I feel I very much should be in Apples target for a pro-machine considering my Windows workstation is a dual GPU 1080Ti machine (cost a fraction of an iMac Pro and outperforms it) I use for 3D rendering, animation and video editing. Yet when I point out it's terrible value I again just get told it's not for me and it's for people who edit "Marvel movies" for a living.
I mean the only real complaint you could have with their pre-Mac Pro lineup was it just didn't have any way to fill niches, everything had to be good for the 80% and not right for rest. Wouldn't it have made a lot more sense to target this product as modular enough to fill the rest of those needs instead of targetting it specifically at the highest-of-high-end blockbuster movie editors.
1) OSX 2) Top of the line specs
Anyone seriously buying a Mac Pro is either in the above group or just a crazed fanboy happy to pay the ludicrous premium to say they did.
On the other hand one has to wonder, however, if at some point around the same specs as the "low-end" mac pro, that a server wouldn't make more sense? Can you stuff a pro graphics card into a Dell R740 and have it far enough away that the fan roar won't be an issue when editing 4K video?
The Mac Pro is a luxury good and should be viewed as such. The fact that the tech community is up in arms about it because it's technically a computer is really their own fault for misclassifying the device.
Why would anyone buy a Telsa semi truck when the Ram 3500 HD costs half the price?
That was the entire point of my comment. I'm saying whywhywhywhy is confusing two different product categories just because those categories happen to overlap slightly at the high end of one category and the low end of the other.
And I don't think that the posting you answered was wrong. Apple calls this machine a "Mac Pro", so any professional users should be targetted by it - they don't have any other machines for professionals who require a desktop machine. Instead, they should have called it the "Mac Hollywood", as this seems to be the target audience.
I know plenty of professionals who use an 11” MacBook Air. Your definition of professional is not the same as everyone else’s, and it’s ridiculous to try to fit everyone else to your own mold.
Basically, stop using the argument “no REAL professional would ever...”. It’s a worthless argument.
There was no absurdity in the comment you answered on. Apple pitches the machine for a general "professional" audience, especially as it is the only modular Mac offerring. But in fact they only designed (and more importantly) priced it for a very special subsection of the professional audience. So they should be more specific in their pitch and also offer a modular machine for the rest of the professional users.
And your original comment would have been more constructive, if you had tried to make your point explicitly, as you are doing now.
Your definition of professional is not the same as everyone else’s, and it’s ridiculous to try to fit everyone else to your own mold.
I am not doing so. The original poster (and I agree) just also wants a modular Mac machine.
Basically, stop using the argument “no REAL professional would ever...”. It’s a worthless argument.
I have nowhere said that, please stop putting words into my mouth.
I'm not in the industry but from what I have observed of friends who are this Mac Pro is a machine that will evolve workflows compared to a DIY build workstation. As far as audio is concerned which I know more about this Mac Pro will be the industry standard for quite some time. They are already redesigning DAW software to facilitate the extra potential it provides.
The video accelerator card is the only Mac Pro-specific thing, and it's competing against existing (albeit more expensive) products that enable that, too. Like the RED ROCKET-X. Or the CUDA-accelerated decoders on Quadros that you can't put in a Mac Pro.
Except... if your content is all in ProRes. Then the accelerator card makes an appearance and could make life more pleasant. But if your workflow isn't ProRes, then that pleasantry comes at the cost of 1) more than doubling storage requirements, and 2) transcoding time (which is slow, because the ProRes accelerator won't help in turning something else _into_ ProRes).
For DAWs, I'm struggling to see the "extra potential" - it's a Xeon processor.
There was a time when Mac Pros were an excellent value, and you could afford one if you were a modestly successful entrepreneur. But with the new Mac Pro, Apple seems to largely ignore the needs of entrepreneurs and small studios. It appears targeted at large studios where the cost premium is a rounding error.
But contrary to popular belief, many "professionals" do consider cost when buying equipment. Being able to depreciate this stuff on your taxes doesn't suddenly make the cost irrelevant.
Dell: Xeon W, 8 cores, 3.7GHz, 32GB RAM, 256GB SSD, $3,506 [2]
I know there are some configurations at some points in the product refresh cycle where Apple computers are price-competitive with Windows computers, but this isn't an example of it.
[1] https://www.tomsguide.com/us/mac-pro-2019-specs-price,news-3... [2] https://www.dell.com/en-us/work/shop/workstations-isv-certif...
Come on, this is just not true. It's an 8-core with 32GB of RAM and 256GB SSD for 6000$. Just because Apple found some PC workstation that's even more expensive than the Mac Pro doesn't mean it's good value.