In terms of such music and films (whether created by human or AI) sometimes it's just because we are social creatures and need shared experiences to talk with others about.
In reality, between work, sleep and family, I rarely have anything resembling that kind of time and mental energy reserve available.
But, what I can afford is to listen to podcasts while doing other things. Doing that gives me enough of an overview to keep up with a general topic and find new topics that might be worth investing into deeper.
Wouldn’t it be great if someone made a podcast channel specifically for “Papers corysama wants to hear about at this moment”? I think so. Apparently, so do a lot of other people. But, they don’t want to list to my specific channel.
Reading a book is a time investment so I want it to convey the thoughts of another human being, otherwise it would feel like wasting my time. Listening to music, on the other hand, often is something that I do while I exercise, to keep a brisk pace and not get bored. As long as it sounds good, fits the genres and styles I like and is upbeat enough for exercising, I wouldn't have much of a problem with AI music - maybe it would even be a plus, since there are some specific music genres where I have already listened to pretty much everything there is (and no more is being made), and it would be great to have more.
I don't listen to podcasts, but I suppose in that case it depends on how you do so: devoting your full time and attention like a book, or as a background while you do something else like exercise music? As far as I know, many listeners are in the latter case, so I don't see why they wouldn't listen to AI podcasts.
I see the same with potteries. A factory made pot cannot have more value than a hand made pot with the signature of a human. This touches the very fabric of society. Hard to explain.
Too much of it -> No, there are entire musical genres (e.g. italodance or big beat) where I have already listened to pretty much everything available, and they are not expanding anymore because they are not fashionable. It would be nice to have more songs and be surprised.
Isn't novel in any way -> This is not how it works, there are studies showing that AI can be creative. Or at the very least (since the definition of creativity can be controversial) produce output that is indistinguishable from novel, creative output, which is enough for the purpose discussed here.
Until we get better versions of o1 that can generate insights over days and then communicate them in book form the loss of interactivity and personalisation makes LLM books pointless.
I do suspect that interactive media is just strictly better in theory. But maybe there will be a period of time where bespoke AI-generated books make sense.
Why not just seek out the original works that the AI stole from?
I know that you likely intended to imply that you can subsitute the aformentioned AI music with an existing piece of music of the same genre, but that is not a view shared by all. Sometimes the generated music scratches such a specific and personal itch, that it cannot be replicated by something in the same genre.
A better counterargument to your original comment would be "It is not an exclusive situation. I can listen to and support both generated music and handcrafted music at the same time. They both contain music tracks that I like."
To be more specific about the second sentence, if there are any readers in doubt:
> The generated music wouldn't exist without the foundation of stolen music made by people.
The word "stolen" is a value judgement that is not shared by all. It is a word meant to invoke an emotional response in the reader. For example, Stallman has argued that the data could not have been stolen, or else it would not be there anymore. So, removing this word gives you:
> The generated music wouldn't exist without the foundation of existing music made by people.
Which is a true fact that has never been in debate.
However, this is not relevant to the main point that not all generated music has a suitable handcrafted substitute, and that there is no actual need to choose exclusively to listen to generated or human crafted music. Furthermore, the conversation has turned uncivil (the first sentence). Therefore, goodbye.
A randomly selected NotebookLM podcast is probably not substantial enough on its own. But with human curation, a carefully prompted and cherry-picked NotebookLM podcast could be pretty good.
Or without curation, I would use this on a long drive where audio was the only option to get a quick survey of a bunch of material.
So where does AI regurgitated slop fit into my life?
I’ve heard at least one ad from dozens (probably a hundred) podcast episodes that I didn’t finish.