> There is a theory that Lynch himself doesn’t always know what is going on in his stories. He shoots this down. “I need to know for myself what things mean and what’s going on. Sometimes I get ideas, and I don’t know exactly what they mean. So I think about it, and try to figure it out, so I have an answer for myself.”

> Audiences, however, must do their own figuring out. “I don’t ever explain it. Because it’s not a word thing. It would reduce it, make it smaller.” These days he rarely gives interviews, not even during the hugely hyped return of Twin Peaks last year – a show that is still debated as either the best or worst TV of 2017. “When you finish anything, people want you to then talk about it. And I think it’s almost like a crime,” he explains. “A film or a painting – each thing is its own sort of language and it’s not right to try to say the same thing in words. The words are not there. The language of film, cinema, is the language it was put into, and the English language – it’s not going to translate. It’s going to lose.”

https://www.theguardian.com/film/2018/jun/23/david-lynch-got...