I figured out how to produce music with HyperCard, using audio samples, with the 8-bit mono 22khz audio-in on the Macintosh IIsi. Using a program called Soundedit, I could build, chop and render multitrack audio files to one file. I couldn’t hear them before rendering, so it was mostly a visual waveform editing process.
I would then get the rendered audio files into a master HyperCard stack’s resource fork using ResEdit, and sequence songs and albums through HyperTalk scripting. Albums would be a page of buttons that played individual songs, with graphics, and then a script to play songs in sequence that I could record to cassette tapes easily.
I would press the album’s “Make Tape Side 1” HyperTalk script button and record on the tape deck at the same time, then flip the tape and press “Side 2” when the tape hit the end, after hearing that old helpful mechanical button pop sound. Boom, production.
Good times, part of the foundation of my entire life. Making music that way made me some of the realest friends you can have. HyperCard ruled