Apple is quietly pushing a TV ad product with media agencies
digiday.com
digiday.com
And even if I was swimming in money, it's often easier to just download the shows I want and watch them on Plex/Jellyfin than trying to navigate the (often ad-riddled) interfaces of the various platforms and finding where the content I want is.
One example is Rick and Morty, it's made by Adult Swim, but they don't have a streaming service in Canada. It seems to be on Primevideo but under a different system than their regular content. The other way to watch it is to buy it from my cable provider (I don't have cable). So to watch a 20-minutes animated show I'd have to take a +40$ subscription.
Also, I don't quite know my feelings on this yet, but there is something real about some shows and movies being part of the milieu. Something doesn't sit quite right about repeatedly increasing the pricing via anti-consumer acquisitions on products that are contributing a substantial part of how the society collectively feels and thinks. It feels like you have to make more money to live in the same society.
> that are contributing a substantial part of how the society collectively feels and thinks
First of all, I straight-up don't believe this. I had very little exposure to TV/movies/books/the internet growing up, and yet I feel virtually no disconnect with my friends and co-workers - even when I don't understand a particular cultural reference they make, they either explain it and we engage in a fun tangent about it, or we just laugh and move on.
Second, even if that were true - then the problem is that culture is being built off of copyrighted works in the first place. Solve that. Doing otherwise shows that this is just a convenient excuse to secure access to personal entertainment.
Copyright anarchy and copyright abolition are absolutely coherent moral frameworks.
I have a magnet link. It brings me information. You don't want me to have that information? Up yours.
Oh you made it did you? Should've thought about my BATNA before deciding how to put it on the market.
For the record, I'm quite a bit more moderate than this would imply. But copyright is a weird wrinkle to "encourage the useful arts and sciences", it's has no basis in natural rights, the opposite in fact: the State intervenes in my natural right to do things with my own computer and the Internet connection I pay for, in order to encourage the making of more cinema and so on.
I mean - the natural state of these works has ALREADY solved that, they are easily copied and distributed. The only prevention is arbitrary law/policy that says we (the royal one) shouldn't.
So you're essentially arguing that no one has the right to a product, but they do - in a natural state, copying and sharing those items IS THE DEFAULT.
In fact - copyright law is insanely new, as far as laws go - dating back only about 300 years (1710 - Statute of Anne).
Personally - I think the whole thing was a mistake, and we've seen complete erosion of public access to works of all sort (not to mention education) under these new laws. That said - they're wildly successful if the goal is to subvert culture for private gains.
Yet educational books are copyrighted all the same, and scientific journals fight tooth and claw from preventing open access even if morally they should (eg. when publishing results of research paid for by public months).
You just drew an imaginary line (entertainment products) to defend an artificial law (copyright). Prior to 1710 there was no copyright, yet culture, art and civilization flourished. People were entertained, and entertainment products were certainly produced.
Copyright creates an artificial scarcity (literally, in the 21st century, where copying is costless). Compare that with natural laws, such as against killing, stealing, etc, known for thousands of years, with obvious reasons for existence.
We can argue to what extent copyright promotes creation, and we can agree to respect it because of its positive effects (if any).
But we should never mistake the "nobody has the right to obtain copyrighted works" dogma for a law of nature.
> culture is being built off of copyrighted works in the first place. Solve that. Doing otherwise shows that this is just a convenient excuse to secure access to personal entertainment.
What is culture if not total sum of all art, science, and other human accomplishments? And as we now stand, all modern art (and much of science) is being locked up behind copyright for decades.
Solve that.
what about all the things that should have been out-of-copyright had large companies not purchased favourable laws? How many years after death are we up to now? Is this what people originally agreed to when copyright laws were created? Did they agree to the extensions or did the government do this for the "lobbying"?
What about public domain which was taken by for-profit companies and then copyrighted so you cant do the same?
The only coherent moral framework for the existence of copyright at all is that it is a societal level intervention to maintain financial incentives for the production of creative arts and livelihoods for creators. If the lion's share of the returns to the production of IP is being soaked up by gatekeepers like streaming services and publishers then the alignment of the principle to its aim starts to attenuate.
I think, corporations gatekeeping huge parts of human culture is something that we can resist once in a while.
"Unlike, say, having access to food or water, or even education"
This is YOUR take. MY take is NOTHING should be copyrightable. People will still go to concerts and movie theathers. If anything, copyright stiffles production and innovation.
EDIT: I forgot to remind you that copyright is different from trademark. I think trademark is constructive, but copyright is not.
Depends on the country, actually. In Poland, as in some other European countries, it's legal to download copyrighted content without paying for it. It's only illegal to distribute it without the copyright owner's permission.
How about you solve your business model that relies on the generosity and goodwill of people not to take an infinitely distributable good.
Maybe it isn't morally coherent but I am all for resisting the US government's pro monopoly positions by pirating from said monopolies. True resistance will never be legal in a framework where the rules are dictated by authoritarian governments or in this case corporations.
People do still have the right to use libraries, though that is being threatened by digital restrictions in ebooks and other media.
In the US we seem to forget that copyrights and patents exist to "promote the Progress of Science and useful Arts" - not to ensure a perpetual revenue stream.
I think poor kids growing up with parents living paycheck to paycheck should have equal opportunity to become a great filmmaker as trust fund kids.
That should be where we start this conversation, not hand wringing over making sure billion dollar media companies don't have their business models disrupted.
This doesn’t compute. Firstly, multiple companies cannot simultaneously have monopoly power of the same resource. Secondly, there is by just one company who controls the majority or all content. In fact, having to subscribe to multiple services proves that there are multiple companies who provide tv shows and movies.
Sure they can; it's called a cartel when that happens.
