Product placements may soon be added to classic films
bbc.com
bbc.com
https://news.ycombinator.com/item?id=26860643
(42 points/36 days ago/60 comments)
When push comes to shove, will Media Co. turn down millions from Coke just to keep a 30-second scene in a film? I'm not optimistic.
I don’t care if I “recognize” a car being a Toyota, if it’s necessarily incidental to the scene.
I do care that things may be artificially plastered in a scene, whether cereal box in a movie before breakfast cereals were a thing or a billboard on a building for a brand that didn’t exist. At that point it’s not a film and it becomes an advertising cartoon.
It’s a bit repulsive to be honest.
1. https://www.nytimes.com/2020/06/10/movies/gone-with-the-wind...
I am well aware of the history of product placements, but this just brings the reality to the forefront: you and I are viewed as nothing more than marketing targets and advertisement receptacles. It's dystopian.
But adding/replacing ads in “classic” well regarded movies really destroys any notion that these are works of art or classics in any way.
These days it seems to be a machine for making me think "FFS" an increasing amount of times a day.
Not really. If "uncorrupted versions of these cultural artifacts" are illegal, what the internet does is make it easy to track down the people sharing them for punishment.
The internet is far more amenable to automated surveillance at scale than the offline world.
But you know what? There was a lot more stuff being shared on the internet in 01998 than in 01994, despite sounds.sdsu.edu getting shut down. There was a lot more in 02002 than in 01998, despite Usenet having mostly died. There was a lot more in 02006 than in 02002, despite the Napster suit. And that trend doesn't seem to be slowing down even today, despite the automated surveillance at scale.
When eventually I got to Season 2 I compared their episode listing with that on Wikipedia, and saw that the unavailable episode was S02E14, Advanced Dungeons & Dragons. At first I thought it had to be some weird copyright challenge from D&D... but no. It was because the comedically unlikeable character of Ben Chang obliviously and with no bad intent makes what is a cultural faux-pas in the USA, for which he is criticised, as a minor side joke in the episode [0]! And of course Netflix, in their infinite cultural sensitivity, decided to make the episode unavailable worldwide, as if Netflix users in Spain should even give a damn about a minor American cultural taboo being played for laughs.
Thank God that file sharing of copyrighted files is not illegal in Spain [1], so I was able to carelessly download such an objectionable and immoral episode via The Pirate Bay! Hello Torrent my old friend...
[0] https://en.wikipedia.org/wiki/Advanced_Dungeons_%26_Dragons_...
[1] https://en.wikipedia.org/wiki/Legal_aspects_of_file_sharing#...
Anyway... good lord stuff like this might actually happen.
https://www.newyorker.com/humor/daily-shouts/l-p-d-libertari...
>“Subway™ Eat Fresh and Freeze, Scumbag!®” I yelled.
What's Amazon going to do to the MGM back catalog?
And note the nascent free video exodus beginning with the upcoming removal of "Charlie Bit My Finger".
https://www.vice.com/en/article/mg7ek8/youre-going-to-need-a...
https://clearcode.cc/blog/ott-advertising/
https://www.washingtonpost.com/technology/2019/09/18/you-wat...
Hasn't that been possible for quite some time now?
The things that stick out like a sore thumb are where there's an element that has clearly been scripted by the advertiser to inject into a script.
Like: we're in a police procedural TV show and the detective's interactions with the GPS/entertainment system on vehicle Brand X suddenly become a focal point of dialog or the scene.
That stuff's just obnoxious.
I don't think this is impossible and if it happened I would be frustrated and angry. But let's hypothetically say that I'm right, and this is not going to happen. That would make this article almost definitionally clickbait: a remote possibility is brought up with an infuriating headline designed to share, and the comments section is filled with people who clicked and are riled up emotionally. I think both journalists and people sharing things should be as conscious as possible about this and not participate in the click-attention game.
(I recognize a certain irony in commenting to say that no one should react to this, when I'm reacting to the reactions.)
Also, this creates incentives for preservation and re-launch of classic films.
Ideally this could trigger a flow where producers create content; post-producers gather resources from advertisers pay the producers, digitally place products and distribute to consumers. If every step is healthy, it can even get to the viewers without the need to pay for it.
This could be a boom for entertainment in poorer countries where a good deal of the population can't pay for streaming. Some people simply wouldn't mind watching a five year old blockbuster with product placements if they don't have to pay for it.
Of course, it is possible that I'm being optimistic here... we'll have to see how this turns out.
https://www.indiewire.com/2019/02/warner-bros-shuts-down-kic...
Some people might even prefer the tracking part:
“So if you like wine then the hero of a film could be drinking a particular bottle that you might be tempted to try. Or if you are teetotal the star might be sipping on a bottle of branded water.”
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Wonder how they will redo the dystopian The Running Man with ads:
https://en.wikipedia.org/wiki/The_Running_Man_(1987_film)
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And while at it we already edit text and whitewash news and books. How about adding product placements from finance companies to The Merchant of Venice:
oh, wait, that's terrible. i quit!
Because all that infra you rely on builds itself magically !
I can't believe I was used to that. Now its just unacceptable.