Why the Substack hype is much ado about very little
dankennedy.net
dankennedy.net
The logic is simple: an individual writer is always relatively niche. Niche means small audience. Small audience means you have to charge more per person to cover your costs.
Maybe Substack will go the Medium way and try to aggregate, or encourage its writers to aggregate. If so, then it could succeed, but it'll succeed by becoming a newspaper. The problem is that the NYT, Guardian, Mail etc. have a lot of experience at doing aggregation well. (Each day has an appropriate mix of home, foreign, finance, and sports. The day's editorial chimes with what the front page journalists wrote about. Long run investigations are funded in the hope of big payoffs. Et cetera.) Medium hasn't really broken through, I think Substack would struggle.
An alternative is the status quo: Substack is a perfectly viable blogging tool, where aspiring journalists and writers like me [1] give away content for free, in the hope of breaking through to the next level, and where a few people make a good living. But if so Substack will fit into the existing landscape, rather than disrupting it.
Charge me monthly to to up but not if I have more than m unspent tokens.
This idea of building your own newspaper sounds kind of interesting actually: a mix of authors you've picked and an automatically curated content from other authors to help you find new authors.
After someone has written something / produced a TV channel, sending it to one more person costs basically nothing.
So, if (making up some simple numbers) there are 100 writers who want paying $10 each, and 100 customers who want to pay $10 each, you can:
* Charge each customer $10 and let them read every writer (most of which they won't want)
* Charge each customer $1 a writer, then they get to read 10 writers.
* Charge each customer $10 a writer, then they get to read 1 writer.
People often say they want to pay a smaller amount for a subset of content, not realising that if everyone does that, you just end up spending the same amount as you started, on a subset of content.
Have a wallet that's loaded with value, send out payments for every second you spend with a creator's work.
Time spend is a really bad metric since it can easily be gamed. For non-entertainment content time spent could oven correlate negatively with value.
If I'm paying per second I can download something that would take me 5 minutes to read in 5 seconds, saving me 59/60ths of the cost.
If every reader gets to choose which writers get their money, the least popular writers will get nothing and the most popular ones will get much more than they expected.
Then the writers who got nothing will presumably give up, thus increasing the average attractiveness of content on the platform. Meanwhile, the most popular writers can adjust their expected compensation upward but still lower the price per reader, thus increasing their readership even more.
On the other hand, if you're paying a flat fee to read anything you want, you'll be subsidizing a whole lot of crap you don't want, without a feedback channel to correct that.
I certainly don't want to negotiate every time I want to read an article. Heck, I don't want to decide to pay a fixed amount every time I want to read an article.
You need dozens or hundreds of substitutable writers under a single roof if you're reporting factual updates about a concrete situation as quickly as possible. Natural disasters, elections, sports, law changes, etc. Substack is for analysis and commentary. Traditional newspapers also bundle a handful of "superstar" writers along with their news, but many of those writers aren't very good and especially in the past 8 years many of the better ones have been purged because the best analysis requires free thinking, but free thinking is incompatible with a hard left takeover of an institution. It's no coincidence that Substack's top earning writers like Greenwald, Taibbi, Scott Alexander have all been purged from other media outlets for their un-woke writing: there is demand for such analysis but newspapers are trying to extinguish it. In Taibbi's case he was pushed out of the media outlet he himself founded! Substack is now monetizing this demand, apparently, very successfully (the deals they cut with those writers have supposedly all been very profitable for Substack).
I am reminded of the financial commentator on the radio in the early 2000’s predicting that Amazon would fail because it had stopped offering free shipping.
Time will tell. I don’t have a crystal ball, but I’m rooting for substack.
If Amazon made Prime free for everyone and kept their retail prices unchanged, there'd be a good argument for saying it's free shipping.
I guess the question is does that model work? Rather than catering to a generalist audience focus on a niche and charge more to people who can't get that content anywhere else.
Free content then plays to the more generalist audience and helps attract people who are more seriously interested in your niche.
I started doing this with my substack, which is aimed at the relatively narrow niche of sequencing technologies (biotech). The information I provide, isn't really available elsewhere and requires an industry background, and significant research. This information can play into investment decisions, so I've priced it to reflect that (~$50/m).
I don't have enough paid subscribers to justify the effort yet. But every paid subscriber provides some meaningful amount of money...