The major content publishers have acted in concert to kneecap Netflix; pulling licensed content, no longer licensing popular new content, etc.
monopoly power of the same resource
they can because it's not a resource in first place, it's infinite.“There are too many streaming services to choose from and I don’t like having to pay for competing services therefore there is a monopoly”
So it wouldn’t be a monopoly if there was one company that had all of the content you wanted?
> Disney owns about 1/3 of all box office revenue
A third of one channel of distribution is not a “monopoly”
> Something doesn't sit quite right about repeatedly increasing the pricing via anti-consumer acquisitions on products that are contributing a substantial part of how the society collectively feels and thinks
Yes the government must step in for the good of society because having a team of superheroes including a man who turns green when he gets mad is influencing society.
Have they? Or perhaps trash media is the bottom of their list of priorities? Maybe they are overloaded with cases and need more support? There are many more possible explanations than "shown they are unwilling"
You can take a look at some recent current and pending antitrust cases on the DOJ's website:
https://www.justice.gov/atr/antitrust-case-filings?search_ap...
In fact there was just recently action taken against Disney, which forced it to sell of major parts of 21st century before it was allowed to proceed with the merger.
https://www.justice.gov/atr/antitrust-case-filings?search_ap...
In what way does Disney "own" box office revenue. It spends the most and gets the highest return? I know there are some anti-competitive theatre negotiations at the margins, but at the end of the day anyone could invest in their own business and produce good movies - if they had the talent.
Some time ago, I saw one friend kick another off of his minecraft server -- and when I objected, he said it was his server, which he paid for, and he could do what he liked. As indisputible as this was, I couldn't escape the impression that the other friend, having invested months of time into building things in that world, in some sense owned those things, and that this was a moral consideration that changed the circumstances and made them different from someone who had spent five minutes in the server.
At one time I ran a gaming ladder for a small community. And while it was undoubtably mine -- I developed it and paid for it and was central in running it -- as the accumulated history of the community on the ladder grew, as the ladder became central in the life of that community, I couldn't escape the impression that all of that data and history was theirs, maybe even more than it was mine. And indeed, a previous ladder in the same community had been run by someone who saw it (very rightly) as his and ran it how he liked -- and after some unpopular decisions, the community reacted by perceiving him as a tyrant. Is this an odd intuition? I think it's one we've all voiced at some point in this era, even if we couldn't defend the idea logically.
I think this philosophical tension is at the center of a lot of struggles in our age. Facebook was certainly made by certain individuals -- they can certainly do what they like with it. And yet I can't escape the impression that the platform wasn't made by them alone -- that what it has become, both in the larger society, and in my personal circles, is what we made it by use. I don't know exactly what that implies from a moral standpoint, only that the intuition of ownership Locke desribes seems to me somehow to apply, and to be describing something real.
I think the same applies to this issue. George Lucas made Star Wars. Without a doubt. But what Star Wars was in 1977, and what it was in 1997, and what it was in 2017, are entirely different things. Some of that change was wrought by Lucas himself, but a lot of it was wrought by us -- the culture that watched it, and talked about it, and adopted it into the milleu. In 1977 it was cool, but in 1997 it was something much closer to literature, to required reading. (And in 2017 it is something else -- one of the niche kingdoms again, and perhaps yet different rules apply.) Can one person own that? The community seems to have generally rejected Lucas' rightful ownership over the series, which I take as a general consensus that, even if we can't philosophically defend why we think this, even if it's happening on an intuitive moral level, people broadly agree that at this point the world owns Star Wars more than the creator does. That people are looking at its maintenance less like a private estate, where the owner can do what he likes, and more like a public government, where the citizens are right to regard bad behavior as equating to illegitimacy. (And Disney owning it seems like a legal quirk that has nothing at all to do with moral intuition.)
Cultural works in general seem to follow this path, from private to public, from entirely owned by the creator to entirely owned by the community. But the ability of that community to actually guarantee access is different than it used to be. Decades ago, Lego was part of the universal landscape of childhood. At one point it was owned by The Lego Group, but at some point it seemed to be owned by everyone, taken for granted in the cultural landscape -- and no one had the power to tell a kid who was interested that he couldn't play with Legos. But Minecraft fills that niche now, and a hundred other things fill a hundred similar niches, and it is absolutely easy for a corporation to stop a kid from playing -- a power so obscenely socially costly as to chill the behavior of parents. Does that seem intuitively like a tyrannical, if not an evil, change in the world? It does to me. But I don't think the pirates are right, either -- I do think ownership means something. We don't have good rules for this. We have moral intuitions, but no ethical heritage.
I don't know where the line is. I don't know what models apply. I don't know what all this means morally, let alone legally. We need a Locke to tell us. But I cannot escape the impression that Locke has a point here, and that consumption may be its own form of creation, and that figuring out how to deal with all of this in a fair way remains one of the most novel and interesting questions of our age.
I completely disagree. To think otherwise is to be entirely passive and compliant in a world that quite possibly could be (edit: is) corrupt on many levels.
It certainly is.
You could claim that by pirating you’re instead protesting about the fragmentation of the streaming landscape and are holding out for an everything-in-one-place service like Spotify/Apple Music but I’m not sure you’ll get far with it due to the nature of the movie industry.
Personally I think you’re probably better off with the rotation approach - after a few economic cycles, the streaming services that aren’t pulling in enough subscribers will end up getting bought by bigger competitors and we’ll probably end up with just a few big ones standing. I don’t think Apple or Prime are going anywhere because they‘re supported by other aspects of the company. Marvel, Star Wars and just general franchise fatigue is kicking in for Disney but they’re always going to have the kid stuff to fall back on so I think they’re safe as well. Which leaves Netflix, Paramount, HBO, Hulu etc scrapping each other for anyone without kids or who don’t mind the extra subscription.
