Four book adaptations we want instead of more Lord of the Rings movies
winteriscoming.net
winteriscoming.net
Anne McCaffrey's Pern series almost got a show from Warner Brothers. They had cast it and were starting set building and were a few days from starting shooting. But WB requested so many changes in the final script that it was no longer really Pern (I've seen it described as a cross between Xena and Buffy). The showrunner, Ronald D. Moore [1], was a fan of the books and quit rather than going along with the changes, and the project died.
There have been some announcements since then I believe, with screenwriters hired, but the projects were never heard from again.
Here are some more. It baffles me that none of these have been made into movies or TV series.
1. Fritz Leiber's "Fafhrd and the Gray Mouser" series [2]. As far as I know this has never even gotten into development for movies or TV.
2. Richard and Wendy Pini's "Elfquest" series [3]. Warner Brothers announced an Elfquest movie in 2008, but then cancelled it because they were developing another fantasy movie at the same time, "The Hobbit", and didn't want to competing fantasy movies.
3. Larry Niven's Known Space series [4]. One Known Space story, "The Soft Weapon", got adapted to the Star Trek universe to become an episode of the Star Trek animated series. As far as I know no other Known Space project has done anywhere.
[1] https://en.wikipedia.org/wiki/Ronald_D._Moore
[2] https://en.wikipedia.org/wiki/Fafhrd_and_the_Gray_Mouser
For example - Chronicles of Amber by Zelazny, super cool, I would very much like to see it on TV but honestly it would be a failure in production, butchered by the studio and abandoned after 1 or 2 season while needing 5+.
Another example - Memory, Sorrow and Thorn by Williams. Full medieval setting, minimum number of fantasy creatures and screen time with them, small cast. With liberally cutting out whole chapters it can be adapted into an inexpensive, optimally paced 2-3 season show or even movie series a-la LOTR. Diversity in built in, so there is possibility that director won't butcher existing characters for the sake of it.
So the source material to be adapted need to be carefully picked with TV constraints in mind, not just whatever is popular among readers.
Did you know that the Enterprise-D in ST:TNG canonically has dolphin crew on board? Cetacean Ops: https://memory-alpha.fandom.com/wiki/Cetacean_Ops
Or for a smaller budget: Zack Parson's "Liminal States", a weird western/noir/sci-fi horror story about immortals hunting each other: https://www.goodreads.com/book/show/12028255-liminal-states
Yeah.
Priest > Scholar > Consul > Detective > Poet > Soldier
It's (IMHO) very well suited to a series adaptation. (Reasonable set of main actors, accessible, good places to stretch or compress content, few hard-to-visualise internal character mechanics.)
The Revelation Space series would be very interesting, but it would need an excellent director to bring home the brutal malevolence of that universe (and paging HR Geiger for the Melding Plague scenes).
Don't get me wrong, I'd love nothing more than see a good adaptation of Revelation Space, but sadly I think the possible outcomes range between poor and horrible :-(
But just imagine the Chasm we could have! Would look so good.
https://en.m.wikipedia.org/wiki/Chronicles_of_an_Age_of_Dark...
There are no completely likeable characters in FLT.
*SPOILER*
IMO there isn't sufficient resolution to a lot of the story at the end, and not enough explanation of why certain characters matter. It could form the basis of a TV series, I suppose, but meh.
I don't regret reading it. I was successfully meta in its message: It was very nihilist in its feeling, and at the end of it, some people are dead and some people aren't. Some bad people are rewarded, some good people are injured, and vice versa. Shit happens.
As series:
- Hawk and Fisher (Simon R Green) - excellent fantasy action
- Saga of the Exiles (Julian May) - huge scope
- Sinless (KC Alexander) - possibly too filthy
As films:
- Corvis Rebaine (Ari Marmell) - series, similar to Abercrombie
- Halcyon Drift (Brian Stableford) - old classic
- The Dark Lady (Mike Resnick) - interspecies mystery
The Dresden Files, say, appears to be running out of headroom for Dresden to be able to throw down without actually wiping Chicago from the map permanently.
I'd love to see a treatment of the Laundry with a long slow build that turns out to be the ramp to an exponential progression to Case Nightmare Green.
Another series that would be basically a better version of LoTR would be The Belgariad and The Malloreon series from David Eddings. 10+ books worth of material from the two series.
And while personally I don’t think it’s a good reason in itself to adapt it, showrunners might like that it also ticks the diversity checkboxes without having to palette swap.
On the other hand animators seem to have found that sweet spot for animated human characters where they are human enough that as long as you are somewhat interested in the story you can easily forget they are animated, but still different enough to avoid the uncanny valley.
Same with animated sets.
If someone were to do a Dragonriders of Pern movie I think I'd prefer fully animated, because Pern really needs at least a trilogy and I think it would have a better shot of getting second and third movies if the first were fully animated.
That's because a fully animated version could have a short at winning the Best Animated Feature Academy Award (at least if they ever change the rules to make the voting for Best Animated Feature sane [1]). A big award win would boost the sequel chances.
If it was live action with animated dragons it would not be eligible for Best Animated Feature.
[1] For Best Animated there are two voting differences from most of the other specialized categories. (1) Every member of the Academy can vote, as opposed to only members in the branches of the Academy related to the category, and (2) voters are not required to have seen all the nominees.
I've seen interviews asking members why those voted for the movies they did and with Best Animated Feature you see a lot of answers like "I haven't watched cartoons since I was 6, but my grandkids wanted to see <Some_Disney_Movie> so I took them. I waited in the lobby doing work on my phone while they watched. When they came out they seemed happy, so I voted for <Some_Disney_Movie", or "My kids streamed <Some_Disney_Movie> 10 times a day for 6 months so I voted for it".
Here's is recent video that goes over in great detail the problems with the Best Animated Feature award [2].
1: https://en.wikipedia.org/wiki/The_Hitchhiker%27s_Guide_to_th... 2: https://en.wikipedia.org/wiki/The_Hitchhiker%27s_Guide_to_th...
Edit: just the Satan’s Ball could be made much better
But if we will have to lose something anyway, why not try to make it a bit more challenging, like something hard to visualize by definition? The City and The City was already translated to tv series, and it wasn't good at all. But what if we raise the bet? There is No Antimemetics Division (https://qntm.org/scp) and all the antimemetics idea probably can't go to screen easily, and will probably fail, but if they manage to translate the concept well it could be a big win even if they don't follow closely the argument of the book.