra C.I.A control and influence over hollywood, the 'Hurt Locker's' critical position is dubious. In fact it's worth noting that the C.I.A is so good at this that they are not beyond putting ostensibly damaging material or arguments in their films in order to refute them at a more fundamental level, or coming around to devour them more completely in some other film. As paranoid and wacky as it sounds, the general project of propaganda is a totality spread across the cultural field...

Finally it's worth noting that with the advent of widespread piracy, we have been forced to pay for our films / entertainment in other ways. A pirated movie still delivers its ideological payload, whether or not it's corporate interest determining the cars that feature in the 'Fast and Furious' franchise or the military industrial complex permitting a flock of Ospreys to feature prominently in a scene ...