The "Post-Cyberpunk" section was especially jarring. Right off the bat, the author classifies "Snow Crash" as post-cyberpunk.
I'd also argue that Cyberpunk does not mean "everything is terrible", nor does Post-Cyberpunk have a softer and lighter view where "not everything is terrible." Rather, the difference is whether social control is rooted in 1984 or Brave New World.
From this point of view, Ghost in the Shell and Minority Report are still Cyberpunk (edit: settings); the viewer is just seeing things from a point of view other than the completely marginalized. Shadowrun is a Cyberpunk setting whether you work for a corporate power or in the streets.