I was forced to be a child star. It was never my dream or my idea
wilwheaton.net
wilwheaton.net
Sad to hear this all around. This also brought back memories of me being required to play piano growing up. I hated piano, performing (recitals), playing in general. I was terrrribbleee (still am) and was put up in lessons for 12 years. I fought tooth and nail as I got older and eventually was so bad my parents stopped at 16.
Music is a very "asian" or "chinese" thing to put your child through. As well as being good academically. This part of my life was a sore spot, but not even close Will's situation.
As I have young children of my own today, I'm faced with these questions. What is a healthy amount of pushing vs too much? I don't need my kid to be the best at anything - I just don't want them to be lost/dead-in-the-water or unable to fend for themselves.
It's reinforced by a mirror blog post, written by his wife: https://www.annewheaton.com/the-other-side-of-depression/
> What is a healthy amount of pushing vs too much?
There is no healthy amount of pushing, period. If you stop applying pressure, children will find their own thing, and that’s the best outcome for them. Just make sure they know the possibilities of what they could do.
What would you have liked to do instead of learning piano? Did you need pressure from your parents to have those ideas?
I asked my parents for a keyboard. My mother said that I‘d need to learn piano first - so I agreed to take lessons instead. 8 years later, I gave up on piano lessons, with no keyboard in sight. Haven’t touched the piano since. I wonder what would’ve happened if they had just bought me that cheap keyboard instead.
Parents sometimes need to push their kids.
That said, as a result I can busk a bit, and have come to realise that physical tasks to be done in a repeatable way are outside my ability. So the world has not lost a great pianist.
I did the exact same thing, except now I'm a skilled keyboardist (and multi-instrumentalist) who gets paid for gigs. I still spend most of my time fucking around and improvising. Every bit of theory I discovered through fucking around and just exploring freely. I never do scales: I just pick a key and start improvising.
If my parents had pushed me to 'actually practice', I would have rebelled and quit altogether. They did for a couple of years. And I did quit. Fortunately, I found my way back to it, on my own terms, because I simply loved playing instruments -- but I loved doing it on my own terms, not someone else's.
The frank truth is that some people really like playing instruments, and some are just 'meh' about it. Those who have a tendency to enjoy playing an instrument just need to have access to one -- and then they'll find their way. On the other hand, if a child is 'meh' about an instrument, is it really worth punishing and forcing them through all of it? What's the goddamn point? Isn't life to be enjoyed? Is it really just a series of skills to stoically master?
There are heaps of things that just aren't that fun but that are actually important.
So I'd say pushing kids away from those things is necessary. Beyond that, I'm not so sure.
Forcing children to do one particular thing (above and beyond what is required to survive in this cruel world) is probably bad. Making sure the options they have to choose from are healthy, non-addictive, and engaging is probably necessary, though.
Additionally, if we just limit screen time too much, that might lead to a feeling of scarcity, and overindulgence when the chance presents itself.
It’s tricky to let your kids socialize but also keep them away from toxic platforms like TikTok, Facebook, Instagram, etc.
The question is about pushing your kids to do things you think they should like.
Neither extreme (Wild/Stepford) is a good thing, Wild Children tend to get into and cause a lot of trouble, and end up missing out on opportunities both personal and interpersonal due to their lack of grounding and inability to meet societal pressures/standards.
Stepford kids (at least in my anecdotal experience) tend to end up rebelling hard, or developing a need to hide their flaws and issues out of fear of reprisal, and sometimes end up having huge breakdowns because their fundamental emotional and developmental needs aren't being met.
Sounds like Wil was forced to be a Stepford child, and this is the consequence of that, not to mention his mother both abusing him and allowing him to be abused by other people while wringing every penny she could get out of him in the process. That's pretty shitty.
IMO, my role as a parent is to expose my kids to as many things as I can. If the like it, I give them more, if they don’t, then we move on to something else.
I think ultimately the problem is that the child has the first-hand knowledge of their own experience, but not the mature perspective of age; and the adult has the mature perspective of age, but not the first-hand knowledge of the child's experience.
I have a toddler. Sometimes he knows he's tired needs to sleep; sometimes he needs to sleep but he refuses to accept that; sometimes he knows that he's not tired and won't be able to sleep.
I know that he often gets tired around a certain time, and that he often refuses to accept that he actually needs sleep.
So sometimes when he refuses sleep, I insist, and then he conks out immediately. I was right: my greater perspective as an adult was more accurate his immediate experience of wanting to stay awake.
But sometimes when he refuses to sleep, and I insist, he spends the next two hours tossing & turning and not being able to sleep. He was right: his personal experience of not being at all tired outweighed my greater perspective as a parent that he's normally tired at the time.
Neither one of us has enough information to make an informed decision on our own.
I think something similar happens with children. Children don't really know the potential reward of putting up with the grind of practicing for years, or the regret as an adult of missing out on those skills. But if it's excruciatingly painful, they certainly know it.
Adults know the potential reward of putting in the time, but they don't know the child's experience. So, when a child balks, is it because they're just facing the normal barrier of effort that everyone faces? Or are they really experiencing something excruciatingly painful? If it's the first and you push them, they'll be glad in the end. If it's the first and you don't push them, they'll regret it. If it's the second and you push them, they'll be resentful; if it's the second and you don't push them, everyone will be happier.
Neither the child nor the parents actually has all the information required to make an accurate decision.
Kids don’t know what it is they like or don’t like. They might think they dislike something, but usually they are just afraid of the unknown. Once something is tried at least once, then they can make an informed decision.
This was the down side of lenient parents who never forced us to do things we didn’t like, and let us quit even things that were good for us.
I started practicing electric guitar at the ripe age of 20 (with a teacher I met at compulsory army service), and after 6 years of that, played in a band for five years (including a gig in front of four thousand people). My parents only ever once saw me play live - and I think that actually helped, because I never felt forced to practice (as was the case with the piano).
I think it's absolutely healthy to push kids to a certain extent. That extent is just something that's probably different for every kid and activity, and I get that it's probably hard for a parent to figure out when to push and when to give up.
This thread (started by irjustin) is about this though. And, where do you draw the line?
I‘m all for encouragement, like: „Ok young one. You had half a year of ballet lessons now. It’s a bit different than you imagined, and you’re often exhausted afterwards. You can quit anytime you want, but how about you give it another shot and see if you can rest more between drills?“ And if she still wants to quit - let her.
As a parent I had all these ideas for them - socially it can be good to be in a team sport, it's nice to have something that you're good at that you can also still do as an adult, if you move cities later its a way to meet people there so do something a lot of people do in an organized way... But we'll see what they end up with. The oldest is into (inline) skating.
It's just confused thinking on their part (very common, judging by some of the comments here).
(All of this is about "pushing" or "forcing", not about "encouraging", which I believe to be very different).
The main thing is to not chase some dumb good-parenting metric but to give your kid suitable obstacles so she can experience overcoming them and feel success and gain self-confidence. That's what parenting is all about: the little push that helps kids reach their potential. Easier said than done of course.
I agree though that if that does not stay in the fun zone, the outcome will most likely be bad. Especially if there is some vicarious competition in the parent's head.
