Diminuendo Lagrimoso: Tracing the decline of big opera voices (2023) [pdf]
princeton.edu
princeton.edu
If anyone has a chance to go hear him perform, it is a real treat. No other concert I've been to has sounded as good as he and the orchestra do live, especially Con Te Partiro (which he usually sings in the encore).
Anyone who thinks you can't hear dramatic new opera singers who can project to fill a house and last night after night just hasn't been going to opera and listening with any sort of open mind
For example off the top of my head
Jonathan Lemalu https://www.youtube.com/watch?v=7-HTrrOBDxQ
That's a pretty big new voice right there.
Helen Charlston https://www.youtube.com/watch?v=19RJKnh9hbU
Amazing dramatic soprano with beautiful clear diction
etc etc I could think of tens of examples if I had a bit more time.
For big spinto voices search for Franco Corelli, for big dramatic voices Mario del Monaco. And these two were already at the end of the golden age.
This is not a case of rose tinted glasses. It is all on YouTube and painfully evident. The article gives a couple of sane reasons: Very few people are exposed to singing in the first place these days, so talent goes unnoticed. The war on masculinity might play a role for men as well.
Interestingly, they do recognize clips (eg., Hall of the Mountain King) from various YouTubers stuff ("watch me play this game"), so it's not entirely out of the ecosystem.
Also, they are getting older, but ... the broadcast was 'Marriage of Figaro', I found myself bowdlerizing the plot: they're not quite ready to process the "right of seigneur". Most opera is PG!
But I don't usually enjoy listening to them.
>> One long-time admissions officer at a top institution shrugged it off: “Above all, it’s my responsibility to make sure that our graduates work.”