Is Mark Twain's 100-year-old+ autobiography covered by copyright?
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Given this situation, the famous Prelude in C♯ minor by Sergei Rachmaninoff (1873-1943) dates from 1892 and technically is still copyrighted in Europe until 2013. At the same time, there is a public domain recording made in 1919 (by the composer himself!) that is available on Wikipedia, where it is presumably legitimate under US copyright law [1].
Meanwhile, various machinations by parties without the best of intentions, coupled with a special case in French law to extend copyright because of the world wars, make it such that Boléro (1928) by Maurice Ravel (1875-1937) still won't enter the public domain until 2015, with royalties sucked up by a "management agency" while the composer's own home falls into disrepair [2].
On the other hand, it looks like Ottorino Respighi's Ancient Airs and Dances No. 3 (1932) would be public domain in Europe while not in the US because of the automatic copyright.
[1] http://en.wikipedia.org/wiki/File:Sergei_Rachmaninoff_perfor...
[2] http://www.guardian.co.uk/education/2001/apr/25/arts.highere...
EDIT: Argh, it took me a half dozen tries to get the first URL right. Apostrophes seem to get dropped from URLs HN comments, rather than encoded with %27.
That said, publishers slap copyright notices all the time on works in the public domain. They cover things like the foreward, introduction, cover, etc.
See this complex chart if you'd like, uh, more clarity: http://copyright.cornell.edu/resources/publicdomain.cfm
But this is once again one of those "copyright law is a mess" scenarios.
What can be copyrighted is frequently confused. In particular (Section 102 USC17):
102(a). Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include ...
102(b). In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.
On top of this expression/idea dichotomy there is a large body of case law which further explains what is meant.
There is the issue, though, of a copyright on a compilation of public domain works, or on the edits on top of a public domain work that create a derivative work. These copyrights don't subsist in the PD works themselves, though.
http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_....
If it was a print of the painting, it would depend upon whether a court would construe that it had sufficient originality to be a derivative work. But that wouldn't stop Getty from trying to assert copyright.
Handheld and video cameras using existing light are welcome in the permanent collection galleries. Please check at the entrance of the changing exhibitions for any restrictions in those galleries. Flash photography, tripods, and monopods are not permitted.
Those limitations make making a good reproduction a challenge.
As to your question: they are probably asserting the copyright on the photograph itself, not on what it depicts. That is perfectly OK. If that weren't possible, press photographers would have a hard time making a living.
Artists gotta start thinking about their legacy.
Example: software patents. For an industry that moves so quickly, the patent protection, which was once supposed to foster innovation by giving the inventor time to bring his invention to market without worrying about it being stolen, is now used mostly to stifle innovation by patent trolls who do not bring anything to market themselves, but just sit in wait so they can sue someone who does.
The marketplace brings about authentic business models that may thrive within it when they make sense, but not forever. People have to move on and old industries must give way to new ones through the action of the market. Just as the luddites futilely tried to hold back progress during the industrial revolution, just as the printed newspapers are fighting to survive in a world increasingly dominated by democratized internet news, so too must the industries -- that once depended on copyright protection -- reinvent themselves. The record companies and publishers of the world must realize that with the new technology, the cost of publishing has gone down to pennies. And therefore, affording copyright protection or any other protection is something that may not be in the best interest of society anymore. Is this done to promote the creation of magnificent works of art (which otherwise presumably no one would undertake) or is it done to cater to the lobbying of a select few (e.g. Disney lobbying Congress to keep extending the copyright protection)? Why don't we draft an alternative proposal that fits the current times and let the people decide?
I have nothing against government protections that make sense. But it seems to me that these days, such long-lived copyrights and patents are doing more harm than good.
The issues that you and everyone talk about, exists since almost the beginning of the Age of Enlightenment. Do you really think you're going to get away with historical ignorance and change the world for better? Surely, you could do better than your predecessors in this debate, no matter what sides of the same coin you are on.
You have fallen into Thomas Jefferson meme and is stuck there until you have forced yourself to look at radical ideas.
Why do you think and assume that patent and copyright make sense?
Have you look at the bygone era of 19th century American literacy market wheb American writers are starving due to the piracy of massive British literature? Even more surprising is that some British writers have earned more money than they would have gained in royalty for a number of years.
What about James Watt? Isn't he a hero of the industrial revolution? Nope. He is simply one of those steam engine inventor amongst many. He slowed down the industrial revolution with his patents and wasted his massive intellectual energy dealing with lawyers and lawsuits against his opponents.
Can we move beyond the tired cliched arguments of enlightenment era rationalization?