I get it, they are a necessary ungood thing for the economies, but should the hoi polloi cry for them?
But that's Bloomberg caring about the capitalists who would arbitrage your job in a heartbeat.
I get it, they are a necessary ungood thing for the economies, but should the hoi polloi cry for them?
But that's Bloomberg caring about the capitalists who would arbitrage your job in a heartbeat.
Either the society has to decide it wants classical music as a protected cultural good (and e.g. put it in government grants and subsidies) or the masses should (and e.g. pay for concerts and stuff).
Apart from those things, I don't see it as any great tragedy for something that's neither of them to lose its bank-derived financing.
No, in my logic there are two distinct things: the public paying for concerts (and the public not caring) vs the public caring and supporting them itself.
In the first case, it's just the banks buying some prestige by playing to supposed upper middle class preferences, and get some free publicity plus some tax exceptions for those sponsorships.
>The dimension you are missing is spatial, in that this would now happen elsewhere from London, and the "externality" of non-banker Londerners being able to experience this, is the negative effect referred to by the OP.
So? If the Londoners didn't care for those events enough to support them themselves in the first place, why would they have a problem now that foreigners, and not themselves, will get to "experience" those?
Maybe rent prices at least drop a bit to compensate. Or Britain&The EU find a way out of this misery once the consequences sink in.