What Piracy? The Entertainment Industry is booming
torrentfreak.com
torrentfreak.com
I think it really is a service problem, like Valve says, and that piracy can be beaten by providing a better service. Unfortunately, the important people in the entertainment industry don't and won't understand that. As time goes by and more younger clued in people start taking over the big companies, things will change.
Until then they'll quickly erode our freedoms with draconian laws with immense abuse potential and international treaties done in complete secrecy.
And then it might be too late.
Media companies mediate; they push consumer convenience just as far as they can in return for advertising and distribution dollars.
Examples;
* Cable companies know just how much money the market will bear for channels they don't even want, for the ones that they do.
* Television companies know just how many ads you can tolerate, before time-shifting dominates.
* Hollywood knows just how long it can make international markets wait for releases, in return for cheaper distribution and marketing (a global launch would make a publicity tour very hard).
* The music industry knows how to set prices so that you'll buy the same piece of music over and over again in different formats.
* TV and Movie content gets sold 4 or 5 times over, in theaters, on television, DVDs/blu-ray, online rental, subscription streaming. Only delays and segmentation (both inconvenient for consumers) make this possible.
Media companies are the middle-men, the grand-bargain makers, with their desirable content on one side of the scales, and inconveniences like ads, delays, prices and draconian punitive laws on the other side. Media companies don't mind being hated, that usually means they're doing a good job, as long as you love some of their content - the system still works.
This is why the convenience represented by technology presents such a threat, it dramatically alters the bargaining positions of both the content owners and the distributors.
That middle-man business must be nearing its end, so the question is; can consumer convenient technological distribution get more return for the content creators, the financiers and backers?
The RIAA and the MPAA are those monopoly gatekeepers, so their profits aren't booming. They have been made irrelevant. It's better for consumers, better for artists and worse for the people who hire lobbyists.
A quick skim shows that it cites things like youtube, self-published e-books, and indie film distribution websites. I'm sure the RIAA, MPAA, etc. don't count any of that as growth.
Does the report consider revenue? Or just eyeballs? At the end of the day, people need to eat.