Related, many SACDs contain a two channel SA layer that is completely different than the red book layer. The medium is normally mastered to appeal to the widest audience. In the 80’s, CD players were very expensive so the mastering were made for that type of consumer. As CD players in cars became the more popular listening mechanism, the DR shrunk and loudness increased. Some (most I think) modern vinyl is actually just the digital mastering and the newer stuff is written from a DSD source-not tape. Even Mobile Fidelity got in trouble for claiming tape when in fact it was from a digital source. I’m old so my ears can’t tell the difference at normal listening volumes to DR as the article agrees but I can absolutely tell original redbook vs modern mastering. Black Sabbath Sabotage is a good example of mastering techniques to “correct” for mic dropouts and what not.
For loudness comps check out: https://dr.loudness-war.info/