It makes a bit of sense - a local outfit probably has far more marketing reach, a bigger local audience, can schedule release at the optimal moment not during some local sport match, and can tailor the content locally (translations, censorship).
[1] Example: Sky Sports F1 is pretty big budget, but they're still stuck using [knock-off version of The Chain] rather than the real thing, whereas the BBC can break out a really expensive song (e.g. Money for nothing by Dire Straits) for a throwaway segment.
When shows are exported they’ll gut them. Top Gear is the best example I know of, on the netflix & bbc america versions, most the recognisable songs have been replaced by musak.
Seems like state TV still has a long way to go.
Netflix and Amazon carry Discovery and Picard, but when it came to LD nobody wanted my money because I live in 95% of the world.
Even content that appears to be directly from the BBC is probably created by some firm that and gave it under some licence terms to the BBC.
There was a stalled imitative to end this bullshit at least inside the EU but the content-lobby was stronger.
Everything else on BBC Online (BBC 3, Reels, Entertainment section, Politics and Newsbeat) is not worth looking at.
Mainly the wide array of in-depth documentaries presented by experts.
Yes, there've been loads of TOTP reruns since their budget was slashed and there may be some overlap with Sky Arts in some areas, but no channel comes close.
Notable excellent non-docs include Screenwipe, Only Connect, Detectorists (my favourite sitcom from the last ten years), The Thick of It.
I'd pay my licence fee just for BBC4, Radio 4 and BBC News.