Compared to that the whole art-car, techno, cyberpunkish thing in S.F. just seems so provincial and quaint. I don't doubt that people put a lot of work into it but it just doesn't compel me at all.
Compared to that the whole art-car, techno, cyberpunkish thing in S.F. just seems so provincial and quaint. I don't doubt that people put a lot of work into it but it just doesn't compel me at all.
There are a wide variety of other theater venues around the Bay Area. Santa Cruz for small stuff, San Francisco for a huge mix of productions from Broadway shows to weird warehouse stuff, and San Jose, Mountain View, Palo Alto, and Marin all have theater companies.
Not to nitpick, but many of the bands "coming out of Brooklyn right now" are bands that moved there from elsewhere to try to ride the "Brooklyn band = good" wave. It's weird how arbitrary and amorphous these various scenes can be. If you can't find good music coming out of SF, you're probably not looking hard enough.
> Compared to that the whole art-car, techno, cyberpunkish thing in S.F. just seems so provincial and quaint.
It seems odd (and inaccurate) to sum an entire city's culture up with 3 indistinct generalizations.
There are upsides to living in a smaller and less hectic city too, but you can't have it all.
Can anyone name 5 bands from SF? 3? 1?
In contrast, when I grew up in Minneapolis there was a huge local music scene and one of the main things people did was go see local bands. There were dozens of bars with 3+ acts playing all weekend, and often during the week.
There are lots of bars and venues, but I recommend checking out Bottom of the Hill in Potrero -- their shows tend to be cheap and they feature local talent a lot.
I get your point: SF isn't the top dog when it comes to music, but honestly... you can find local music no matter where you are, as long as you look for it. And if you don't look for it, all the local bands you're not going to see are just going to move to Brooklyn (or wherever else is cool that year) along with everyone else.