Surprised to read this. There have been many well-documented cases of children not wanting to learn math, science, history, etc, or go outside for exercise, where the parents denied their children’s agency and forced them to do so. Long-term studies indicate a tendency towards positive outcomes.
I feel this way about music, zero education as a kid, started late as an adult, but feel I'll never catch up.
Though there's no way of knowing whether I'd have felt the same as a kid, or pushed back against it at the time.
Federer - 8. Nadal/Djokovic - 4. S. Williams - 3. L. Hamilton - 8. M. Schumacher - 6. Verstappen - 4. Phelps - 7. Messi - 4. C. Ronaldo - 7. M. Carlsen - 5. Lebron - 9. S. Curry - 6
Some people are just lucky to be good at the things they love doing. The others have to be content with getting paid for the things that they're good at to pay for the things that they love doing.
The wires you speak of come from time, practice, effort and habit - i.e the original meaning of the term kung fu.
I’ve made life choices that now result in having uninterrupted blocks of time for learning to play an instrument in my thirties. I’m surprised at how quickly some things become completely effortless when you have time to practice every day.
I started classical piano in primary school all the way up until I turned 17. I thought I played ok... but I started lessons again about 6 months ago (I'm turning 40 this weekend) and now that I actually want to play rather than be forced to play from tiger parents, I can honestly say that I'm learning 100 times faster than when I was a kid.
Also, now that I'm actually practicing multiple times a week rather than 30 minutes before my lesson (like when I did when I was a kid), my sight reading is blowing my mind. I could only wish to read like I do today than when I did in my teens.
But like going to the gym, the hard part is getting there. Once I'm playing, I look down at my watch and it's been over 2 hours!
Kids learn fast and are less afraid to fail, so they can start new things more easily.
That also depends on your mindset and expectations. I've read a journal of master painter who, after roughly 40 years of doing art, still often felt frustrated and defeated after spending a day at the easel (even though 99% of people who paint would kill to be able to produce a painting he worked on).
Also, Polish poet Barańczak once said: "you know what they call a guy who enjoys writing? A hack".
Even when I get rewarded in things that I took up on my own, I feel that the rewards are quite measly compared to just having a normal healthy mental and physical existence. And these are interests that I took up on my own, I wonder how bad it would be for someone pushed by their parents.
But then again, I guess if someone grows up not having anything they're good at, they might blame their parents for not pushing them. Parenting must be very difficult.
My main frustration is around finding people to play with.
People my age seem to have been playing since they were kids and have high skill expectations.
Amateurs looking for people to play with seem much younger, and in it for the fun of hanging out as much as playing.
I absolutely hated every single moment of piano and never really got good at it. It was a different story once I got selected for a chorus in school.
My main struggles with piano were chords, and sightreading. Chords aren't really relevant in vocals since a single person can only sing a single note at any given time, and I wasn't great at sightreading then either. And I find breath control a lot easier than trying to anticipate where my hands need to go (as someone with small hands, a lot of pieces were quite difficult)
There was a similar screening process for the ability to swim, though it was actually for selecting those who could not and teaching them.
The next thing they'll tell you is they wish to stop. You cannot talk a kid out of fear of failure. I've never made the least bit of headway.
You shouldn't let them stop, and even force them to practice long enough (like >15 minutes, I'm not talking hours) that they forget about fear of failure and enjoy the next 15 minutes. Maybe even get them into the situation that there's nothing but the violin or some puzzle in code they don't understand for 5 minutes or so. Sport is good for this. If they do Judo and there is a duel, that's 2 minutes they will be focusing on the opponent. Somehow people don't easily get tired of this, and of course they focus.
It's all a balance. Should you let them struggle or give them answers directly? Should you give them opponents that are easy or hard ? Too easy? Too hard? Should you practice very directly or let them choose direction (they inevitably choose unattainable targets, so it's not as easy as you're thinking, but you may be able to guide them to a reasonable choice). Should you push them, maybe even "punish" them (take away cell phone for example)? I've known my kids to literally ask for that (taking away cell phone until they've completed homework or some practice).
And everything works like those opponents in Judo. The more they fight, the harder and stronger the opponent can be while they still learn. At 10 some can take "normal" adults and at 13-14 or so some kids are very liable to win against adults double their weight. But even "meta" this works. The more you push them, the harder you can push them without negative consequences and you should build this up over time.
It's all a balance. In every one of those questions there is a horrible answer that goes way too far ... on both sides of the equation. There is way too much practice and there is way to little practice, and it's even different per kid, when they're ill or feeling well, and how old they get. Otoh, as long as you're somewhere in the middle, it doesn't matter as much as you'd think where exactly you are in the middle. And you can pick one or two, but no more, where you have a slightly more extreme choice.
My teacher excused me but reached out to my mother with the business card of a piano teacher she knew, as she considered music to be important.
I am eternally grateful that she did, and that I gave it a try, because even though I was never going to concert-grade piano player, it did mean I had enough music theory knowledge to play around meaningfully with early midi sequencers -- and those skills landed me a professional job in radio production straight out of high-school.
When I hear an good musician now, I inevitably wish I'd tried harder and could do what they do. If I hadn't had lessons, perhaps I'd blame my folks for the fact that I can't play jazz. But I was given every opportunity, had lessons for years, and didn't prioritise it. I just accept that it wasn't for me.
My parents also encouraged me to join a choir, and whilst I tended to daydream in choir practice, I kept that up into adulthood and it's had a major impact on my life.
I listen to good piano performances on YT and wish I was as good. But then I think about how much time I have spent being good with computers and realize that I could not have spent that much time on piano too. They probably spent as much time over their life pecking on a piano as I have pecking on a computer.
There's only so much time in a day!
I have a similar story to yours, just with clarinet and flute. Our school (outside the USA) had mandatory lessons and practice, so there was some degree of being forced to do it.
I took some piano lessons as an adult and enjoyed it. My piano teacher told me something that really stuck with me. "People who write Adult piano books know the learner isn't going to become a professional classical musician. So they just teach you to play some fun songs and you can enjoy it. Children's music education makes kids suffer under the assumption that they are might one day take it very seriously and become classical musicians. So you perform scales endlessly, have to learn perfect form, learn instruments you don't want to learn because you need to learn the clarinet before you can learn the Sax, learn a bunch of boring classical music when you are excited by other stuff on the radio, practice like crazy for exams, etc. It completely kills their interest in music."
I think the best way to decide what’s too much is to think about whether or not the child will, 20 years from now, write a blog post shaming and exposing their abuse inflicted upon them.
Asian culture simply adopted American and English culture in this regard. In the United States circa 1950s and 1960s it was very common for children to be taking piano lessons, and owning a piano was also relatively common. Both the lessons and the piano itself were important status symbols, and having both were considered markers of being middle-class. My mother's side was middle-class Irish-Catholic and she and all her siblings had to take lessons; they also grew up with a piano in the home. By contrast, my fathers side was working-class Polish-German and both pianos and piano lessons were well out of reach--the family cleaned the church on weekends for reduced Catholic school tuition. But I think all 4 of my paternal aunts did have pianos in their homes as adults. So most of my cousins (all maternal, most paternal) grew up with pianos in their homes, though their parents were much less strict about lessons.
