* Hackers — it doesn’t get the software too right, but it nails the feeling
* Sneakers — a great introduction to social engineering
* Hackers — it doesn’t get the software too right, but it nails the feeling
* Sneakers — a great introduction to social engineering
Sneakers is another great movie. It seems a lot more faithful to how hacking works in real life: as you said it's mostly about social engineering, not how fast you can type. And the device in the movie is at least somewhat plausible. A mathematician could in theory discover a critical vulnerability in cryptography and build it into a standalone electronic device.
Hackers is awful. I don't get the appeal at all. I'll never understand why this movie is so popular. I'd put it right up there with Swordfish in terms of nonsensical computer voodoo.
1. It has a great soundtrack. 2. Fisher Stevens is corny as hell.
=)
There were a few great things about that movie: the technology was grounded in reality, rather than fantasy (except for the WOPR); the hacking was plausible, rather than magical; not only was there commentary on the geopolitical situation of the time, but it was plausible.
The end was incredibly disappointing, but I do not know how I would improve upon it since it is pretty much the consequence of the fantastical WOPR. It would have been a much darker movie if the WOPR was replaced with a more realistic computer.
Angelina Jolie's bare breasts. I'm confident that's the appeal.
Everything else is just dancing around the issue.
Otherwise, it's a very annoying movie.
ISTR reading that that’s the original explanation, and it is what the depiction of the programs-as-people (and agents specifically actively replacing people) is grounded in. The exposition—but just the exposition—was changed at studio direction based on test audience feedback.
(Personally, I think the change to in-character exposition is an improvement, not because it is plausible, but because it foreshadows and underlines that the “free” humans understanding of the Matrix is ultimately grounded in deception intended, as later made explicit, a system of control.)