People now complain that the services resemble what cable used to be - but there were entire movies and countless sitcom plots about people tryng to cancel service. It was terrible for customers. Free trials of streamers have mostly dried up but rotating can still provide value - and probably better for your own time.
It takes barely any time to rotate services (ten minutes per month max, and you could probably even automate it - I'd pay for that automation, ironically), and it provides an extremely strong feedback signal to studios/services that you're not putting up with the fragmentation.
Piracy is a tragedy of the commons situation that provides the wrong feedback signal (industry will just assume it's because people don't want to pay for things), so it actively makes the situation worse.
Personally I pay annualy for peacock (at a promotional discount price of $20, to watch premier league), prime (also annually because shopping) and Disney (because kids). I also have access to Netflix, Paramount and HBO etc. subscriptions for free- via fnf or promotions. If I badly want to watch something, I either check on Justwatch if it is available on a service I subscribe to, or I just pirate it.
Additionally, if a show was ever on a streaming service while I had a subscription, I feel zero remorse for downloading that show once it is removed from that streaming service.
These license holders are getting more greedy by the year. If they don't want to provide the content for a reasonable fee through a streaming service, then they don't get my money. Simple as that.
This is ridiculous. If you don't have ten minutes of time every month, you certainly don't have time to be watching any television.
Pirating is the only way to get accurate high-quality subtitles. I’ll automatically download them from Opensubtitles and then strip out the very distracting non-dialogue parts like “[ominous music]”. Also streaming services often have out-of-sync subtitles, like DS9 on prime video. With pirated content I automatically get perfectly synced dialogue-only subs in the exact font, size, and styling of my choosing.
Other benefits of pirating include:
- knowing exactly what bitrate/resolution you’re getting. Streaming services love to stealthily downgrade Chrome users to 720p. Pirated content often uses more computationally complex encoding letting you get more quality in fewer bits.
- easy playback of 4K content on the desktop. Often streaming services restrict 4K to certain hardware devices only. (where they can do L1 DRM protection)
- general playback flexibility. Instead of relying on each streaming service's bespoke interface, I can use my preferred media player (IINA/mpv) with all my favourite keybindings. Also, I can try out things like vapoursynth motion interpolation to get pseudo-60fps, or real-time upscaling of cartoons with Anime4K.
As I get older, I find myself more willing than before to trade cash for time, and this is exactly one of those scenarios.
Rick and Morty came close, but Youtube TV taped the episodes for me so I watch them there.
I think for some folks, maintenance is part of the "hobby" so they may not think of it as a chore, but I'm at a point where I don't really enjoy the sysops stuff as much anymore.
The whole process is absurdly low maintenance once set up, as long as you have the storage space for it.
Even their 'higher end' 4k UHD media releases are missing features that Disney+ has, like Dolby Vision. https://www.flatpanelshd.com/focus.php?subaction=showfull&id...
A small exception to this is the newly announced Criterion edition of Wall-E, which includes Dolby Vision.
I'm no fan of the companies involved, or their policies, or even copyright law as it stands, but I've gotten to a point where if something entertaining isn't worth the price, I just don't buy it. I have no "right" to watch a TV show that some monopoly is infringing upon.
We all have so many things competing for our time and money, take advantage of that. If Rick & Morty isn't worth $40 to you, spend that $40 and those 20 minutes on something of better value.
And yes, I still watch TV, though far less (2-4 hours/week) than I did before I adopted this thought process. And yes, I do watch, and pay for, Rick and Morty :D
Someone tells me about a show, I add it to a list and then find it later. Throw it up on Jellyfin and I can watch it anywhere using Tailscale (based on Wireguard).
One of the instances that pushed me was "buying" a movie on NFB (the National Film Board of Canada). I could only watch the movie in their player in a browser. But, I had paid 12~20$ for the movie. Instead, I found a Firefox plugin to download the video file and I used Jellyfin to watch it. Being Canadian, lots of media is region-locked.
Jellyfin FTW. I spent a half-dozen attempts over a dozen years trying to make XBMC work such that I was spending more time using it than messing with it (including just getting lost in their UI with an accidental button press and having to figure out how to get out of whatever unfortunate mode I'd become stuck in) and that anyone other than me was able and willing to use it. None succeeded. Painful set-up, painful UI (the themes don't help because they don't change the way it behaves), and you have a copy of XBMC on some XBMC-capable device attached to every TV you want to watch on.
Jellyfin solved all those problems.
Edit settings in a browser, leave the TV UI to do TV UI stuff. Clients on every major platform (even if the best ones are paid on some platforms—my paid tvOS app was entirely worth the could-find-it-in-the-couch-cushions amount of money it cost). Roku, Android, tvOS, whatever. Stream to any computer, tablet, or phone without installing anything. It's great.
pirated sports are even a better product. they dont have ads. so if i pay for sports on tv, im actually paying to watch ads?? it should be the other way around, and if it were, i would probably sign up. also give me all your money
She's gotten really good at finding various streams for the games she wants to watch, and just watches those, usually with no ads. To keep the system we had to watch them "legally" was... I think "only" $90/month - $60 something plus more for 'basic sports'. Oh... but you want HD? That's even more. And you need a new satellite dish. That will be an extra $200/installation.
But had we just been a new customer... I'm sure they'd have thrown the world at us for free for the first 3-6 months.
I don't do sports, but I do remember that sky sports was on in a pub I was in recently with a football game. I don't remember seeing any onscreen adverts (there was the score, the time left, a sky sports logo etc in the corner which seemed fairly unintrusive -- certainly the score and time left are an essential viewing when I do watch England in the finals)
Obviously there's also the adverts around the actual ground, and on the players shirts, most of which seem to be for betting (when I was a kid my grandad put a couple of quid on the pools each week, but this modern stuff seems quite the scourge)
Now at half time sure, they are dripping with adverts -- despite I believe sky sports costing somewhere in the order of £600 a year, and advertising raising just 10% of Sky's revenue from the last annual report I saw.