I could see this working in other areas too. I'm not sure the niche even needs to be super small. For example, English language reporting on Japan is generally pretty bad. Could you find at least 200 people worldwide willing to pay $50/m for detailed well sourced reporting on Japan? It seems likely to me...
It doesn't even matter if those 200 people republish your work in some form. They're paying privilege of getting that information first.
Now we're in the internet. There are no such constraints. Why not just pay directly per article?
Spotify for example collects money but distributes it to artists, per-listen. Spotify has basically almost all the music in the world. And other services have it too. Anybody can upload to Spotify or Apple Music or Tidal or what you have. So Spotify is not really doing curating or having a quality standards or an editor anything, like a newspaper, it's just a way to collect and distribute money.
There is the still-unloved problem of curation. You could use humans for good curation but discoverability is quite bad.
(Edit: yes in the newspaper world there is the syndication, Reuters, AFP etc, too, and staff writers etc, it's a bit more complicated.)
If I want to listen to Lady Gaga, I can do that from any of the music services. The artist gets a cut from my monthly payment to whichever service I use.
If I want to read an article about traveling to Iceland during Covid times and it's in Washington Post while I subscribe to the New York Times, I can't, unless I subscribe to the Washington Post.
Maybe a writer writing to NYT does get money according to the amount of clicks to their article. Some articles can even be free and the money comes from ad revenue. But it's still a small walled garden. People just don't get to see many well written articles because they are locked behind this small garden paywall and most people don't want to pay the entrance fee.
How about a "Writer Money Distribution service". People could subscribe to it. You could build a curated edited newspaper out of such articles, if you wanted. But a user could also read any article, and they would know that their monthly money would be distributed to the writers according to the what they did read. There could be even multiple services and the same writer could publish to multiple with no exclusivity clause.
Edit: Hell, Hacker News is one excellent article curation service that has supplanted the place of a newspaper. But there's no revenue feedback mechanism. What does the writer benefit from being linked to from HN? Many people use some go-around-the-paywall service since they don't want to subscribe, which indeed would be irrational for only a few articles every now and then.
I assume Substack payouts are very power law.
Because it's music, and not written text, and thus on in the background, having an 80/20 (or whatever) split for old/new music was really great for discovering new music that's similar.
TikTok solved discoverability for brief video clips, but they demand full attention. Basically the opposite of music.
Discoverability for the written word is a bit more complex, especially for long form articles.
(Pandora's backend implementation irrelevant here. Pandora predates the popularity of ML, so I presume there was a lot of human effort going on behind the scenes to make it work so well.)
Micropayments really suffer from this constantly. So much so that I think the value of the content goes negative once you factor in the costs to decide if you want to pay for it and then the costs of paying for it (mostly not monetary costs). Individual subscriptions (aka Patreon) bulk them all together at once and will just keep happening so you better keep on top of them.
The main alternative that doesn't quite suffer from this is the model of a single payment that gets smeared automatically across everything. I chuck in $X/month and it gets automatically distributed to all the sites I've visted somehow. I think this suffers from different problems. Namely that I probably don't want to pay in proportion to time spent or pages viewed but value. My money would probably end up largely going to the big companies and not so much to the little guys, while I'd probably personally choose the opposite proportions. And other times there are websites you've visited that you definitely don't want to give money to, because they managed to SEO their utterly useless page into your search results, or whatever. So now you have to go deal with that, or else pay them for troubling you.
And then before long you've gotten so deep into engineering how this payment gets distributed that you're practically at the level of micropayments anyway.
And then you start considering things like privacy, or issues with payment processors caring about content and... it all just gets far too messy.
And then you have the streaming video issue. Aggregator A has this writer but not that writer, etc.
What's different about news and music is that there's not so much interest in the back catalog in news. So publishers could have less power than record companies.
Regarding streaming, again, that's only a problem if there is exclusivity.
You do have that with syndicated columns, cartoons, wire service copy, etc. Although the NYT uses less of that sort of content than many papers do.
It's a different topology from Spotify and Apple Music.
...actually, I'd *VASTLY* rather pay a small monthly fee to a small number of writers I care about, than a larger fee for a collection of writers that I don't.
More to the point, I am doing that, and a fair number of other people are too. If baffles me to see someone advancing the argument that "people don't want to..." and then listing something which people are very much currently choosing to do. Many people want to do exactly that! (Although I think we agree that the number of people is unlikely to be enough to be truly disruptive.)