My wife, who grew up in Malaysia, had the same experience as my mother. All of her grandparents were already middle-class (shop owners, professionals, etc), but old-world Chinese middle-class where status markers were making donations to religious and fraternal organizations or studying calligraphy. It was her parents generation that bought pianos and forced the kids to take lessons. And doing the same was important for both she and her brother. (I also appreciate the desire, it's just less of a parental priority for me.)
The practice may be a little stickier in Asian culture (both in Asia and Asian diaspora) as the piano slotted into similar, pre-existing social customs which may remain more durable, but I think the overall arc is basically the same, just shifted up one or two generations.
Some people are just built differently.
Since the OP mentioned China specifically, I think it’s good to note that the Chinese elite have venerated art for millennia. Poetry writing, singing, and playing musical instruments were a staple of every young nobles education during the times of the Imperial dynasties.
It’s not at all something simply copied from the British during colonization.
Growing up in Scotland in the 1970s and 1980s my friends and I all thought it was a bit weird that some people we know *didn't* have various musical instruments scattered about the house. My son was about six months old when he discovered that guitars make a noise, and since then my "living room" guitar has been tuned to open D ;-)
As someone who spent years self learning piano without having a piano to convince my mother to have a piano, I envy anyone why are forced to learn such thing.
I have a younger cousin who in his childhood I encouraged her mother to let him take any music lessons, where she was very reluctant. (Yeah so not all Asian will force you to learn, because it is expensive.) In the end, somehow he got into orchestra in Uni, I’m proud of him.
I’d argue that music training should be mandatory similar to other subjects like math, history, etc. Simply being put through the training progress is good education that you rarely find in other settings. Just like not everyone becomes a mathematician, it’s ok you don’t become a musician too.
We're not talking electronic keyboards, but a large and expensive musical instrument which might cost as much as all the other furnishings in a house combined. It was usually upright pianos, which were cheaper and could sit against a wall, but still a major purchase. Today you're much more likely to find electronic keyboards in homes, which even at the higher end are still a much smaller purchase for middle-class incomes, yet you probably[citation needed] would not find them in nearly as many homes as pianos in their heyday. Pianos are extremely functional instruments and in many respects ideal for learning music, but that alone doesn't even begin to explain their popularity, nor the popularity of piano music lessons.
Different countries had their own local dynamics. The Mandarin system built up a type of middle class culture (even if the middle class itself was never very big) throughout much of East and SE Asia, making formal study of classic art and literature a virtue for non-elites, including the poor, whether or not a family could actually afford an education. Japan never adopted the Mandarin system (class hierarchy too deep and rigid), but the Meiji Restoration accomplished much the same in making virtues of the Japanese intelligentsia part of a new middle class culture. So these cultures in particular were already primed for the piano-as-modern-middle-class-status-symbol wave when industrialization exploded their middle classes. And perhaps this is why the violin and classical Western music in general also saw relatively strong adoption--because classical music was already held in esteem by the masses, and much of that esteem simply shifted to Western classical music. (By contrast, in American and some European cultures much more emphasis seems to have been placed on women learning the piano. And dynamics such as the Protestant work ethic tend to moderate mass adoption of elite norms which aren't immediately practical or beneficial.)
In any event, my point was just that this experience wrt piano lessons which are strongly encouraged and even demanded by parents has been shared (indistinguishably so, and for nearly indistinguishable reasons) by many millions of families all across the world, including in the U.S., where it approached something approximating a universal experience among the middle-class--actually taking lessons, or at least understanding that it was something you were supposed to be doing. It's just that most of those experiences outside Asia and the Asian diaspora occurred in earlier generations. The differences lay in how and when different communities arrived at that cross-cultural nexus, and how they moved away from it, if they did at all.
When I was very young I had piano lessons. My memories are only dim, but I think I enjoyed them. I also gave them up quite quickly. I distinctly remember trying to play a little tune and messing it up again and again. I didn't have the skills to deal with my frustration and anger. I didn't have the perseverance. Perhaps if someone had helped me through this I could have persisted, or perhaps it was just too early for me and I needed some more life experience before I could handle it.
When it comes down to it I think kids need lots of opportunities to try many things, as well as the experience of "going deep" on one thing. It doesn't really matter if it's dance, music, art, programming, languages or whatever. There's always the meta-game of skill acquisition going on. Learning that time, effort, consistent practice, thoughtful reflection are useful is the real goal.
It's also worth remembering that children are unique people with unique personalities. They will all have different challenges and respond to the world around them in different ways.
It is an intense movie, but I think well done.
Most music colleges have a suicide garden because the pressure is so intense. A suicide garden for a place inhabited by mostly teenagers. Think about that for a sec.
Ultimately I gave up on being a professional musician because I graduated in 2008, once you graduate you realise you’re competing against everyone else in the world and that’s much harder than just your peers, and IT reliable pay cheques were comfortable.
I’m a happy hobby musician these days but it took me nearly a decade to start enjoying to play music again after the competitive rat race of music college.
Funnily enough, every friend brought up "working class", who had no access to music / sport etc is envious of my forced violin lessons, choir practice and sports after school all year round.
The important thing is to encourage but listen to them. And to make it clear that they can just do it for fun.
I do agree that one should stop making children do things once it's become obvious that they don't enjoy it. 12 years is too long.
All in all, I guess there is no one good way of raising a kid.
One interesting thing, is the thing I am best at, I had to sneak and scrape and fight tooth and nail to do, which was learn to program on our PC: the thing that is my life and career now two decades on.
I've been programming my whole life, but all throughout my childhood my parents hated the idea of me spending my time on the computer tapping away at GameMaker v4 and work through QBasic and the C++ book a family friend gave me (I think I was using the Digital Mars compiler at the time?).
My Mom was convinced I was sitting in the computer room playing games. When I told her: "No, I was programming", she asked what I was programming. Of course I told her I was writing a game, as all kids learning to program were. She responded: "See! Games!" as though she'd somehow proven her point.
But, like you, I've made my career from programming and it's treated me quite well for the most part.
On the other hand, the people I know who were forced by parents to practice piano for years have not touched it ever in their adult life. They treated it as just another chore, such as say biology class at school - something they have to do, but have no interest in and will drop from their mind as soon as they don't have to do it any more.
[1] A common subscenario here is some kind of dysfunction (prolonged illness, dysfunctional family, not fitting with other children for some reason) which pushed the kid into a lonely parallel universe of just sitting on their own and praticing their art for years.
The idea, is that I think that for certain things like music, it only really become enjoyable once one has developed a certain amount of competence. So 3 years mean having enough basics so that our son can decide if he likes it or not.
I do love the sound of harpsichord though :) But getting one at home is much harder whereas electronic pianos with good weighted keys are cheap and don't take so much space.
>His interests ranged over almost the whole of music, although his appreciation of the modern period may not have gone beyond Bartok. I remember he once told me that he used to own a harpsichord but had exchanged it for a piano, and when I asked why, he said that it was too difficult to sight-read the tone poems of Strauss at the harpsichord.
