I feel the same about "The Red Pill" movie and couldn't see how the criticism aligned with the reality. What I do see often is that entrenched actors and groups will attack, with specially reserved ardor, any artist or production taking a position of understanding and shared interest between groups or actors that are meant to be at odds.

With this movie, the critics could have said the filmmaker, Alex Lee Moyer, avoided the most misogynistic fringe that could be associated with the Men's Rights movement and been correct but that would undermine the safe thing to say, that the _entire_ Men's Rights movement is fringe and misogynistic.

I'm not especially interested in Men's Rights but I thought the movie was a refreshing surprise, commend the risk taken by the creator, and hope people continue to take risks when the evidence leads them into the unexpected.

PS: The film maker went on to make "TFW No GF" which followed and explored lonely, young men. Searching "Alex Lee Moyer", the second result is a Rolling Stone article on this movie with the headline, "‘TFW No GF’ Is a Deeply Uncomfortable Portrayal of Incel Culture". Here are just a couple quotes that show how much bull this director has had thrown her way for her troubles:

> This non-judgmental approach has made many viewers deeply uncomfortable, with writer Eric Langberg tweeting that the film is “one of the most irresponsible docs I’ve ever seen,” leading to a barrage of abuse from incels on Twitter.

> But even if you believe that objectivity is the best approach to capturing a subculture marked by misogyny, violence, and racism, it’s hard to accept the argument that the film’s relationship with its subjects is wholly objective in the first place.

Clearly, how dare she go and explore this sub-culture by meeting and filming some of its members, willing or not, without reminding the audience that these are bad people that say bad things on the internet and laugh at bad jokes.