Mathematicians Tame Rogue Waves, Illuminating Future of LED Lighting
quantamagazine.org
quantamagazine.org
I was under the impression that LEDs were already the present of artificial lighting...
I wish we could do the same with sound and cameras, a place where our efficiency is still laughable theoretically and compared to the natural human sensors.
Regardless of efficiency, the phosphor approach is more popular because it produces white light that's tolerable to use. Even phosphor spectra have peaks and valleys though, and evening them out usually reduces efficiency. The most common representation of this is color rendering index (CRI), which measures color accuracy. I think that's usually the right tradeoff, as a little less light with a broad spectrum is usually more effective illumination, but the market is driven by the mighty lumen-per-watt.
What does the phosphor emit? There's no "white" wavelength. So a more homogeneous spectrum?
An approximation of white doesn't work for reflections which is the main reason this method isn't ideal. Real world objects can reflect different wavelengths very unevenly so even if these sources appear white directly their reflections take on a variety of strange hues.
The phospor spreads out the peaks so the light spectrum emitted is smoother, closer to black body radiation which is the type of light emitted by the sun. Humans are wired for sunlight so this makes things look better.
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xCree has already hit 300+ lumens per watt at room temperature and 1W power throughput, and are showing no signs of slowing. The problem with LEDs is not wave issues, but the Auger Effect where electrons recombine with the LED junction material instead of going through the electron hole.
However, CRI is still meh. For gem work, you want sunlight or incandescent, nothing else is acceptable because you need a true blackbody radiator. LEDs work fine for isolating and orienting stars, adularescence, schiller, and sheens, but are horrible for tenebrescent gems, some dichroic gems, and such.
Also, some LED-covered wavelengths are still utterly useless when compared to other sources. UVB LEDs at their best are only about 2% efficient. You might as well stick with a raw phosphor-less fluorescent tube with glass filters for UVC and UVA on it at that point, you'd still push roughly 30% efficiency.
Red LEDs are also still rather meh on the efficiency scale.
220 w/lm is theoretical max for a smooth spectrum of white light. If you get to choose a spectrum you can get much higher using green centered at 555nm. If any "white" light advertises close or above 220 lm/watt the CRI suffers. It means they're using light that activates the human retina better but isn't actually a pure white.
Lumens are calculated based on human eye response https://en.m.wikipedia.org/wiki/Luminosity_function
Looked at this way blue lights are pretty terrible. But if you look at mw of photons vs energy input deep blue LED's are close to 80% efficient.
It killed incandescent/halogen first, then CFL. Metal halide (especially high wattage) and linear fluorescent are still hanging on by a thread, but everybody in the industry acknowledges that they're on the way out.
When I was in college (class of 2012) LED lighting was on the rise but the industry imagined they would take over much more slowly than what actually happened. We were still taking about CFLs as something that might come up more than once after we graduated.
See spectral distributions here: http://cdn2.goughlui.com/wp-content/uploads/2013/06/spectral...
Even down at 2700K (blue line, "warm white") there's a substantial blue spike over on the left.
The LEDs being used in most streetlights are cool white, probably 4000K+, definitely a lot of blue in that.
There are high CRI LEDs available (Color Rendering Index - at warm colors it basically means "how similar do colors look under this vs under incandescent"), but they're much less efficient in terms of how much light you get per watt, and they tend to be a pretty niche product for lighting stuff where reds are important (brick walls, fruit, art, etc). Still some blue in that, but much less.
https://www.yujiintl.com/img/graphics/warm-white-high-cri.pn...
As to health effects, from what I've heard the jury is still out, but there's a definite push toward "tunable white" in the industry. Whether anyone actually wants to pay for that when it comes time to choose between that or the cheaper fixed color temperature that we've been doing forever, things are less certain...
LED's don't produce light from heat so they don't really correspond color temperature. They can fake it, but the current approach produces blue at higher efficiency than yellow. Thus upping the yellow content results in lower brightness and lower 'efficiency' for the same device or identical brightness and higher costs.