The piano used to be the gateway to all sorts of music, both vocal, orchestral and chamber, via transcriptions. And enthusiasts would get to know pieces that are performed in concert by sight reading it on their piano at home beforehand. The harpsichord is less versatile than the piano in this regard.
But then again the primary way of getting to know new music nowadays has been through recordings, and this has been the case for a very long time, so the practical deficiencies of the harpsichord compared to the piano may be less noticeable now. On the other hand, learning a continuo instrument like the harpsichord invariably involves some sort of training in improvised thoroughbass, which is an extremely valuable skill that is not found among pianists, so I think it's a pretty good choice in the end after all.
I learned Japanese as an adult. I know at least 3 Americans of Japanese descent angry at themselves for complaining to their parents to let them stop extra curricular Japanese classes as children. One was so angry I can't speak an Japanese around him because it just triggers his self loathing over this issue.
I don't have an answer. My dad's side of the family were all professional musicians (though they had other jobs too). My dad never pushed me to play and basically said if I wanted to learn I'd have to push for lessons. Of course I was a kid and just wanted to play video games. I personally wish (or think I wish) they had pushed a little more.
Tricky.
I also plan on modeling that behavior by having skills I continue to develop for the rest of my life.
I don't know where to draw the line but the fact that many parents are doing both suggests they really haven't applied any actual thought to why one is okay to force and the other is not.
You are confusing extremely different things.
Encouraging a kid to experiment with taking a handful of music lessons is one thing.
Years of emotional abuse is another.
This was my entire childhood. If I wasn’t constantly overachieving, there were threats of having me institutionalised (I never really understood the threat, given that I was already being raised at boarding school, how much worse could an asylum be?), actual privations (I came second in the year in some exams once because I had to do them from bed with bronchitis, and went home at the end of term to find my bedroom had been turned into a parlour), and the general gaslighting (Mr Hart is a very nice man, he would never do that (he is now in prison)) of childhood.
It was my mother, mainly, trying to make her own stunted and valueless life feel worthwhile. I forgive her, for she wasn’t much more than a child herself, and came from a small and terror-ridden world in the poverty of the decaying Scottish industrial heartland. She knew not what she did. She married a yuppie, an 80’s guy of the 70’s, and clambered onwards and upwards, putting on airs and graces you’d never think came from a girl who grew up in a trailer on a marsh next to a military base.
I recall testing this hypothesis, that it was about her, not me, aged 11, when I was Shanghai’d into doing a production with the Chicago lyric - she’d been pimping me out as a boy soprano with an English accent in Chicagoland, and crap did it sell. I decided to not tell her. Kept it completely under wraps while I rehearsed, told her I was throwing rocks at birds or something to explain the time, which was far more believable. Show rolls around. She’s there, at the premiere, because she has to be seen at all of this stuff, always. She was FURIOUS - I don’t remember a more severe beating from my father - that I had shamed her in such a way, that I had let her down so richly. The thing she was upset about, of course, is that I’d made it rather hard for her to take the credit, as she’d had literally zero involvement and everyone knew it.
We left Chicago a few months on, and I was removed from the school that had helped me go behind her back.
I feel for Wil. It’s a tough thing to live with, the anger, the absolute fucking outrage at what was done to you, balanced with the fact that whether you like it or not you still love these damaged shitheads, and your seemingly never ending quest for understanding why.
I understood, only in my late 30’s, the past few years, that none of it was my fault. I still haven’t entirely internalised that, maybe never will, but finding peace with my mother as just being the not terribly worldly or foresightful person that she is. I pity her hollowed out little life of gin and gardeners, but if it’s her crowning achievement, so be it, that’s her life to ruin. I got mine, mostly, back.
I was forced to play piano for 10 years and to do all those recitals and music theory tests. I could never wiggle myself out of it because of all the guilt-tripping. So of course, I went to college and promptly dropped all of it.
And unexpectedly, nearly a decade later, this pandemic thing happened, I returned to piano, recently bought a digital piano, and found a teacher. I practice 1-2 hours every day. And a lot of those skills I thought I would have lost returned pretty quickly.
I have a lot of complicated emotions around this that I haven’t really quite figured out. But if I were to summarize them at their current stage, they’d be something like: (1) I am grateful that I was pushed to learn this instrument, (2) I realized I really disliked my childhood piano teacher, (3) my parents failed to recognize that for 10 years (as evidenced by never presenting the option of finding someone else), and (4) playing to inflate someone else’s ego is absolutely demotivating.
One of the unfortunate effects is that roughly 1/3rd of Mozart’s sonatas are unplayable because I have some bad memories associated with them. Fortunately, there’s plenty of music in the world that don’t trigger those feelings, and I am so glad that I didn’t play that much Chopin back then.
Maybe that might help? I’m not a parent, so consider these raw ideas that need some work to become parenting advice.
Well, in this case tho, did you ever suggest it? I mean, if it was a matter of disliking the material or the teaching style, but otherwise those lessons weren't in bad form, abusive, etc., so they couldn't see anything bad about them, how would they know?
I think it's pretty common for kids to not realise something's a problem, or to not realise there are other possibilities. Something happened to me as a kid that had a significant negative effect on my life, but I only understood that decades later, and no one else was aware of the problem at the time.
mkl's reply described it the way I would have explained it. There is that inherent power dynamic between parents and children that can make it difficult to speak up. In addition, piano teachers teaching children are effectively in a parental role for that time.
That's something to keep in mind for anyone who finds themselves in a position of authority over children, who are still in the early stages of expanding their perspectives of the world they live in.
Over that period, something changed. She started watching YouTube videos of pianists. She heard about the Canadian pianist, Bruce Liu, who won the Chopin piano competition last year, and started saying she wanted to be the first female Canadian to win the same competition. She started practicing all the time, and we got her a new piano, an upright instead of an electronic one. She is still working hard like this.
I don’t know why or how this happened, but I am glad it turned out this way. On the flip side, she also used to take ballet, and was very good at it, but didn’t want to continue that either. Once again we insisted she finish the year, and after that she didn’t want to enrol so we let that lapse.
Parenting is a tricky balancing act!
Indeed it is. Our rule of thumb is that you have to finish what you start, and generally give it two chances. This worked well for me as a child. I wanted to quit everything after the first go, but there were many activities that I loved after the second go, and a few I was happy to be done with (looking at you trombone).
1. Finishing what you start means honoring the promise you made--be it to the teacher/coach, the team, or someone else. Oftentimes other people are depending on you.
2. Giving the activity a second try accounts for the possibility that the problem wasn't with the activity so much as the environment.
To be clear, I only apply these rules for the kids wanting to quit, not the parents. If, as a parent, I observe unacceptable behavior by the coach/teacher, dangerous conditions, etc I will pull the plug. Thankfully that hasn't happened yet.
What about not at all? The only thing they need to be good, not even best, is the studies that will enable them to work. Just help them if they're falling behind. Os support them if they seem to have a passion for something in particular. But otherwise, let them have a life.
