Now that we can measure all media consumption, we're discovering that people like to listen to their favorites over and over, and somehow concluding that's artistic stagnation.
Now that we can measure all media consumption, we're discovering that people like to listen to their favorites over and over, and somehow concluding that's artistic stagnation.
We did actually have a decent record store but once you’d gone through the rap section a dozen times you were stuck with months old photocopies of the source and ordering from the store that took months.
Then ‘Yo mtv raps’ aired in uk on our nascent satellite service that hardly anyone had so we’d pass around blurry copies on vhs.
Then a voice said ‘let there be music’ and Napster happened and my life changed forever.
Napster to Kazaa to bit torrent to Usenet back to torrent then finally iTunes Match and Apple Music.
And I still listen to ‘All Eyez On Me’ at least once a week.
High budget films inherently have huge financial risk, so it reasonable that the decision making is risk adverse. Meanwhile, the rest of the ecosystem is flourishing with creativity. We have an astonishing selection of works in indie films, HBO, and Netflix programming. As a consumer, I've never had more high quality options to choose from.
Hollywood of old used to crank out and an enormous number of films, almost none of which were big budget. This is the same as today where streaming services crank out an enormous number of creative entertainment options.
The oligopolies of recent years may find that their business models are challenged, but the industry as a whole hasn't lost an ounce of creativity.
This is evident by the huge valuations of the majors eg Universal going public, indie publishers such as Reservoir and Hipgnosis, and artist and writer catalogs eg Queen, Bob Dylan, Tom Petty, Paul Simon, etc. A few times a year I will read about a writer/artist catalog getting sold for $100M. Except for maybe a death like Whitney or MJ, that never happened 10 years ago.
100K tracks are added each week but most don’t have any commercial value. Even if you are modestly successful with say, 1M plays, that’s not enough to live on for very long (about $10,000, split by however many people in the band, publishing costs, etc.).
We recorded movies from TV onto VHS, it wasn't unusual for them to air again before we watched the taped copy.