> Maybe Substack will go the Medium way and try to aggregate
Very possibly, but if so, I expect the people enjoying their current business model will simply migrate to a competitor. $5/month for a writer I truly love is a reasonable ask. $5/month split across six writers, only one of whom I particular care for is in many ways less attractive; I may be getting more writing but the writer is getting less.
Aggregation is not obviously the only business model that makes sense here, and I think Medium - and come to that, the news industry as a whole - shows off its weaknesses very clearly.
I think the real weakness of Substack is not that "nobody wants what they're selling", but that they have very little moat. Substack doesn't need to worry that Yglesias will realise that actually he hates making more money than the entire NYT editorial board combined and quits blogging to go back to the traditional media; Substack needs to worry that he'll jump to his own platform and avoid their fairly hefty monthly cut.
This is the norm, I think. Surprise surprise nobody really wants the shopping channel or the landline that comes with their broadband either.
Newspapers are well aware of the threats of unbundling. It's one of the reasons why the Economist doesn't have bylines, for instance: writers have to remain a commodity.
While, in theory, picking and choosing for opinion/analysis (as opposed to news) is valid, in practice there are limits. It basically works for me with video streaming because I'm fine with having a limited number of streaming sources. I'm not sure I would be with $1/month for newsletters much less pay-per-article.
I can easily get “the news” like you have access to TV or YouTube with similar content to streaming sites. But if you want niche subjects or specific voices, then sub stack subscriptions for the niches you care about makes sense
But Substack content seems to be much more about "voices" as you put it and that I'm far less interested in.
A position they held steadfast to when newspapers unionized and it became the norm. Their reliance on surprisingly young journalists (kind of like consultancy bodyshops that recruit out of uni) is one reason they were able to avoid them.
Newspapers have often been threatened by their more popular contributors leaving and taking subscribers with them.
They'd therefore never introduce bylines if they had the leverage relative to their journalists to avoid it just as McDonalds wouldnt offer free daycare if it werent struggling to hire and tech wouldnt offer free food and lavish comps.
>Your point--that reporting shouldn't be primarily about individual credibility
That doesnt seem like a point I would ever make.
I mean, you can justify it "in principle" however you like, the economics boil down to the relative leverage of management and journalists. Bylines function as an asset (reputation) that journalists can, in a sense, capitalize and gives them the leverage to take subscribers elsewhere allowing them to negotiate a greater share of the newspaper revenue (lowering profits).
If tech has a bad decade no doubt theyll suddenly "realize" that free breakfasts arent doing them any favors and scale them back.
Do you have any evidence to support this claim? I don’t think this is true.
When there's only three channels or a single local newspaper, you get content that is appealing or at least acceptable to the mass market. The smaller the market, the more extreme the content. When you get to the level of individual writers, I think there's an inevitable radicalization when people only pay for content that really really targets their idiosyncratic interests.
We’d need 10x that number, pay like 60 writers if we want to read articles that have actual research on a weekly basis, not a daily basis.
They don't. The problem is, they don't fit in ANYWHERE. Nobody wants to pay for that, and in fact, nobody ever has. As has been documented ad infinitum at this point, serious, long form, investigative journalism has always been cross-subsidised from other revenue streams, because at no point has their been an audience willing to pay the actual cost of investigative journalism.
Traditionally the funds came from advertising, particularly classified ads, but classified ad revenue died...what, over two decades ago now? Print advertisement revenue followed, the weird shift so many newspapers tried into video was an embarrassing disaster, and here we are, 20+ years of flailing later and no replacements visible.
Will Substack solve this? Absolutely not. Hell, by continuing the great unbundling it might make it worse by undermining the revenue stream for the 2-3 newspapers still trying to make a go of it.
Which is, ultimately, my point: Your argument seems to be "unbundling will fail, because it won't pay for the high quality journalism people want". My argument is "unbundling will succeed, because people don't want to pay for high quality journalism".
And substack is just another platform for people with grudges and conspiracy theories to promote themselves on.
The New York Times alone has 7m paying subscribers (https://www.nytimes.com/2020/11/05/business/media/new-york-t...). The cheapest subscription is 50c per week, so that's at least $182m revenue per year (in fact that's an introductory offer and the standard rate is four times that).
But Substack is growing! Yes, but so is NYT. In fact it signed up half a million new subscribers, double Substack's total, in the first quarter of 2020 alone (https://www.niemanlab.org/2020/05/the-new-york-times-success...).