Kids don't always know what's best for them, and they will sometimes take short-term satisfaction (not having to endure the monotony of deliberate practice) at the expense of long-term satisfaction (being able to play well after a time).
That's not to say parents should always force the issue. Certainly sometimes the kid really is expressing a preference that should be honored. But not always.
I didn't "push" my son. I did teach him myself what I knew, for years. He can play with both hands and sing along. We visited one nearby conservatory where one of his friends was going to study and talk with some teachers. He finally decided to pass.
Yes, he's been playing much more Minecraft than piano since then. But now he's finished his second Maths year with flying colors and we're both happy ¯\_(ツ)_/¯
Kids are not able to just learn or discover there world by themselves.
I got a ton of influence from my parents and peers just not enough or relatively late.
I was not able to just buy a PC and let an electrition install the internet.
Suggesting music lessons and instruments is also pushing.
I think that's really hard to answer. I was in a sort of opposite situation as you were as a kid. My sister and I started piano lessons when I was 7 or 8 years old. They went on for a year and a half or so. Neither of us liked practicing. Our mom told us if we didn't practice, we wouldn't have lessons anymore. So... we didn't have lessons anymore. Today, I really wish I could play, and wish my parents had pushed us harder to stick with the lessons.
But I could very easily see it going the other way (if not for piano, than for something else), with my sister and I being forced to do something we hated. So yeah, really hard to figure out where that balance is.
In contrast, just a couple years later I started playing trumpet in school, and did stick with that, at least through college. I was quite good at it (not really to the point I could play professionally, but good enough to score well in local and regional amateur competitions). But it's kinda hard to play a loud brass instrument in apartment and condo buildings without making some angry neighbors. It's another reason why I wish I could play piano, since electric ones have volume controls and headphone jacks.
Of course, obviously taking piano lessons is a much much much much more minor thing than being forced to be a child star and contemplating suicide...
If you read other things written by Wil Wheaton, you'll find (according to his description) that his parents had a very perverse relationship with each other, and used him as a pawn in whatever twisted relationship games they were playing. Neither one actually cared about him as a person. There was no way he was going to come out of a situation like that un-scarred.
"Love covers a multitude of sins." Genuinely love your kids, and you won't go too far wrong.
EDIT: From TFA:
> It’s been clear for as long as I can remember that my mom and my dad don’t feel bad or anything about how much they hurt me, or how much their choices affected my life. My dad doesn’t care at all, and never did.
Don't be like those guys, and your children won't end up like Wil.
The alternative is resentment, a condition toxic enough to keep anyone in hell.
Most learning happens only through repeatition/practice. Get them comfortable with repeatition as early as possible and they will be fine.
Some friends and I had fairly negative experiences with childhood activities (for me sports, for them music). However, as we reflect on them as adults we are quite happy that we were pushed into uncomfortable scenarios and “forced” to learn life long skills. Indeed, some of my friends argue that they wish they were pushed a bit harder.
All that being said, the amount of “pushing” my friends and I experienced does not seem be irregular (like in the article). It does lead me to believe there is some “okay” amount of pushing. Does anyone have perspective on where they draw the line?
Is it warmly encouraging and being supportive or is emotional manipulation?
Yeah, he's 5 years older than me, but I remember watching that show and daydreaming about how cool it would be to live on the Enterprise and how I would be best friends with Wesley Crusher.
I know adults loved to rag on the character and (re-watching it as an adult) I can see where some of the criticism of how he was written comes from. But there were so many parts of that show that have not aged well, and the "token genius kid" is still one of the least annoying to me.
As someone who struggled with socializing in school I think Wesley was a poor role model.
As an adult rewatching it I don't care, I would just acknowledge how weird/ alien the human characters on the enterprise act.
Plenty of children benefit from hard work with their families. When the relationships are toxic then that time becomes toxic probably along with the activity. When there's love, they may not do that thing forever, but they will not hate it like this.
With my children, I encourage exploration of their skills, desires, and I've started them on paths towards lifelong careers from youngish ages (12-13). Which includes learning skills and testing things out. But I keep a keen ear open to their desires and an eye on their actual aptitudes and try really hard to match them up with useful work that they will like long term. I also try not to push so hard I kill the joy in the exploration and discovery while trying to keep expectations up and providing on-level material for them to level up at their own pace.
Children want expectations. They need expectations. Just also fill their lives with love — especially active love involving your time and attention. So that they thoroughly know that they are loved and valued well above and beyond any of these things or activities, and it will generally go well.
David Epstein somewhat tackles this question in Range[0]. The issue come down to the type of 'learning environment' of the activity you are trying to get the kid into.
'Kind Learning Environments' are ones like golf or chess. The rules are clear, the feedback is rapid, standings are knowable, and the skills are uniform. For Kind learning environments, you just grind out the hours. Here you can use Gladwell's 10,000 hours to shine.
'Unkind Learning Environments' are ones like tennis, business, or poker. The rules are murky, the feedback is delayed, standings are at time undiscernible, and the skills are varied. For unkind learning environments, you have to graze on a lot of other disciplines to shine. Just grinding out the hours won't result in great results.
Epstein specifically uses Ospedale della Pietà as an example of greatness in music. He says that concert musicians use the learning styles of Kind environments, while jazz musicians use Unkind styles. A great union of the Kind and Unkind was in Venice at Ospedale della Pietà where female orphans became some of the best classical musicians in history due to the unique factors at the orphanage.
So the answer, per Epstein, to your question is that it depends (sorry!).
Do you want an orchestra music playing child? Use the Kind learning environment techniques of grinding away 10,000 hours.
Do you want a more jazz music playing child? Use the Unkind learning techniques of many other disciplines and getting through the 10,000 hours in fits and spurts.
Epstein's book goes into waaaay better detail than my comment's haphazard and poorly remembered accounting. If you're serious about the question, I'd buy it and read it.
[0] https://www.amazon.com/Range-Generalists-Triumph-Specialized...
The general ability to excel in a lot of different things, because of exposure to a variety of things, without necessarily being a 10,000 hour master in any of them, goes a long way. Particularly, being able to combine multiple aspects from multiple disciplines to solve a problem from a different perspective.
Edit: To just expand my thoughts a bit further, I think it comes down to sometimes “you don’t know what you don’t know.” Being exposed to more things goes a long way.
Reminds me of “dance moms” or “cheer moms”, “football dads”, etc.
If you’re a parent, remember not to live your unfulfilled dreams through your children.
Lots of non-technical jobs require you to sit at a computer all day. Why do you think they teach typing in school now? The ability to automate your tasks is a superpower that I would love my children to have regardless of what they do. I personally have had jobs that could probably be automated by a python script, although what I was doing them at the time I didn't know how python.
Besides professional reasons, basic programming skills can be the gateway to any number of hobbies. I build things for myself all the time and because it's a creative thing, and programs can be written to aid in creating artwork music, or even to generate these things completely from the software.
Most schools have art and music programs. They may even be a mandatory part of the curriculum. Because we recognize that there are benefits to learning these skills even though the majority of students will not go on to do these things professionally. Programming is the exact same thing.
