https://intermorphic.com/sseyo/koan/generativemusic1/
"The works I have made with this system symbolise, to me, the beginning of a new era of music. Until a hundred years ago, every musical event was unique: music was ephemeral and unrepeatable, and even classical scoring couldn't guarantee precise duplication. Then came the gramophone record, which captured particular performances, and made it possible to hear them identically, over and over again.
But now, there are three alternatives: live music, recorded music, and generative music. Generative music enjoys some of the benefits of both its ancestors. Like live music, it is always different. Like recorded music, it is free of time-and-place limitations — you can hear it when and where you want.
Edit: There is a YouTube recording of someone's generated version of Lysis (Tungsten) from the album:
You're forgetting that for many people, part of their early exposure to music is music from within computer games, not just music released as standalone albums.
All traded on 5-1/2 floppies among friends.
(Surprising no vaporwave artists has gone this route: release a vaporwave "album" on floppy disc, done entirely in ScreamTracker, and recommended to be played ideally on your Gravis Ultrasound...)
There were also diskettes with standard MIDI files voiced for General MIDI for karaoke & education, playable on the Roland SoundBrush (sequence player for the SoundCanvas synth) and MT-80S https://www.youtube.com/watch?v=5ks3ucumilU and the Yamaha MDP10 "boomboxes" https://www.youtube.com/watch?v=ikneZi7vUsE