Were you paying a legitimate provider?
He has a KoFi so you can donate and get a message on-screen too. Fun for rallying your fellow fans :)
You can also watch episodes in the Global TV app, but you do have to have a subscription to Global TV to watch those, though it is often included in basic packages that start at $25/month ($15 for Alt TV) as CRTC mandated that channels be made available a la carte with a cheaper “Starter” package.[2]
That said the cheapest (legal) way to get Rick & Morty is to record it yourself over-the-air for free given that Global is a nationally broadcast TV channel, for now. Edit: Actually, I’m not sure this is still the case.[3]
1. https://www.adultswim.ca/where-to-watch/
2. https://crtc.gc.ca/eng/television/program/alacarte.htm
3. https://blog.fagstein.com/2018/11/13/corus-asks-crtc-to-shut...
(the companies/pricing being customer hostile, not you of course)
There is definitely a need for things to change yet even in the land of the free (USA), there are talks of trying to “bundle” together OTT streaming as the next wave of getting you to pay more to watch the same content.[1]
There is some good news though. Often when you subscribe to internet there are limited two-year promotions that offer streaming TV at no extra cost. Unfortunately, these plans often don’t include PVR function and also don’t include the ability to skip commercials when playing on demand, but luckily a number of on-demand streaming methods can still be tricked by adblock such as Pi Hole, in my experience. Not all of them, of course.
1. https://www.wsj.com/articles/streaming-service-bundle-cable-...
You can buy season 6 on Apple TV and Google play for $19 according to this site: https://www.justwatch.com/ca/tv-show/rick-and-morty/season-6
I have no problems paying for netflix, disney, prime, and now paramount plus. I subscribe to apple TV for for all mankind, then I stop when it's finished.
What I won't do though is pay to watch adverts, that was Cable/Sky TV's market, not interested. Sell me the program and I'll buy it, try to include adverts and I'll get it elsewhere.
But as I also mentioned, all the above pales in comparison to their plan to spy and profile us to serve us ads, when the very reason that people have dumped TV and pay a premium for streaming platform is to avoid advertisements.
Now I just have a folder where I can find everything fine, and double click stuff.
It seems like a pipe dream but it shouldn't, we (the demos) are supposed to be the ones to principally profit from copyright.
May it's something that is blocked or just not so popular in first world countries, but most of my Russian acquaintances use these services almost exclusively.
I'm not quite there yet, but even when i already pay for the service (for example Amazon) i'm tempted to pirate it. My local Plex server is so much more usable than Amazon's terrible streaming app. Amazon's app freezes frequently for me, gets loading widgets stuck overlaying the movie/show, etc.
I'm debating finding a way to download shows i pay for and then watch them locally. A bit of a grey area between paying and pirating, but i'm done with their crap UXs.
I'll avoid pirating as long as i can because i make plenty to justify not pirating; but i will gladly solve their terrible UX problems myself if i am able. I am paying for it after all. TOS be damned.
I'm with you on this one, between the price hikes, geo-restrictions, etc streaming is rapidly declining.
This is all I need to justify my piracy. If you're not going to let me pay for something or force me into bullshit like needing cable to sign up for a streaming service then I'll gladly watch what I want to watch without paying.
and don't even get me started on C-11...
It just doesn't make any sense.. Just sell me an NFT and use that to access ANY quality or media of that publication. Then I can also just resell my NFT, just like we would with videos, dvd, and games
Now, because of inflation, $100 is not even what it was 10 years ago, so I am not sure why people are getting torqued about this. It's still a very good deal, considering the quality and amount of entertainment that you get, which is light years better compared to back when Facebook was still cool.
People used to have this crazy bundle of streaming services called "cable TV" People started to complain that it was getting too expense to pay $150+(even with commercials) a month when you only watch a dozen of the hundreds of channels at most. Then came streaming services. People were thrilled they could only pay for one channel at a time for 10-15$ per month.... problem solved.
Western shows get more formulaic by the day and anecdotally most of my friends that watch anime watch 98% anime and 2% occasional popular show on netflix.
Anime fans will be more likely to drop non-anime streaming services in favor of additional anime streaming services. e.g. trade Hulu for HiDive
I use a Roku. It has all the apps. Sometimes I forget what show is in which app. JustWatch is helpful. I can legally buy Rick and Morty season 6 from iTunes. I’m laying in bed and could buy it in about 15 seconds.
If there was no such thing as piracy and streaming services were free then dealing with all the different services would be a mild nuisance. IMHO people pirate primarily because of money. Everything else is just a weak attempt to morally justify something they know is wrong.
At the very least pay for most of your content. Don’t pirate everything just because that one anime from Japan you love is hard to legally pay for.
Ah yes, the ol' blame the user.
> streaming services were free then dealing with all the different services would be a mild nuisance
Sure.
> IMHO people pirate primarily because of money
The biggest video games are all free.
> At the very least pay for most of your content.
Because of piracy, all the streaming services operate like free to play games. Disney+ gets $80/yr from payers. Not bad. Compare to Clash of Clans which is closer to $10-15/yr (per payer).
They're doing a good job. I am not 100% sure what the payers are paying for. Lack of technical knowledge to pirate? You're right, nobody who would know how to do this would pay.
No one will trust them again if they make one major mistake, and Ads are a minefield for upcoming regulations.
They have so much money and financing available, instead of being greedy, they should focus on hardware.