It's different to make a kid take piano lessons than to force them to practice every day because you've decided their career should be piano virtuoso. I think it's the same with programming, it can be a very useful skill, and there's nothing wrong with wanting to teach it to your kids as long as you don't force them or make them miserable.
In the end, I learned a skill that has given me a lot of enjoyment in my adult life. Personally, the end was worth the means.
Kids spend a lot of time being forced to learn things in school. I didn’t perceive having to practice an instrument each day as worse than having to attend PE class.
Are there counter-examples? As a kid in that sphere I met many other kids who were very good at music. I never met any who hated playing music but I did meet many who were not that interested in the classical music they were playing. Many played other kinds of music in their “free time”.
I’d say it’s fine to teach your kid to be a piano virtuoso, as long as it’s the piano and not (say) the violin or cello, because cello virtuoso is a non-transferable skill, whereas piano can be transferred to whatever genre they eventually end up liking.
At 11 I was operating construction machinery, I had to hide from the inspectors on some jobs but on others I could talk to them. State vs. Federal I think: the State guys could be bribed.
At 16 software I had written (bid estimation) was selling for $2k a seat to earthwork contractors all over North America.
Anything I got paid went right to the parents to pay off "debts" they considered I owed them. They kept this up until I stopped letting them. At 35, I wanted to marry my wife and start a family, when I told my parents about this they were so happy they'd be getting another slave they started planning all the uses they could put her to in front of me. I realized that this proposed behavior was just as unacceptable applied to me, as it would be to her.
My Dad died a few years later, I had to help wind up his businesses, which was eye opening: I was President of one company and Treasurer of another (I'd never agreed to do either job, hadn't been aware of the one company at all). There were emails about how they could hide hundreds of thousands of dollars from me, contemporaneous with times when I had sold belongings and stretched my credit to keep "our" business running.
I'm (obviously) still dealing with all that. My child gets told to pursue self determination and never do business with blood relations.
What a strong little girl, I thought. I remember years of "loving" horseback riding lessons and shows as a kid because I wasn't strong enough to tell my mother I hated every minute of it. As a father myself now, I try very hard to listen and support what my kid is interested in, and not manufacture what I want him to be, and wonder if I still screw it up.
* https://www.youtube.com/watch?v=VY63dB6-Uwk
For an idea on how badly she thought about the child stardom, she named her memoir I'm Glad My Mom Died:
> Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction,” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income.
* https://www.simonandschuster.com/books/Im-Glad-My-Mom-Died/J...
* https://www.goodreads.com/book/show/59364173-i-m-glad-my-mom...
> Then, in March 2018, Schneider's time at Nickelodeon suddenly ended amid allegations of verbal abuse and questionable treatment of the young stars who appeared on his shows
Source: https://www.looper.com/618303/the-dan-schneider-controversy-...
However, something that's very clear to everybody is that Dan Schneider is an obvious foot fetishist (which is normal) and on multiple occasion has tried to fulfill that fetish through children. Pretty much all of his shows (iCarly in particular has many instances of this) have scenes that include children doing "wacky" and "random" things with their feet on camera. This could probably be shrugged off if it wasn't for the time when he literally asked for fans of the show (children) on Twitter to post pictures of their feet as some kind of challenge or something. Just very creepy behavior overall.
This part really struck a chord with me. My mother and I moved from New Zealand to the US when I was 14. I always viewed it as her decision. She always claimed that she had let me make the decision. I don't even remember that, it would be a ridiculous decision to leave to a 14-year-old, and (most topically) even if that had all happened it wouldn't really have been my decision anyway. It couldn't have been. Ages of majority and consent exist for exactly this reason. There's no way a child that age, even a precocious one, could separate their own desires from trying to please a parent. Moving back to the US was obviously her dream not only in the moment but in the whole twelve years since she left my father. What kind of child wouldn't - both consciously and unconsciously - accommodate that? As it is, it took me at least an event-filled decade to realize that I would have chosen to stay if the decision had truly been up to me. It never was.
No child, at least until mid-teens, really makes their own life decisions - except perhaps for the singular case of a child escaping abusive parents. Parents who claim otherwise are usually engaging in vicarious wish fulfillment, and always denying/abdicating their responsibility for those decisions.
I feel his resentment, but not sure if airing that on TV is rational, although it’s his right.
I also feel like he wants to inflict some of the pain he felt back on his parents, and embarrassing them on TV is the only way to make them take notice. I doubt it's going to do much to heal their relationship, but reading the post, I doubt either party is interested in a reconciliation.
The book is quite interesting and I enjoyed him reading it very much. Even if it was quite heavy in parts.
He also revisits his own not do nice things about his past, his insensitivity and other aspects. Quite open and interesting.
I think it depends on what his goal is. To me, it seems like he just wants his truth to be known.
In the very first paragraph of the article, Wil explained how he predicted, correctly, what the reaction would be from his parents. He's not in denial, not even close.
Some people can’t stop trying, it’s involuntary. That 80’s tough love slogan “never, never give up” actually does work, and wealth follows but, made or born, people with that level of obsession are deeply flawed.
Also, Wil said "I made the choice to live the rest of my life without her and my dad and my brother in it."
And telling those kids that they're not alone.
Hollywood is the land of depravity and abuse. It's no place for children.
The problem is more celebrity rather than the filming process. Make it illegal to report any "news", ie gossip, about anyone under 18 for a start.
I'm in my twenties, my parents watched movies in the 80s, and even then they were young. Discounting a TV show because it rips off ideas from things that are 40 years old seems like a harsh stance to take.
[1] https://experimentalhistory.substack.com/p/pop-culture-has-b...
If you want to take reference to old films and do something original with them, like Everything Everywhere All At Once, great.
You put it exactly right that it's the celebrity that's the problem. I'm not sure if your proposed solution is it though. Remember what Star Wars "fans" did to those the prequel actors. Those people weren't reading any gossip magazines, they were doing it on forums and gatherings, if it had existed they would do it on Twitter. How could we have protected the kids that played Anakin?
Fan is short for fanatic after all.
Should there be a right to be forgotten for all children by default?
Is there a sex divide, country divide, some other large scale segmentation ... I can't recall ever seeing anything about child stars when they are/were children but I consume mass-media every day.
"Stranger Things' Millie Bobby Brown, 15, opts for an Eighties-inspired prom dress as she joins her fellow teen stars in unveiling much-anticipated third season of the Netflix hit"
(somewhat randomly selected, she's the most recent child star that came to mind; the Mail is notorious for various levels of creepiness towards young female stars)
Not a great overlap with HN, but this stuff sells newspapers in their millions.
That’s precisely what I enjoy about the show. But, then, kids working in such a competitive (and often depraved) environment is a major concern. Directing kids is a huge responsibility many directors shouldn’t be allowed to have.
Now Harry Potter is pretty old already, and outside Hollywood, but those seemed to fare pretty well.
Adults choose this life willingly. Kids have this life chosen for them, or at the very least they're too young to truly understand what they are consenting to.
"Darkwing Duck shoots a grappling hook up the Eiffel Tower and gets pulled up to the observation deck"
and then the entire sequence will be generated in near realtime.
