Don't even get me started on how bad patents are.
Imagine for example something like the Expanse being crowd funded. That's about $3.5 - $5 MM per episode - a huge amount. And then it takes a year or more to see the content. And the Expanse wasn't really that expensive in the scale of things.
Unfortunately, until a better model emerges, the media juggernauts do serve a function in the marketplace as financiers.
You're probably pushing more triangles in ten seconds of a modern video game at 4K than in the entire run of Babylon 5's groundbreaking CGI usage. So we've definitely got the resources available to deliver broadcast-quality CGI video to the masses, and the right tooling could make it accessible.
I could imagine franchises that started with modest visuals, and if they can find bigger backers (more subscribers, advertisers, merchandising, whatever), they can level up with more resources behind them.
I also imagined that studios and directors would love the idea of CGI actors-- you could do things that are still infeasible with practical effects, you can pull them back out 10 years later and they haven't aged, and you don't need to worry that they'll suddenly go on a binge that effects their ability to film.
Blatantly false. The majority of these small creators are Twitch Streamers, Tik-tockers, Youtubers these days. All of them give their work away for free effectively.
In particular, the value in the Twitch-stream is from interacting with the chat realtime. Its effectively a live performance tied to a chatroom in some niche subject matter that the audience is interested in.
All of those can probably be released public-domain and free to copy, and they won't lose a single subscriber.
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Others are paid primarily through their Patreon account or other forms of merchandise (dolls, plushies, etc. etc.). Or direct advertisements inside of the content (see Oversimplified and VPN). You can't "skip" the ad because the Ad is part of the video itself and worked into the script.
Based on where people spend their money, your preferences are in the minority.
Juggernauts are able to put their movies in theaters or cable/streaming television, put trailers in front of other movies or tv shows, take out billboards, etc. Juggernauts are able to market the hell out of their products, while most little guys don't have that opportunity.
I imagine that this also has a lasting effect. For example, juggernauts are more likely to have a streaming service trying to pick up their media while also putting that media ahead of little guy's media in that streaming service's recommendations. I'd also guess that over time the probability of organically finding little guy's media drops at a significantly faster rate than juggernaut's media .
Blumhouse wouldn't be where they are without the juggernaut's purposefully propping them up.
How many paying subscribers does YouTube have compared to Netflix?