Maybe the NYT is too ambitious a target. OK: the LA Times, which is "in crisis", has 356,000 digital subscribers (https://www.thewrap.com/los-angeles-times-crisis-stalled-sub...).
So, I'd say your argument is not proven yet. Wanna take a bet on when Substack total subscriptions will overtake the NYT?
Except, with the Internet you don’t have physical/geographical constraints for distribution and suddenly a niche audience, at a global level, is not so niche. And it makes it a viable model, a thousand people paying $5/mo and all of a sudden you are making more than most journalists AND with much greater freedom of expression
And the financial returns are real. I vaguely recall someone, Glenn maybe, who shared they had 6,000 subscribers at $60 per year or $360,000 in income. Clearly more than enough to sustain a writer.
I think the demise of the publishing industry proves this point comically incorrect!
ADDED: Of course, very few is not no one. "Very few" people in the scheme of things buy a lot of books either but some authors make a lot of money. But if you're betting on how much money a book will bring in, don't give up your day job. And, with respect to journalism, the bar is even higher if you're talking investigative journalism that may not produce results for many months if ever.
I happily paid for Blendle as long as they had my best interest in mind (refundable) and only didn't pay more because there wasn't more relevant articles for me.
I'll happily pay for substack etc as well if there is something really interesting, but it either needs to be very interesting, small amounts or someone needs to come along with a real all-you-can-read-model like Spotify.
Ideally I want the option to pay pr piece, or pay a bit more for all todays posts from a channel (newspaper).
That is not my experience at all. Buying a newspaper where you are only interested in 15 % of the content is like buying an entire CD with perhaps two really good songs. This model used to be the norm, but consumers hated it and it is becoming obsolete.
Insert a purchase decision into that flowful sesh (even for as little as a penny) and most will find it more relaxing to just instead go and click on one of the many free articles at their disposal being served up by free aggregators (like this one).
These debates always pop up here with little awareness that the newspaper industry tried micropayments 20 years ago and it didn't work. Paywalls were discovered in 2011 or so, they worked, and that's pretty much been that.
Source: I founded a micropayments company in 2002 and worked at a newspaper 2009-2013.
Paying more for a smaller collection of writers may provide me more value.
It turns out that many (not all) people are willing, able, and actively want to make the choices to curate their experience and see what happens. Yes, it's more work but it's probably closer to what they want.. OR if they miss, it's on them with few others to blame.
We've reached the point where there is SO much noise and the algorithms are optimized to feed you more noise that people suffer. In some cases, it manifests as the constant anxiety and stress of "omg this thing happened!" while in others, it's just the constant interruptions.
Regardless, I suspect we're going to see the pendulum swing back and we'll see strategic disconnection to filter out the noise, chaos, and BS. If that's correct, Substack nailed the timing and should do well for quite a while to come.
My experience is the opposite. I get the Boston Globe delivered every Sunday. It's fine. I flip through it. Occasionally there's a story I care a lot about. Some weeks there's nothing. I read it mostly because I feel loosely obligated to try to keep up with current events.
On the other hand, I subscribe to Matthew Yglesias's Substack and the hit rate is like 85%. Nearly every article perfectly aligns with one or more of my interests. His policy focus almost exactly overlaps my policy interests. It's kind of uncanny.
If I had to cancel one or the other it's really not even close.
Depending on what you mean by "well". I haven't "read" the newspaper in any traditional sense - i.e. reading it as a whole product, not picking a single article - in decades. I haven't subscribed to a traditional newspaper (I exclude special interest magazines) for even longer. I know for a fact that the work of real journalists (investigative, etc.) is being routinely suppressed or restricted by their major newspaper employees because of reasons having nothing to do with reporting. I am getting much more high-quality content from independent journalists (including Substack ones, but not only) and writers than I could ever have found in any newspaper. I struggle to find anything that traditional newspapers like NYT do "well" for me. They have a variety of topics? Who cares. If I'm interested in what a certain author has to say or in a certain topic - which rarely happens with NYT nowdays, but nevertheless - I don't care who pays the salary to the writer. I know that there's no chance a single subscription - or even several of them - would cover even part of my interests, I'd be needing my hundreds-strong RSS feed anyway. So what's the point? What exactly is being done well there?
Expecting even a great journalist to write consistently interesting and clear pieces on their own is like letting a musician record without a producer. It might be good for a while but the chances are a great producer is going to even out the output and make a tremendous difference in depth, quality and accessibility. To say nothing of checking the wilder excesses.
