In his case he was fortunately able to pivot to a very niche market and is doing quite well.
In his case he was fortunately able to pivot to a very niche market and is doing quite well.
You'd be stupid not to get the instrument over the counter, unless the online deal offers more than a modest discount.
Not worth the return headaches if something is wrong: twisted neck, fret being out, bad wiring, cosmetic issue and whatnot.
Or is it a choice thing? People try in the store, but get something a bit different online, like a very similar model that the store didn't have?
I chose to buy from Guitar Center when I made my thousand-dollar purchase. And yes, the sales staff were difficult to work with, but I kept my receipt and when, two days later, I found an obvious defect, I was able to walk back into the store and get a replacement.
I was happy to pay a little extra up front because I was able to take the instrument out and actually use it before buying. (And I was able to bring it right back two days after I bought it.) It was well worth the slight surcharge to be able to inspect it before buying.
I wonder what my "extended warranty" means after the company is out of business? I'm pretty sure it's not worth the paper it was printed on.
There's a ton of variance. Buying guitars in person (or better, built to order from a luthier you know) is always preferred.
But not wrong in that same way whereby you compare three identical, well-made acoustic guitars side by side and one of them obviously "projects" the tone more.
Most of the are minor issues, but it helps a lot in narrowing down something to buy. Brand reputation doesn't mean much these days, especially with electric guitars. The way those are priced you'll see a huge spectrum in cost and construction techniques and the economics of electric guitars mostly means labor priced towards zero and cut corners.
11 and 13 piece laminate necks are a trend that I would like to see go away. It's a "look" that nobody can really see, usually means worse tone and says you couldn't find one good neck out of the wood you had. Same with the relic look.
We usually find a couple of good Hall E brands every year with a 1-3 year waitlist for a good custom guitar. Some of those are today's "good" brands (Aristides...). Martin always has a few beautiful acoustics to sell out of the custom shop that cost as much as a car.
Every year we usually find a different model Yamaha that's probably $1000 cheaper than it should be.
Well, either complete neophyte, or a seasoned pro who can absolutely shred on anything blindfolded, and convince others that they should buy it, too. :)