Then they'll start doing it with actors. Movie studios will create composite actors with composite voices to star in films which, from a visual standpoint, are about 80% generated by AI.
Staggering.
Someone needs to take the children’s side - that the parents and employers don’t always want to do.
Laws vary by state (see linked summary by the Department of Labor). Here's California:
> Extensive requirements for theatrical employment: The Labor Commissioner issues permits to minors to work in the entertainment industry with required documentation from appropriate school districts as applicable and/or permits permitting employment of minors in the entertainment industry.
> Sec. 6-1308.7-Work permit to work not more than 5 consecutive days in the entertainment or allied industries; excused from school for up to 5 absences per school year; school districts are to allow pupils to complete all assignments and tests missed during absence.
> Sec. 6750 Family Code - Courts may require a portion of earnings be set aside for the minor in a trust.
https://www.dol.gov/agencies/whd/state/child-labor/entertain...
People say the golden age of the internet has ended but I think ^^^ is proof that it’s just beginning.
I'm not saying it's always the case, but can we really appreciate parents that have so little empathy that they can't see how much suffering their egocentricity causes their own children?
Edit: typo
I can't fathom how someone would abuse their own family for their personal gains. There must some something deeply wrong with the narcissistic parents that force their children to work for them. There are at least two subreddits about people raised by terrible parents like these and the problem is clearly more prevalent than I'd ever expect. It's one thing to be uninterested in your child's wants or needs, like Wil's dad appears to be, but also forcing them to work for your own betterment feels like something that only a Disney villain could do.
That's an interesting take actually. I never considered it like that, because often these types of mothers pride themselves on being "tiger mum" that protect their "cubs". In my head that was always simply wrapping an abusive reality into a cute narrative.
It seems to me that the backstory ends here. Maybe releasing an autobiographical sequel here won’t make his mom turn around, but at least he didn’t crack. Kudos.
Or they can be scared for life and have never get any of that money, as in this instance.
We don't force or even allow children to work in any other industry. It is ridiculous and offensive to say that calling for the end of the exception for child actors is somehow equivalent to saying "we should cut a hole in a cardboard box and put them in it until they’re 18"
At least theoretically, you could accommodate children by only giving them small roles that require very infrequent time investment on their part, and a bunch of people keeping an eye on everything going on.
The question is whether such a thing can be worked out at all, or whether it's safer just to jinx the entire idea, reasoning that there will be too much rule breaking despite good intentions.
It's definitely going to depend on the country and legal system -- it seems in Russia there's a fair amount of series with child actors in them, and I wonder how well they're treated, because a long running series is definitely going to be very demanding even on adults.
she made me to go her commercial agency and tell the children’s agent, “I want to do what mommy does,” which she has lied to herself about for 40 years. I clearly remember sitting at the kitchen table at our house in Sunland, while she coached me on how the meeting was going to go. She played the agent and I was me. She gave me commercial copy to practice. She coached and prepped me and I went along with it because I WAS SEVEN.
She'll die someday and this may still be unresolved, which is the real tragedy.
Being the bigger person isn't always easy, it's like dealing with a drunk parent. Their behavior is atrocious, it creates conflict, it is unacceptable for little kids.
Eventually you can learn to love them while not approving of their behavior. I hope this happens in Wil's case.
Implicitly approving of abusive behavior by not challenging it will tend to lead towards that behavior continuing to be accepted in the world, all in the name of decorum.
We're decoruming ourselves into the ground. It's time to be the better people - by putting an end to abuse.
Frankly, I struggle not to be offended by the idea that the victim, here, is in some way a lesser person by not reconciling with their unapologetic abuser.
Sometimes an abuser is just a terrible person and the noble and laudable thing is to find the strength to simply cut ties and move on. The fact that it's a biological parent, in this circumstance, changes that not one bit.
(I let it all go and have no bitterness. My brother didn't and won't as far as I can tell. I don't see any reason my way is better. It's just what worked for me. Some broken things don't have a good fix, and you just move forward in whatever way you can.)
Does he? I didn't get that impression. "I made the choice to live the rest of my life without her and my dad and my brother in it."
Children who are parentified (cf. "parentification trauma") or who are subjected to narcissistic parents never get to be little kids, and that trauma affects them in hundreds of different ways that leaves them a brutally incomplete individual.
In his television interview, Wheaton noted that the only reason he's alive today is that he did not really know how to kill himself as an adolescent.
I’m lost for words. This guy’s life got seriously messed up.
I’m impressed by the courage to share something like this. It’s a lot to express and undoubtedly he’s going to get a lot of flak for it. I hope he’s healing though.
There are some children who genuinely have interest for acting, and some who don't. There's at least one mother (that I remember) displaying the traits of mother who Wheaton describes, and the, more or less subtle, pressure she exerts on the child - children clearly can't handle that, and the situation is bound to make somebody unhappy either way.
Though Will is better known for his role in Star Trek, my favorite work of his is a low budget film from the 80’s called The Curse.
It is an adaptation of HP Lovecraft’s Color Out of Space, and IMO it’s the best Lovecraft adaptation ever made. (trust me, I’ve seen a lot)
> the physical and psychological abuse she witnessed firsthand when she made me and my sister do The Curse.
So you comment isn't so much off topic, but is a bit tone deaf.
I’m sorry he had to go through that.
The cuts on his sisters face in the movie? Actual real cuts. Administered by the crew. Just to summarize one example he describes.
It was heart wrenching.
Stand By Me is one of my favorites!
Crazy that’s a Stephen King adaptation!
I liked Joaquin Phoenix’s brother’s character better in that film, though. He plays a child from an unstable family. He died an untimely death :(.
One big difference is that Wil was robbed of his childhood and friends for acting, while a lot of the after school activities forced upon us were formative for childhood. Wil was actually working a real job, I just got piano lessons and had to practice almost every day.
Another big difference is that Wil's parents mostly acted in their own self interest, whereas most parents bussing their kids to after school activities mostly do it for the kid (for college admissions usually).
Obviously there is a wide spectrum, and there are exceptions (the original Tiger Mom probably crosses the line for example). However, I think saying in general that overzealous parents are the same as abusive parents downplays the abuse that Wil and others received.
heartbreaking..
I’m Glad My Mom Died, by child actor Jennette McCurdy
Wil Wheaton, on the other hand, sounds like a pretty decent guy.
That's all on the writers. It's not like Wil was writing his own character. IIRC Wil has actually complained about how the character was written.
https://www.amazon.com/Drama-Gifted-Child-Search-Third-ebook...
I would also like to invite him to try and see the positive sides of his experience. It shaped him into a man that has been a role model for millions of young men via Star Trek. It may not have been what he wanted, but I'm glad he ended up doing it.
I don't know what depression feels like, but if can tell you that watching Wil Wheaton play tabletop games has always left me with a better mood than I had before.
So thank you, Wil, for bringing joy into my life. Don't let bad parts of your past define who you are.