These discussions which focus on the stars ignore the team so necessary for consistent and readable articles. I suppose the lone genius idea has an inexorable fascination.
What about the individual paragraphs, with their unendurable periphrasis and opacity?
A big reason people are on the platform is because they want to read Glenn Greenwald or Andrew Sullivan or Matt Yglesias in a way that’s not filtered by their previous editorial teams.
> ... precisely because editors of traditional publications became parasitic
Could you provide some evidence about what you mean? In these two sentences, you seem to be implying that there's some observable trend where editors have gone from:
1a. Not enforcing the political stance of their paper and 2a. Being indispensable to the writing process
to:
1b. Enforcing the political stance of their paper and 2b. Becoming adversarial to the writing process
This is very interesting. Could you provide some examples?
https://www.bariweiss.com/resignation-letter
And not directly related, but relevant overall:
https://odysee.com/@AlisonMorrow:6/death-of-journalism-by-mo...
The Weiss article isn't even about any local editorial change: the paper found someone to provide a contrarian voice; that contrarian met frequent disagreement with the editors; that contrarian resigned--regression to the mean.
The case of the Greenwald and Reality Winner is much worse. But at the end, it's just a case of an editorial board taking control of story, nothing historically unprecedented.
I've been politically conscious since 1996 or so, and I don't think I can ever recall a single time where editorial boards didn't work to push through the position of their publication. I think I became acutely aware of "position" in 2003, with "Operation Iraqi Freedom" and Fox news, etc. But using the media to hype up war on false pretenses is a venerable tradition in the history of journalism, which, at least in the US, is a business and a political enterprise.
Everything I've described in the last paragraph is socially harmful, and I think it's very important to have underground media and alt media as a counterweight to the mainstream. But there is also a strong need for professional, organized journalism, and I'm sure it still exists in at least some pages the New Yorker, The Wall Street Journal, the Economist, etc, and even local Tribunes throughout the country.
I don't think the proportion of quality fact checkers and editors has somehow degraded in the last x* years. The only things that I think have changed are the _widely-held perception_ that journalism is somehow terrible now, and the explosion of news being distributed in social media. The first is just standard tongue-clucking about the decline of democratic society; the second is about information being distributed at a totally new velocity and availability. I have no idea how the future will deal with that, the effect is only just beginning.
* I'm not sure over what time period your proposed decline is supposed to have taken place.
For her frustration with liberal bias: https://www.politico.com/blogs/media/2014/03/sharyl-attkisso...
For a feeling that the paper is blocking his investigation: https://www.cjr.org/q_and_a/paul_watson_may_be_the.php
For disagreement about Israel: https://www.aa.com.tr/en/politics/cnn-anchor-resigns-after-c...
For concerns about corporate interests: https://www.opendemocracy.net/en/opendemocracyuk/why-i-have-...
For feeling that he cannot write about Sheldon Adelson: https://www.salon.com/2016/04/27/journalist_resigns_after_ba...
I didn’t go too far back, but heres one from 1998, for disagreement about revealing personal details: https://www.latimes.com/archives/la-xpm-1998-sep-30-mn-27898...
2014: Sharyl Attkisson worked for CBS for two decades, heavily criticized Obama administration and yet left on "amicable" terms (according to that article).
2020: Bari Weiss (who isn't exactly a pro-Trump Republican) faced "constant bullying" from colleagues at NYT, attacks from them on Twitter and on internal Slack. Less you think it's her personal problem, James Bennet was forced to resign from NYT for allowing a republican senator to publish an OP-ED.
Does it not seem like there was a shift of some sort? Well, apparently Attkisson herself published several books claiming that things have changed:
https://www.amazon.com/Sharyl-Attkisson/e/B001IYXCFM/ref=dp_...
By the way it’s a bit cute to describe some of these authors as simply having “gotten an audience elsewhere”- the other part is how these people get chased out and barred from typical media careers. Glenn Greenwald and Angela Nagle for instance. It’s important that these people have some kind of lifeline.
Also Substack doesn’t have to be for writers exclusively. You can post podcasts on it and video is either already possible or could be.