As much as I want this to happen. It wont. Just look at the spin given out by either Apple's PR or Apple Apologist:
"Apple were never against Ads. Steve Jobs made iAds." Meanwhile completely forgetting Tim Cook, 2014-2015. "Apple is not in the Ads Business." - In the Context of why you should choose Apple.
"Apple Ads are privacy focused and they do not track you." Cough. They are only personalised.
"Apple is moving away from China." ( No they are not ). "And has been planning to do so for a while." ( No they didn't )
And literally all the Fans reading Appleinsider, Macrumors, 9to5Mac believes in it. As well as all the YouTube repeating "THE SAME" information over and over again.
It's a common belief even on this site. I see it parroted all the time.
This company will be completely unrecognizable in 10 years, product people are no longer holding the reigns.
This is coming from someone who hates Google products.
This year, I decided to go back to an iPhone. This has been my experience so far:
- When you disable notifications for an app, expect to be asked inside the app itself to enable notifications. Every. Single. Time.
- Expect some apps to hijack control. Spotify is the worst offender. I plug my phone into the car, will be in the middle of setting my course in Apple Maps, then get rudely interrupted as Spotify forces itself into the foreground after connecting.
- In general, everything takes multiple taps to complete in iOS. It's just such a time suck to have to tap tap tap tap away at something that should be just one or two taps, at most.
- Inability to customize apps. I use a third-party app to browse Reddit. The only way I can open Reddit links from the browser is to hold-tap, share, select 3rd party app. Just more tap swipe tap swipe tap...
- The built-in mail and calendar apps are garbage
- Safari is garbage and can't be replaced with a true 3rd party browser
- A buggy Do Not Disturb functionality that will randomly leave itself on outside scheduled hours
The first two points could arguably be blamed on the third-party apps themselves. But I would counter-argue that it's Apple's responsibility to punish companies that actively diminish the user experience by finding ways to skirt around iOS settings. If I turn off notifications, it should mean that the first time I'm asked. An app should not beg me over and over and over again to turn them on. I said no, don't ask again.
Apps should not be allowed to hijack control, either.
If Apple isn't going to focus on improving the user experience, and if they're going to start down the road of advertising, I guess I wonder what delineates them from anyone else in the mobile space. Now they're just a buggy, expensive interruption machine.
Ironically, I had more control over my Pixel (with stock Android) and the way it behaved than I've ever had with the iPhone.
Now, I do agree that it is a systemic risk to the company. Ultimately, businesses/people/organizations respond to incentives, and for businesses that is usually revenue. If your revenue comes from your customers, you're more likely to be aligned to the needs of your customers and try to meet their needs.
However, with advertising, your customer is the advertiser, not the end-user. Additionally, your end user probably doesn't want advertising, so your incentives are now significantly misaligned with your end-user. Maybe that is fine for the near term, but each small decision that's pro-advertiser and anti-user compounds over time and eventually, creates a more user-hostile product.
Also, as an aside, I expect the stock price drives decisions way more than how much money Apple has in reserve.
Introducing a massive conflict of interest into their business model cannot possibly work out well in the long-term.
They have the advantage that all other competitors at that scale (FB, Google, etc.) are worse and even more desperate for ad revenue...
They took a look at YouTube premium, that’s all.
Alternatively, are the poorer kids going to be the ones inoculated against advertising because they are exposed to it constantly?
If ads didn't work, companies wouldn't be paying billions of dollars per year. The only way to fight it is by being vigilant and block them at the source and become truly allergic to them.
At this point I can't even go to a sports bar for a drink because being bombarded by that many ads is a legitimately stressful experience. If I'm visiting a family member who leaves the TV on in their living room, I ask if we can turn it off -- or mute it and leave the room. But I don't view these as problems: I'm recognizing a negative thing in my reality and trying to cut it out. I imagine it like a bug problem: I won't go to a bar where cockroaches are crawling all over the walls, or hang out in a room where a bunch of cockroaches are nesting in the corner. Ads are the same thing, but you have to be much vigilant to keep them out of your life because so many people have gotten used to them.
I hope folks start educating their kids at an early age to loathe ads. Middle schools and high schools ought to dissect ads in a dedicated (health?) class that showcases the manipulation tactics companies use to control viewers. But parents can do the same thing, knowing that school systems take literal centuries to adapt to new technology.
Not saying fake news has no effect on young people but it’s definitely a huge difference.
Also, many ads now are like insider jokes, trying to poke a certain market.
I notice people who are used to it can just stare at the tv during the ads, even during a conversation. They go to the bathroom at the recap part of the show. I think TV ads are crafted to create a partial attention.
(Note I set the bar at "I was asked for something." I'm not claiming they're 100% mathematically immune to ads, anymore than I or anyone else is. Just that it wasn't like a forest fire charging through rich ground for the first time.)
When I occasionally see one (usually at restaurants or such), it's.. weird? People in ads don't talk like real people. The timing and intonation and facial expressions are all off.
I think my lack of exposure to ads has made them feel very alien to me.
When I watch TV (seeing a boxing match, or a movie when at my in-laws' house), and an advertisement space is coming up, the TV magically turns much louder, blasting some jingle and colorful bursts, but I automatically stand up to go to the loo or get drinks or something.
With streaming services, it's something else entirely. I must skip them, I get this discomfort in me, an urge to make the obvious text-to-speech ad that was auto-generated to tick my keywords shut up immediately. I wonder if it is because its targeted to me directly, or if it is because I have the ability to make it shut up, that I get this boiling sensation in my head when they come up.
Still, I'd never pay for something like Spotify Premium or Youtube Premium just to get rid of them. Even if it were just a buck, I wouldn't do it.
The only reason I moved away from Android was Google. I had no real complaints from the phones or Android user-experience itself.