To me, your tabletop games have been more inspirational than your Star Trek work. Lesser men would have cancelled the show when they found out they have a dice curse. You not only didn't cancel the show, you gracefully continued playing because to you it was just as important that the others have fun than that you yourself have fun. You, sir, are a legend and an inspiration, and don't let anyone tell you otherwise.
How is that positive for him?
Also, his character was hardly the "role model for millions of young men" one. It was not written that way and afaik Wesley was not treated that way by fans.
Correct. I doubt fefe23 has ever seen TNG, because Wesley was in no way, shape, or form a desirable role model for anyone.
(My understanding is that Wesley was sort of a self insert for Star Trek creator, Eugene Wesley Roddenberry. As with all of the other times Roddenberry tried to artificially impose his own Message(TM) on the show, it failed miserably.)
Help your kids be kids and learn what they want to learn.
I can still hear him shouting, "Shut up, Wesley!"
Not saying what she did is okay, but it's not "forcing"
How do you call this?
A very painful read, I hope Wil is better in his head and in his soul right now. I would personally ban all child acting going forward, as in, all of it: feature films, TV series, commercials etc. The potentials for abuse are just too big.
But parents almost always overstep their bounds to do what they think is best for their child. We've all heard of Tiger Moms, and parents basically forcing their kids into being a doctor for their own good.
When it fails, it fails spectacularly, but it often doesn't fail. Is it wrong that a child was forced into something that gave them a great life?
It just feels weird hearing a millionaire, rather successful, badmouth his parents and throw a pity party because they made him do something he was good at as a child. The vast majority of people would likely trade their position for his, childhood be damned.
You can become good at anything with practice. The standards for a 7-year-old are very low, and the fact he became good at acting is probably because he was forced to do it so much.
I assume he'd rather have had a less traumatic childhood than be a millionaire.
I mean, ideally we all want wealthy parents who give us unlimited time and support and freedom, to pick a job we love doing and get paid well, etc. But it's just not reality for 99% of people.
Most people who believe this have grown up with either narcissistic parents, or just otherwise emotionally (not fiscally or materially, which neglected children often confuse misattribute as love and care) neglectful parents.
The narcissistic ones simply love to fill their children's heads about how self-sacrifical and hard parents they are, yada yada yada.
I strongly encourage anyone to read up on "good enough parenting" and narcissistic family dynamics, especially if you think you had an "overprotective" parent that couldn't respect boundaries.
Edit: here's some links to encourage research: https://en.wikipedia.org/wiki/Good_enough_parent
https://narcissistfamilyfiles.com/2020/03/15/12-unspoken-rul...
https://en.wikipedia.org/wiki/Narcissistic_parent
Aside: there's growing research that supports narcissism (especially intergenerational narcissism) and narcissistic abuse has been on the increase, and that roughly 1 in 5 people have suffered from narcissistic abuse at least once in their life (check out Ramani Durvasula's book or literally pick any literature or research on narcissism)
In the end it's a "ignorance is a bliss". He's missing a significant part of his childhood. He did try to come up with a replacement for a few months during his studies but realised that he was simulating and overdoing it.
I've never seen him "let go" if you understand what I mean. I'd never tell him but seeing that is quite scary and I wouldn't want to exchange my freedom as a kid for all his money.
Also he's married to a person similar to him. They don't have kids.
They are a very boring couple but they try and we try to drag them along sometimes.
I don't quite, what do you mean? Thing is, I spend all my waking hours working to compensate for a relatively underachieving upbringing and have little idea what I'll do in a few years, after I'm done with what I wanted to build. There are the usual aspirational things mentioned elsewhere in this page (learn languages, play instruments...) but those are a ton of work, definitely not letting go.
I've seen it fail more often than not fail. Maybe from the outside the person has a great life but on the inside they're not actually happy.
> It just feels weird hearing a millionaire, rather successful, badmouth his parents and throw a pity party because they made him do something he was good at as a child. The vast majority of people would likely trade their position for his, childhood be damned.
I'm not that sure. What good does it make to be millionaire if you're deeply unhappy? Of course, if someone is starving right now they might want to swap places, or if they're unhappy already they might as well be unhappy with more money. But I don't think that state is something people really want.
It's one thing to say "hey, this is my experience, many people didn't know, I thought it sucks, I want to warn people about it, and I struggle with the results."
It's another to say "I hated my childhood, I never got to do anything, here are ten thousand reasons why I hate my parents, and I'm gonna continue to throw them under the bus until people stop paying me to talk about it."
It's normal to dislike some people. Even your parents. It's flat out unproductive to be perpetually bitter about things that happened 30-40 years ago when you're about to be 50, and I'm a person who would know given my own childhood... and my own (which I thought was fairly traumatic emotionally) was a cakewalk compared to my SO's.
If those people care about him as little as he says, then the only person he's hurting by continuing to revisit it is himself. There's a difference between being upset that it happened and being so angry at the people who have long since either forgotten or forgiven themselves that you need to go on TV about it and then follow it up with a blog post. I don't think it helped him, he comes off as petulant, and it definitely didn't hurt anyone else if his narrative is accurate.
There's a difference between encouragement and support and forcing. Forcing is never good or healthy. It's always abuse, no matter the mental gymnastics involved we use self-rationalise traumatic childhoods.
It's no different from me forcong you right now to do something. Parents don't own their children. They can buy a doll if they want a doll.
Edit: also "great" mean little in this context, as it means different things to different people.
Not that that's here nor there if the framing of the story is true. But we all know there are three sides to every story.
Let children make mistakes, but provide a support net for them to go back. Let them deal with the consequences, but also show compassion, explain why this happened (and it involves other people how it made other people feel), and SHOW them how to do better. If you reprimand children, also make sure you praise them.
Parents are there to teach children how to live their own life, not tell them how to live a life the parent wants.
Of course, there are some mistakes you will want to prevent, like letting your kid run into ongoing traffic, etc. But we're not talking about life-threatening mistakes.
This is obviously harder and more "stressful" than just locking your kids up (and this isn't even just a dysphemism; this happens through repeated emotional abuse), and shouting at them "do this, do that or nobody will love you". That's not parenting, that's just fucking sick.
There's always someone with a worse life. I'd rather be homeless and hungry in America than live through the drought and famine that's hitting parts of Africa right now, or to have a roof over my head in the Chinese concentration camps.
Being rich and famous doesn't make you happy. I fact, I'd say the opposite is often true: Hollywood produces some of the most twisted, desperate, depressed and depraved people out there. Today, Wil Wheaton is in a position many of us dream to achieve, being famous and beloved by the masses and probably not having to worry about money for the rest of his life, but to get there, he had to survive a lot of trauma. Is all that money worth it watching some movie producers scratch up your sister's face as a child actor? What if the gamble hadn't paid off? His sister suffered through a similar life but I haven't heard much from her. Going through all that to have the glamorous life of... a massage therapist? No, thank you. You can learn to give massages without the parental neglect. Wil was lucky to get a successful career out of this but that was never certain.
Comments like yours often come off as envious to me. Some want the glamorous riches so bad they overlook the childhood trauma. Perhaps you've survived your own trauma, but "at least he got something out of it" is still a terrible take.
The only person really qualified to say whether or not it's great is the person themselves.