Even back then, there were all sorts of weird attributions to it (I think that my Napster copy had a Kurt Vonnegut credits, though the author was Baz Luhrmann in the meta data) and conspiracies about it. But I remember learning fairly early that it was some newspaper column.
The other part of this is that the 7:10 version has the “Everybody’s Free” sample from Luhrmann’s “Romeo + Juliet” — which like every other 13 year old girl in 1997, was a soundtrack I knew backwards/forwards/upside down/verbatim.
Like the people on the podcast, this has remained a weird earworm that I can just recall instantly in weird places.
What a weird but great song. And as I am now in my late 30s, the advice is good!