People make all these dramatic commitments but they never go through with it, or they leave out the true caveats that would weaken the statement.
That is to say, I don’t see why one would move when the alternative is worse.
Of course, in KPI spreadsheets Apple TV will bring more revenue and that's what counts. Slower growth of iPhone sales will be blamed on global recession.
If it's true now, it won't be later on.
There are plenty of whip-smart folks at Apple, surely they know people adopted streaming services due to lack of ads, and have the ability to pirate stuff pretty easily.
Conventional consumer data collection relies on users coming to the collection mechanism i.e. spending time on a website or interactions on social media.
Apple is poised to withstand many privacy protection measures because their collection mechanism is in millions of peoples' hands and pockets. iPhone users are providing high-resolution data to their platform. The accuracy of your personality profile and related data are nicely packaged and easy to convert into highly targeted advertising.
However, it does seem fairly likely that he's a bit of a pushover, politically. I hate to beat a dead horse, but this is the guy who doubled-down on China while even Google was appalled by how they were using personal data to hunt dissidents. He's not Batman, but he's also not powerless to stop the incredible human suffering caused through Apple's deliberate labor partners and political allies. If Tim Cook had the gall to start moving away from China 10 years ago, maybe he'd have a shot at being even better than Bruce Wayne.
All of this is to say, Tim Cook is certainly not going to stand up for your data privacy when national interests step in. The best he can do is encrypt your device and give you a copy of th- I mean, your keys.
All running on closed source Apple software, with no physical on/off switch for those data collection pathways... or even the phone itself, which never fully shuts down. So maybe Tim Cook really is Big Brother.
Does the current state our attention economy and advertising ecosystem play a major role in the destruction of our planet, depletion of resources, and perhaps the rise in depression through hyper-consumerism?
Some examples of real progress: automation, leisure time, low or no taxes on labor, residual income for everyone, longer lifespans, having children without fear of the world ending in a few years, radical inclusion, decommodification, politics without corruption, ending sexism/racism/agism/ableism/etc, renewable (free or nearly free) energy, free education, free or nearly free basic resources of life like food/shelter, free or nearly free medical care, a gradually lowering retirement age as tech improves..
Some examples of phantom progress: advertising, collecting rents, converting unsustainable resources to capital, profiting from externalities, exploitation of the commons for private gain, charging interest, profiting from the labor of others, paying dividends, exclusivity, service industries, lobbying, divisive politics, monopoly/duopoly, patents/copyrights, unjust law enforcement (unequally applied), celebrity, royalty, dynastic wealth, patriarchy, for-profit insurance, service fees on the transfer of money, forcing the indigent and elderly to work to survive..
Seen through this lens, the larger and less competitive companies grow, the more they impede real progress. We currently live under the largest companies in the history of the world, exploiting more people than at any other time except perhaps during colonialism/slavery. Which is now returning as neocolonialism as the rest of the world catches up to the developed world, so without a cheap labor force, we exploit ourselves.
I only see one outcome without some kind of spiritual revolution: the gradual loss of income and buying power for working people, following a curve like Moore's Law where access to resources halves every 5-10 years as we're steadily outcompeted by the tech of moneyed interests, until money loses most of its value sometime in the 2030s and menial labor grows to fill the entirety of our waking lives.
If Apple truly wanted to innovate, it could for example lead by building its products in the US at standard rates for labor and resources.
Since Apple can't or won't do that, it turns to phantom tech to maintain profits as its ability to innovate for the common good (its original vision) continues to diminish.
Advertising has always been a thing but advances in the last 50-70 years in tech and human sciences has turned the problem up to 11. Increasingly every little move we make and thing we say is recorded, analyzed, run through an algorithm, then used to trick the lizard part of our brain into opening our wallet.
Humans were not meant to be under CONSTANT psychological assault like this and if I were king I would outlaw marketing departments and severely restrict advertising across the board.
Born from WWI's propaganda was the idea of using communication to convince someone of something against their interest or for your policy objectives. For example, all x are monsters and you should risk your life to go fight them, using emotional responses and conceptual associations. “make the world safe for democracy.”[1] After the war it was realized these same techniques could be used to make people buy things they didn't need. Shoes are often now sold by convincing you they will make you more athletic, cool or similar self image. As a result there is now no limit on the number of shoes that a person "needs".
This consumer culture[3], and was somewhat a conscious decision in response to the challenge faced by business from the ability to produce outstripping people's demands or overproduction. Consumers were trained via advertising, in order to keep production and growth humming, at the unseen expense of overconsumption. From Paul M. Mazur's :American Prosperity: Its Causes and Consequences" in 1928,
"Advertising is an educational force. If effective, desires increase, standards of living are raised, purchases are made; purchases create production, production creates purchasing power, and the circle can be made complete if desire is at this point strong enough to convert that power into actual purchases.
Of course there exists theoretically that danger point when consumption has reached its limit. Such a breaking point is probably non-existent.[2]
[1]https://www.smithsonianmag.com/history/how-woodrow-wilsons-p...
[2]https://quoteinvestigator.com/2021/01/21/desires/
[3]https://thereader.mitpress.mit.edu/a-brief-history-of-consum...
Cable TV started out ad-free. The content was paid for by subscribers. But that wasn't enough. Now cable TV is just as ad-ridden as broadcast TV.
Even Spotify will randomly shove an ad in my face when all I want to do is navigate to my playlist, and I'm a paying subscriber. I hate the way it interrupts my flow so much that I'm probably going to cancel them in the next month or so.
so if ad-based free tiers are profitable at all, then they are going to be more profitable than the paid subscriptions, and ad-free options will go away.
Paramount+ already does this with their "adless" tier, it has ads. Unskippable ads.