However, producing a lot of blue light is often sub optimal so you need a consumer willing to make that trade-off instead of just seeing white/cost/brightness and assuming that's the whole story. Thus, cheap really does mean more blue.
https://en.wikipedia.org/wiki/Planckian_locus
As far as cheapness, yes and no. The swimming pools that I've designed tend toward the more blueish whites and low CRI because they have a light level target to hit and that's the cheapest way to do it. With the exception of some small residential pools, they aren't trying to make a warm cozy feeling, they just want it to be bright enough to meet the requirements for safety / code / IES recommendations / NCAA requirements, etc.
But a lot of lighting isn't done that way where you're determining the layout and quantity of lights to hit a target level at lowest cost. It's much more common that you pick the color temperature that you want it to look like and you buy that regardless of the exact light output.
LED bulbs at the store have a Lighting Facts label that tells you the color temperature and how bright it is, and the different CCTs of a given brand bulb will cost the same. Yes, you get more light out of the more blue one, but when you're getting bulbs for you're house you'd never say "Get the 4000K version. It's an extra 100 lumens, so we can light the house with 17 of them instead 18 and save a few bucks."
Interestingly there are cultural conventions to this too. In the US it's much more common to see the warmer color temperatures in homes and even in offices. In Asia and India you'll encounter a lot more blue.
Amount of light you get per watt doesn't quite fit the bill, so we have a closely related measurement called "luminous efficacy."
Units for that are lumens per watt, where lumens are a measure of amount of light (basically watts of EM radiation weighted by the human eye's sensitivity at each wavelength), and watts are the electrical energy consumed per second.
Probably more than you wanted to know, but you never know when that piece of trivia might come in handy.
The dimmer is a Lutron Caseta dimmer and it works nicely with the Echo and Apple Home.
When you get into 2-wire dimmers where it's chopping up the sine wave to reduce power, everything gets sloppier. The only 100% reliable strategy to avoid problems is buying LED bulbs that have been tested on your specific dimmer system.
Consumer products are especially frustrating because a lot of time the technical specifications are missing important information like whether it's for forward phase or reverse phase dimming. That relates to which end of the sine wave gets chopped off for dimming, and they don't play nicely with each other. Reverse phase is the more common these days, but it doesn't hurt to confirm.
Lutron does a fair bit of compatibility testing and lists their recommended products here: http://www.lutron.com/en-US/Service-Support/Pages/Technical/...
EDIT: I should note that if you're looking at screw-in LED light bulbs you want to search "A Lamp". Bit of industry jargon, we measure things in 1/8 inches (because reasons), so what normal people consider a standard lightbulb is an "A19 lamp" meaning A-series with 19/8" (2.375") diameter.
To put it more simply still; AC light dimmers work by 'turning off' the sine wave part way through the cycle. This works on purely resistive loads (light bulbs) and blows up motors (ceiling fans).
LEDs are direct current devices that run on less than 2V. So they convert the electricity coming in to DC, then regulate it down to their voltage. No amount of 'sine wave chopping' is going to dim them.'
As a result they try to cheat, they try to both convert AC to DC and to measure the incoming sine wave and guess that it is being dimmed by an old style dimmer.
In the GP comment, the engineer chose perhaps poorly. Clearly as soon as power is available the light comes on full, then after the 'dim' setting is measured it adjusts the light level to the 'dim' setting.
What the light might do when it receives power is first do the measuring to look at the sine wave. then after it knows what brightness it is being commanded to show, then enable the LEDs. Now how long does it wait? If it waits 16mS (or 20mS for 50hz) then it can see a 'full' cycle. But since it could start anywhere it really needs to wait 24mS/30mS because that way it is sure to have at least one full cycle in its memory. However, if there is a 'smart' dimmer (think X-10) involved it may just pass through unclipped sine waves as it powers up because "the incandescent light takes many milliseconds to warm regardless." If the LED waits longer before it turns on you cross 100mS which is where pretty much everyone would note a 'lag' between turning on the light and actually having it come on.
All of that just to that a 20 year old dimmer based on TRIACs still works as 'expected' by the user.
When we get 2-wire dimming it's usually reverse phase (AKA Electronic Low Voltage (AAKA ELV)).
Then the idea of a rogue wave can be understood to mean a region of interference in which a wave of strange properties is formed -- such as a standing wave or a wave of exceptional amplitude.
This look's very promising. Imagine the public health benefits we could reap from eliminating 98% of highway noise! And that's from 2009.
LEDs are already efficient enough that I'd focus on color quality above all else when selecting them.