The vinyl revival make a lot more sense. Of course, the biggest pop star in the world selling a few hundred cassettes may not constitute a 'come back' either.
The vinyl revival make a lot more sense. Of course, the biggest pop star in the world selling a few hundred cassettes may not constitute a 'come back' either.
You could loan someone a tape without worrying about scratches. You could make your own mixtape, which became a romantic trope and let people take creative part.
Cassettes were usually cheaper than vinyl or CDs. Also, you could record your own tapes. I have tapes of me talking as a toddler. You could record a lecture or interview. There's a reason people still say "album" and "demo tape." Tapes could be produced in 1s and 10s. Vinyl presses had big minimum runs. So.. underground music happened on cassette tapes.
I would flip it. Vinyl's only advantage was sound quality (assuming the needle was sharp and the record unscratched). Cassetes had every other advantage.
There's a reason they were so popular well into the cd age.
> Portability (also walkmen and boomboxes, not just car stereos), recording (copies, mixtapes, radio recordings), durability & price.
And the question remains:
> what's the point in bringing them back?
Some friends in unknown bands produced ~100 CD-Rs of their music and left them lying around bars and nightclubs. That cost £20 and a lot of time spent swapping CDs at the computer.
>You could make your own mixtape, which became a romantic trope and let people take creative part.
Whilst I agree, that in absence of any real alternatives, the Compact Cassette had these features/qualities that made them very convenient and ubiquitous. However, it was an inferior medium as they were a pain to look after i.e. if you left them near unshielded speakers or in the car on hot days or try and avoid having the player chew it up, then spend hours trying to spool it back with a pencil, splicing the tape etc. There was also the Zen of Cassette Player Maintenance with the 'head-cleaning' routine..
If I had to bring back a format, it would be the MiniDisc (versus the superior DAT), not only for the nostalgic element but also for it's sheer versatility and durability.
The tape does this because it was mechanically simpler. But in other systems, where it may not be, this is still what you want. So, a good Implementation should do it anyway.
Portable minidisc players _could_ have been made slightly cheaper by removing the solid state storage, then they would have skipped if jogged like old portable CD players (and unlike a portable tape player). But all the official ones had solid state and so the experience for the end user was that they "didn't skip" even though of course in reality a spinning disc can't achieve that, the solid state storage hides it from you for long enough. Good Implementation. CD players copied this technology eventually as RAM got cheaper.
This is the same for TV channel up/down on most digital TVs. It's very slow. Why? Well, mechanically changing channel is more complicated, and so by default it will be slow. But that's not really _why_ the real answer is that consumers prefer a cheaper TV that has poor Quality of Implementation and so those have won. Vendors could spend $5 extra on the BOM (duplicate tuner and decoder circuitry following adjacent channels) and a few hours engineering to make it nice and fast, but why bother when customers won't pay a dime extra?
Cuz it's not. CDs use the same sound encoding method as vinyl, just stored in variable reflectiveness instead of variable height. The "files" you see when you pop one in your computer is an abstraction generated by the operating system, they're not really there, there's not any digital data after the table of contents.
But still, that hardly makes cassettes better sounding.
I think the point I was trying to make was that tape is something different than digital. You can download high fidelity files as well and if you buy a CD you'll probably end up importing the files anyway.
With that said, cassettes are definitely not a hifi option and I'm quite sure it's genre dependent as well.
DAT, of course, saw reasonable success in the recording industry for transferring 2-track digital lossless audio to and fro studios and such before CD burners were commonly available. DCC saw very little, if any, success anywhere :)
I thought it would be worth mentioning that you may be confusing CD with Laserdisc, the video format. Those look a lot like huge CD's but are in fact analog and work more like what you describe.
The weirdest album I've seen for sale at a show was a Sega Saturn (or maybe it was a Megadrive) cartridge.
At least, I imagine anyone who has a cassette player also has a CD player while many people who have CD players don't have a cassette player.
I saw that figure of 540 cassettes in one week, and it reminded me of the article "How Many Copies Of An Album Do You Need To Sell To Hit #1 On The Australian ARIA Chart" [1]. TLDR: Ed Sheeran got to #1 with just 3777 album sales across digital & CD.
[1] https://www.news.com.au/entertainment/music/how-many-copies-...