It always amazes me that normal people like journalists still use such a strange website.
It always amazes me that normal people like journalists still use such a strange website.
But what's really surprising to me is how often I see those few randomly blocked annoying people show up again in totally unrelated twitter threads with "This tweet is by someone you blocked". It really seems like the same few people just roam around the twitter universe spreading outrage and contention everywhere they go. It's like a playground for society's most unbearable people.
I've rarely had that experience. Maybe once in 5 years.
It actually suggests you hate your bubble, lol.
I detest / deleted Facebook with an ungodly passion ... but I can see how some people find some use for it.
I like twitter, apart from the political loons ... but, of course, everything is a function of what you put in and who you follow.
To answer your question: timeliness, access to "top" thinkers, a bubble created and curated without baby pictures.
Well a lot of it is because it makes content production so damn easy. Take a real example which reached the BBC front page a while back [1].
The entire story is :
1. A Korean actress was cast for some role in something Harry Potter related.
2. Some people on Twitter were unhappy about this
3. JK Rowling defended the casting (also on Twitter).
4. Then there's some mention of some other story about Dumbledore not being shown as gay.
5. A couple of still photos + a clip from a movie
[1] https://www.bbc.co.uk/news/entertainment-arts-45666350
OK, this is entertainment "news" so it's a pretty low bar but the reason this stuck in my mind was what a non-story this all was - even by the standards of the subject matter. There's not even an attempt to gauge whether these complaints represented a decent chunk (or the majority) of the Harry Potter fanbase - it's just a quote from a couple of random people annoyed about it. Imagine if national broadcasters could get away with quoting random people they overheard in the pub and this would constitute a story.
Of course, the thing giving the story some legitimacy is that Rowling has responded to this alleged controversy. And that's the other main reason (which is kind of reinforcing) - enough companies/famous people use Twitter as their method of communicating with the public (and by extension the press) that the press continue to use it.
I'm intrigued and baffled by this. Would you so kind as to expand it into something I can at least google?
I mean - I think I can guess the meaning but I might be wildly wrong so I'm not going to try without some further elucidation from yourself.
https://www.patheos.com/blogs/jappersandjanglers/2016/09/an-...
And "pinetree-eco-fash" refers to ecofascism, which is not uncommon among fascist groups:
https://en.wikipedia.org/wiki/Ecofascism
I was unaware they were feuding on Twitter (since I follow no one in either of those groups), but it doesn't surprise me.
And I wouldn't be surprised to find trad cath socialists there either.
And ecofascists are not left-wing.
Pine tree I could see as Lebanese nationalist and/or Pacific Northwest ecofascists who are similiar groups. The two would get on like a dumpster fire as the trad-caths wouldn't prioritize the environment and would be bigoted towards them. The eco fascists would find them abominable and feel no affinity since they aren't contributing to their central justifying ideal - even though anybody with sense knows the object of fascism is fascism and the eco would inevitably wind up lipservice at best. While tongue in cheek they are perfect useless idiots who would just get a bunch of innocent people killed if they got remotely close to what they wanted.
https://duckduckgo.com/?t=canonical&q=eco+fascism&iax=images...
The norse rune mask cut out over a pine forest being the referent.
Trad-cath-leninist is more straightforward: traditional (I.e. Reactionary/fundamentalist) Catholic (as in the church) + marxist-leninist.
Maybe the real question is why k-pop is completely invisible everywhere else. Why the places with gatekeepers tend to ignore k-pop audience.
As a VERY casual consumer of either genre, I find that baffling. My personal assessment is that K-pop is heavier on "sexy" style[1][2][3] vs J-pop's "cute" style[4][5]. Sex sells, and IMO K-pop girl groups sell it better than J-pop. So it's strange that they don't attract the same sort of universal fanbase as other international female entertainers.[6][7]
[1]https://youtu.be/pOmTdFpIDX8 [2]https://youtu.be/HfySji7kNi0 [3]https://youtu.be/n3IwCiSgl-Q <--a "top 10" list
[4]https://youtu.be/1WTy2yqKI4w [5]https://youtu.be/sAerCLnlShg [6]https://www.youtube.com/watch?v=LOZuxwVk7TU [7]https://youtu.be/LDZX4ooRsWs
Japan is the second largest music market in the world. They don't need to export their music to sustain itself and through a combination of region locked music and less focus on worldwide appeal it hasn't had the same global reach as south korea's music industry, which is smaller and relies on worldwide consumption