That's not even true. Some people enjoy receiving newsletters. Substack gives me a free newsletter platform. I can send out to 100 or 10,000 daily recipients all the same, at no cost. That's actually quite nice and you simply don't get that with vanilla blogging. Newsletters at scale are expensive if you want reliability + frequency. If I just want to operate a free blog and newsletter with eg 10,000 subscribers, with no desire to monetize it at all, I'd otherwise have to eat that cost from my own pocket.
Mailchimp wants $1,200 per year for 120,000 sends per month (10k subscribers * 3 newsletters per week) via their transactional offering. Most people can't justify that if you're not going to monetize.
Talking about the news doesn't make one a 'journalist'. What was Andrew Sullivan's last scoop?
Reporting, fact-checking, corroborating source statements...this is slow, invisible work. It is the polar opposite of 'content production', which requires a regular posting schedule. With investigative reporting, it's generally not possible to get in your 2 cents out when the topic is still hot in the news cycle.
Yet with Substack, and any other content promotion business, you not only have to come up with original content, but spend time creating graphics and promotional copy and maintaining a presence and 'personality' for Twitter.
It's absurd to think that you're getting an 'insider's scoop with no editorial filter' for anything related to real news.
I think there are two seperate things here, besides ownership of the prestige word "journalism."
One is "reporting," which involves fact-checking, corroborating source statements and such. This is, I agree, something that generally needs an organisation.
The other is investigative journalism. This can be done independently & can't be scooped, but it is an incredibly inefficient way of putting ink on paper. Investigations take weeks, months or years and not every investigation finds much worth reporting. This is incredibly important, but god only knows hows its supposed to be funded. Where it is done, its subsidized, cross subsidized, snuck in or done unpaid. This is as much an issue at NYT as it is on substack. There's no known general solution to this problem.
All that said, most of what most people read, listen to and watch is neither of these things. It's commentary and rhetoric. Those aren't bad, they're just overabundant, everywhere... not just substack. In fact, if you take a glance at politically fringe publications like Breitbart, Jacobin, Democracy Now, etc.... You will find that most of it is such content. News first published elsewhere, with new commentary. Its like this everywhere: left, right, centre, establishment, dissident, corporate, independant. If there's intelligent life on mars, I reckon their papers will be full of it too.
Potential failures of Substack are elsewhere - no local coverage, little investigative journalism, a tendency to build bubbles - but as a vehicle to reduce the grip of the anointed "opinion makers" (how I hate this candid expression!) it is very useful.
The opinion makers working at Substack.
Unfortunately if they survive they will become quite fixated on opinionmaking. It's structurally inevitable, manufacturing consent.
Substack only wins if the company goes public. A bunch of paid newsletters isn't going to cover their bills.
The cost and innovation at Substack is all business development. Are they cutting good deals? They can prosper. From a software and overheads perspective there's really nothing to see here.
And yet, within months of is announcement, Substack is better known than any of those other tools. They are paying six-figure advances to shore up their portfolio of writers. And, like all VC-backed startups, they are spending massively on Google and Facebook ads.
Building name recognition that quickly isn't cheap.
Interestingly, one of the top performing Substacks is a local publication, the Charlotte Ledger: https://www.businessofbusiness.com/articles/local-news-subst...
There are two more key differences: Substack has serious marketing effort behind it. Big scale, well thought ought, multi-channel and multi-platform. It's the proverbial tide that rises all boats - the ones that docked at the Substack harbor, that is.
The other substantive advantage is uniform and clear user (reader) interface. The value of which cannot be over-stated for ease and please of focusing on the content, for comfortable familiarity, and for fast, smooth performance. It stands in stark contrast with ad-laden, noisy and ad-hoc interface of most online publications, be it newspapers or blogs. Its structure is very clear "flat trees", giving an almost linear navigating experience - as opposed to the multiply linked graphs of typical publications. The constrained options of Substack allow it to be, and remain, great. It even passes the "works just as well without adblock" test.
At the risk of doing it disservice by the way of risky comparison, Substack is everything that Google Amp ever wanted to be - and without the warts.
From a visual perspective yes. However i must note without a JS blocker snowden's article from yesterday will weigh 2.41MB, including 1.22MB JS file, which is insane! Disabling JS brings it down to 1.16MB where images are the heaviest files, with about 40-210KB per image, which is reasonable.
So, despite all the bad things i think about that kind of industry, i must recognize that their website works well without JavaScript, does not block Tor users, and is not excessively heavy to load once you have disabled JS. I'm ashamed to say it because it should be the minimum quality requirement for EVERY website, but congratulations on making an actually usable website in 2021. That's apparently become such a technological challenge that most VC-funded startups are incapable to do it.