But it's interesting to me because I'd guess that the people with disposable income and willing to spend it on luxuries (including not seeing ads)... would be among the most valuable targets of consumer product/service advertisers.
Only relative to other Apple products might they be considered "cheaper".
This will make a good case study on why a company shouldn't get too greedy about 10 years from now.
The biggest drawback I've found is that I did have to make an account with opensubtitles to have automatic subtitles, and if you try to load too many pieces of media at once you may run into the 50 api's downloads per day limit for free accounts.
Seedboxes are great when used with private trackers, but the trackers usually have very strict rules about which clients you can use, how long you must seed, etc.
Obligatory Bill Hicks: https://www.youtube.com/watch?v=tHEOGrkhDp0
Really not looking forward to this -- this is a serious brand risk for apple to step into more advertising.
Does anybody have experience with Fairphone/PinePhone/Librem as their daily driver? I don't necessarily need all the apps, but the common ones like WhatsApp, Amazon, Uber, Doordash, etc. Also, which wearables work best with open source phones?
We already saw this happen with iAd.
> Why are there ads in Apple News Plus news feed? Just subscribed to Apple News Plus. I am surprised to see ads in the Apple News Plus feed. Please remove these ads for paying subscribers. I realize that ads in articles that Apple can't control, but it is insulting to have them in the feed itself.
Cable TV was first pitched as a method to get broadcast TV - with ads - in places that couldn’t get broadcast. Cable companies put big towers up and rebroadcasted network TV - with ads.
Then HBO came along as an ad free premium channel and it still is.
Then the “Superstations” like TBS out of Atlanta came along. Which were always ad supported and started broadcasting nationally.
Then the first cable channels came along like MTV, Lifetime, ESPN, USA. Not only dud they have ads from day one, they had infomercials to fill out the time when they didn’t have programming to show.
There has never been a time since the invention of cable TV in the US that it was ad free.
From a 1981 NYT article
> Although cable television was never conceived of as television without commercial interruption, there has been a widespread impression - among the public, at least -that cable would be supported largely by viewers' monthly subscription fees.
https://www.nytimes.com/1981/07/26/arts/will-cable-tv-be-inv...
MTV was actually a ripoff of QUBE channel C-1 program "Sight on Sound" which didn't air advertisements the way we think of them. Instead record labels could pay to have their music videos prioritized or to run giveaway contests.
QUBE also lead to the creation of Nickelodeon (Which itself was ad-free for several years). QUBE channel C-3 "Pinwheel" was the first cable channel made for only young children, and was spun off into Nickelodeon when QUBE went defunct.
The QUBE T channels were just cable links to conventional OTA broadcast television channels (T for television).
QUBE C channels (C for community) did not have ad breaks. Instead there would be sponsored giveaways or sponsored shows which eventually lead to the current practice of infomercials. Except with QUBE the segments were live and viewers could push one of 5 buttons on the remote to interact with the program. For example in a sponsored cosmetics segment viewers could vote on whether the next topic would be one of 5 options, lipstick, mascara, etc. Sight on Sound would ask some questions about current viewer demographics (are you male/female. Are you in age group ABCDE. How many people are watching right now), the dj would say it was to play music matching the current demographic, but it was mainly collected to give metrics to sponsored segments or to wait for an appropriate time to play a sponsored segment.
But what most urban people considered "cable" at the time would be the QUBE P-channels. P for Pay. Unlike other pay channels at the time like HBO, the P channels were a monthly subscription (each), not pay per view. Notably, QUBE got into the news several times because of channel P-10, which aired softcore porn.
Also ESPN did not initially air advertisements during programming, only in between programs. But they also only had sports no one really cared about for the first few years. No major sports, no college games. But they did have highlights and some international sports.
The main reason early cable-only channels didn't have advertising is mainly because the subscriber numbers were so small there wasn't much revenue to be made targeting 5-10k viewers. Once subscriber numbers went up, and higher budget programming was in-demand (sports licensing is ridiculously expensive) ad breaks similar to OTA channels were introduced. But many of cable's early adopters bought into it on word of mouth, and word at the time was "no ad breaks!" It wasn't a goal of cable TV, just a side effect of the development.
It was only a few years, but there were a few years when cable tv had no ad breaks for the majority of urban subscribers. It's sort of like someone saying Netflix used to have pretty much every show and movie, and then pulling up stats from 2014 and beyond saying no they didn't.
The incentives go in the wrong direction from a UX perspective
[0] https://www.cordcuttersnews.com/hulu-makes-about-15-in-reven...
Cloudbox on a rented dedicated server, everything is automatic and things just show up in Plex.
Coming from a country where media consumption used the be expensive, the reason people pirated entertainment was mainly due to cost. Not because it was inconvenient to see an ad.
Streaming will still be miles more convenient than piracy. All I have to do is turn on my apple tv, grab the remote and watch whatever I want, whenever I want. I don’t have to dig through some torrent sites, download it, then stream it to the tv.
I'm fairly certain Comcast's cable package they keep spamming me costs less than those combined
Media consumption is expensive again. All we've done is move from the cable bundle with terrible content to a different set of un-/re-bundled channels where the slightly better content lives.
https://www.washingtonpost.com/opinions/2022/08/10/hbo-max-d...
But it is on demand now, which is a great improvement.
And people can also pick and choose. I can buy individual episodes or seasons, or I can pay for one service per month and then cancel and pay for another next month. Or people can pay for everything all at once if they want. Or they can watch YouTube for free or pay to have fewer ad breaks.
I see lots of improvement compared to the previous situation.
You don't have to do that these days, either. There's software out there that will happily keep tabs on your favorite shows and films and download them as soon as they're available via torrent/newsgroup/etc., and then drop it directly into Plex, Kodi, or wherever, automagically.
Just like streaming, but without the cost.