It almost makes me want to pay a subscription! But of course i won't do it, since Substack is not a non-profit. There's no reason i should subsidize evil capitalist shareholders with the little money i have to live, i'd much rather use it to support artists and developers directly via liberapay, opencollective and other more ethical venues that do not encourage centralized hosting of content.
>That's apparently become such a technological challenge
I suppose it's more of an organizational challenge. Various factors like the difficulty of quantifying product- or service-manager productivity, or mistaking casual mass audience for core, engaged audience, etc.
Our culture still perceives interactive services and electronic content way too heavily through the lens of factory-like production of more countable widgtes, rather than of culture-and-religion like managing by making opinionated decisions, integrating things into cohesive, fractal form, and building lasting epic stories.
>There's no reason i should subsidize evil capitalist shareholders with the little money i have to live
Since I disagree with your stance :-) I'll propose a middle ground: try to compare various available payment/contribution channels with regards to: how large % they forward to the creator vs the cut taken, and how small is the channel's undue influence on the host socio-political system and the creators. Notably the (traditional) banking system, including some "bridge" companies like PayPal, fail the later part very much; they extend undue influence both broad socio-political, and also over the creators. Conversely, a specialized "patronize your favorite creator" services like SubscribeStar seems to be quite neutral. Of course nothing beats a direct payment :-)
The subjective disagreement is that the trend/bubble towards more and more subscriptions is going to burst all of a sudden. From what I've seen in the mobile app world, it's now at least a 5-year trend towards more and more paid subscription apps being successful, more and more consumers willing to pay x$/month for things they wouldn't ever consider paying for before, etc. And yes, it's not billions of people, but you don't need billions of subscribers to run a successful business with subscriptions. And the same thing is happening with Patreon, Substack, even OnlyFans. And same as with mobile apps, so it is with creators, not all apps are worth the monthly fee, and not all creators are worth the monthly fee. The business model is not a revenue guarantee, it's a revenue possibility. And yes, as with any other solo business, it's extremely hard to stand out in blogging. You have to be a great writer, you have to know how to build an audience, and you have to consistently deliver that great writing to this audience. And there's about a few million other bloggers out there, with the same goal. There's no business model that's going to pay all of them well. But having the possibility of paying writers directly, simply and easily, is a very worthy evolution for the writer space. It's not going to save millions of bloggers/writers who believe the business model is the issue though.
The objective disagreement is that Substack is only successful due to having VC cash to throw at writers to come to their platform. Yes, they have VC cash, and they have offered great upfront deals to writers. But Scott Alexander wrote a good post on this subject, revealing the details of his deal (https://astralcodexten.substack.com/p/adding-my-data-point-t...). Long story short, in basically all cases that he is aware of, his own and others, the deal that Substack offered was great, great enough to jump ship quickly, but in nearly all cases, the writer would have been better off not taking the deal, and just taking the usual Substack cut of the revenue offered to all writers, as the eventual subscriber revenue was bigger than the already big upfront deal.
That makes me think that even once the VC cash dries out, subscriber revenue is going to be a pretty good driver of the business going forward.
That being said, it seems every writer I’m familiar with that launched one has been successful
...then that also can't explain their success, because that's content nobody is reading?
If Patreon, twitch, only fans and now youtube can support a direct-to-creator subscription culture, why not journalism?
In any case, the economic woes of journalism transcend medium and specific formulations of a business model. Whether the incentive is eyeballs for advertising, an enthusiastic core for patronage or whatnot... it seems to always be at odds with journalism's financially independent mission.
100 articles commenting on the commentary or covering the coverage are the same amount of work as one, important, investigative piece. If that work is genuinely important, the information will be republished hundreds of times, and that's how most people will consume it. That's where money will go, whether through subscriptions, patronage or advertising. I don't think there is a way of having good incentives in the news business. Hard journalism is always subsidized some way, whether that's government subsidies or cross subsidies.
Substack is, I think, a decent place for "independent voices." Individuals respected within a clique, commenting and highlighting issues of the day. It's probably not going to fund investigative journalism, and neither is any straightforward model. Public information is a public good. It's hard to get around that.
They are writers, not tech ecosystem experts, so it didn't occur to them that Facebook and Twitter would take steps to keep people on their platform, and discourage them from linking out.
> Somehow Sullivan has convinced himself that things will be different at Substack. Maybe he should have checked in with Patrice Peck, a journalist who publishes a Substack newsletter in relative obscurity called Coronavirus News for Black Folks. According to an article by Clio Chang in the Columbia Journalism Review, Peck has discovered that overwork and burnout are just as real for newsletter writers as they are for bloggers. (And why would we think otherwise?)
We might think otherwise, because if you have a newsletter you don't have to publish something all the time, because you don't rely on people checking your site. (Which they might stop doing if there isn't something new every time they check.)
Different kind of business, but I never signed any EULA with them. Just signed up for an account to post.
I'm a person who makes most of their money with blogging and I only heard bad things about Substack.
I'm stuck roughly at the "vacation money" threshold (a few thousand a year, enough for a nice vacation or three but not enough to live off of) which certainly isn't bad for something I do essentially on weekends but the medium term goal is to be able to mostly live off of it
It's not presige work, but I always can get a bunch of payed articles if nothing else comes in.
Mmmm, those sweet, sweet clicks. Come children, we shall eat well tonight.
Also consider Bloomberg author Matt Levine. Fortunately we can read him for free (in exchange for a couple of non-intrusive embedded ads) but if Bloomberg put his material behind their paywall I would not pay $300-400 per year to them in order to read it. I'd certainly be willing to pay $5/month for him though. The other super annoying thing about these aggregators is that they push advertising to you even after you are a paying subscriber! Paying for content that also sends me advertising is a non-starter for me.
https://greenwald.substack.com/p/my-resignation-from-the-int...
If you don't address that then you're missing the mark.
Btw, we are already seeing attacks and attempts to control substack. Can't have a medium becoming popular with wrongthink now, can we?
To own someone's debt is to control them. One wonders how long the vibrant opinion will take to shift to propaganda when that debt is bought up by entities with an agenda.
This is why many professional journalist were peeved with Greenwald when he presented the exact same experience all journalists face every day as a normal part of their job as censorship. I guess editing is a censorship of sorts, as is code review and manager approval, but just as programmers say "code review" when they mean that particular kind of censorship, journalists say "editing" when they mean the very ordinary kind of censorship in that correspondence between Greenwald and his editors. When you get a job as a writer, you accept that the editors will "censor" you, because "censoring" is their job, and "being censored" is a part of yours. Like countless journalists before him, Greenwald wasn't happy with the editing his piece received, so he left for a venue with editing that's more to his liking, which in this particular case means virtually none.
That's one version, but another way to interpret it is left-leaning journalist outfits made the 2016 mistake of focusing too much on Julian Assange and the emails fiasco around election time. In their minds, that cost Hillary the election, and they didn't want to do the same thing again with Biden and his son's laptop. And seeing as how virtually no left-leaning publication reported on it, this seems the more likely version of events.
Bias is not just normal; it is unavoidable. Greenwald himself is biased. Professionally and ethically speaking, the only question is whether that editing action deliberately tried to manipulate the truth. From the correspondence it is perfectly clear that it did not -- the editor told him to tone down the rhetoric and/or remove things he did not actually know (or could support) -- and so it was also a pretty professional act of editing.
What you're describing might well be the reason for the editorial caution they exercised in this case, but it certainly did not exceed the boundaries of ordinary, professional editing.
[1] https://nymag.com/intelligencer/2020/10/inside-glenn-greenwa...
It's more likely that professional journalists were and are pissed with Greenwald because Greenwald exposes the cliquishness, triviality, and venality of the whole profession.
Is this basically saying that authors need to keep their content freely accessible so that Substack provides a wider public good? If so then I would say that this is already the case. Most authors keep nearly all their content publicly visible. Those who subscribe do so to support good work, not to gain exclusivity. In that sense, the community/content model is more like Patreon than Only Fans.
In my opinion what makes Substack great is its lack of censorship (encouraging a diversity of thought), the fact that readers pay individual authors (unlike medium where you pay for access to the whole site), and the fact that making/collecting payments is easy for users/authors. Sure you can host your own Wordpress and hook up a payment mechanism and all that - but there’s a certain degree of trust and convenience that Substack offers eager subscribers. I feel its payments appeal is a lot like tipping via rewards in the Brave browser (https://support.brave.com/hc/en-us/articles/360021123971-How...) but more accessible and understandable to the layperson.
*(A Mark Cuban Venture I launched)