So I can avoid them, of course.
This is not the reality of piracy in 2022.
Downloading a torrent client and VPN is seen as confusingly complicated for many of them. Once I help them get past that, I also have to train them to search safely and parse the file names of what they are trying to find. More than just informing them that a movie is not a 25 MB exe file, but that there is a convention around encoding/file type, bit rate, and how episodes/tracks are named.
It is understandable, but I think there is a huge mental barrier for most non-savvy computer users. I think that unless there is some friendly and non-sketchy all in one service to facilitate piracy there will not be some widespread upswell in piracy among the general public.
A small-scale solution could be setting up a Jellyfin or similar server for all your friends + family members. Curate it with what they ask for, maybe give them access to a Sonarr instance so they can add content themselves. There are client apps for smart TVs, phones, and a web player. Maybe they'll like it so much they tell their friends, or want to set up their own :)
I anticipate some version of family and friend supported distributed services to continue growing in the near future.
It used to be that either one required a bit of know-how, but I've personally seen cases where the barrier to entry is lower for just obtaining the media. Safety isn't just an afterthought as much as total ignorance.
In the most alarming case I witnessed, an acquaintance of mine had a friend who "knew enough to be dangerous": they were sideloading an app on their settop box for them that just pulled from some site. I'm sure it would work to watch rips of new movies or whatever, but I doubt it even used TLS.
I had to explain to my acquaintance that not only would it be easily visible by their ISP (and why that's bad), but that it was almost certainly illegal in the first place.
Getting a movie for free sounds obviously sketchy to most of us, but think about the number of gadgets and services that have been advertising exactly that for decades[0]. Understanding the difference requires some technical knowledge.
[0]: The catch usually being that "free" really means "after fulfilling some other obligation", such as signing up for a free trial of something.
I've heard that paid Plexshares are more or less this. You pay to access a private streaming server that has all the content you could ever want. No VPNs, no torrent clients, no parsing formats, no viruses, no running an HDMI cable from a PC to your TV. It's as easy as any other paid streaming service, without exclusive content restrictions.
Want to watch the new season on x? Oh even though HBO has all the old seasons, the new season is on another service.
Want to watch x movie you saw on netflix two months ago? Netflix doesnt have the rights anymore now and you'll have to dig through your streaming services to see where it landed or hope whatever, "Where is this streaming?" website you land on is accurate and up to date.
Now everything has moved to private trackers, invite-only Discords and more and more outside of the clearweb. That's a far worse UX IMO.
But once you do go through those trenches, it can be quite amazing to see how simple everything can be if things weren't exclusive to a dozen different streaming services.
Maybe I'm unusual, but I doubt it.
And to say that it's just an ethics thing, is completely ignorant view. It's perfectly acceptable to torrent something when living in a country that wasn't deemed worthy by the rights holder to release their product there.
Bold prediction: Apple will increasingly turn to services to maintain revenue growth as people don't upgrade their hardware as frequently because hardware innovation is also slowing down.
On a similar note, Apple will find it hard to move into VR because it'll never be a big enough business for them but a make or break for Meta.
If you want a more clear-cut example of this happening in the past, compare the launch of the PS3 with the Xbox 360. The PS3 was the better console in every way, being faster, having more features and not being made by Microsoft!
The Xbox 360 destroyed the PS3 at launch. Turns out, desperate consumers just wanted a cheap box to play vidya on. I think Meta knows this, which is why they go out of their way to undercut everyone, all the time.
I disagree. Apple did this kind of thing with the iPod and the iPhone. IIRC, the iPhone was $600 when it came out, and people paid it, even when there were dozens of other options. There are certainly people who are price sensitive, but Apple’s never really cared about selling to those people anyway.
FWIW, Macs still struggle to surmount the number of Windows machines in circulation, much less the number of Chromebooks floating around out there. Maybe you won't buy Meta's headset... but what options will schools make? How about businesses? Gamers? Thrill-seekers? Apple's marketing tactics are second-to-none, but many a business has outsmarted them in the past. Meta might just be next-up to bat.
They definitely will, especially since Meta’s new kit is $1,500.
Here's my "bold prediction" though - neither of those $1,000+ units will ever sell as well as the Quest. Especially WRT the consumer segment, Meta probably won't even stock the Quest Pro on shelves. It's clear that the Pro is more of a jab at the Hololens market anyways.
I'm not sure that there is much of a technology jump to move into VR for Apple.
I tried to watch some of the stuff they were heavily promoting, but couldn't get into them. Shining Girls is really bad. Tehran, a 3rd-party adaptation from Israel, is Netflix-grade trash that strains one's ability to suspend disbelief. Adding Glenn Close, an elderly American WASP, as a Mossad agent, did nothing to make this weird Israeli propaganda vehicle more believable.
Anyway these are all matters of taste but objectively I believe Apple TV+ has very few subs, which was my main point. It doesn't seem like a massive advertising opportunity.
Severance is really good, you should watch that. I've also heard good things about Ted Lasso and For All Mankind. I'm trying to finish WeCrashed, which has some great unsympathetic performances, but it's been a grind.
There's an uncanniness to Apple TV+ productions. They have gorgeously high production visual quality, in comparison to Netflix's notoriously flat and cheap affect, but most of their programming does seem mediocre story-wise.
And these movies: - Cha Cha Real Smooth - Swan Song - Coda - The Banker - The Tragedy of MacBeth - The Greatest Beer Run Ever
Looking forward to the Sidney movie as well.
Other than the ones you've mentioned there are also See, The Morning Show, Mythic Quest, and For All Mankind, which are all great, as well as Foundation, which was quite good as well.
They've had a few shows, but I generally agree that it's pretty slim pickins there.
They've got Yo Gabba Gabba.