Vevo founder warns Google: Sweeten deal or we'll go elsewhere
latimes.com
latimes.com
But to those that think youtube is holding all the cards here need to look at what has undone so many other sites.
This is youtube's largest channel, and it's a large source of referral traffic, especially social sites like facebook.
It's google's prerogative to keep this kind of referral traffic, not only to maintain relevance, but also to be perceived as the first choice in online video. If the average teenager begins to associate another site as the first choice in video that would have follow on consequences as google would not be able to control the user experience. (Or tout Google+) Users will hunt around for the right video, they're not so loyal as to abstain from watching a music video because it comes from vimeo etc.
Youtube has been effective at shutting outtheir competition with exclusivity deals like these, a competitor could do the same to youtube - and this is a pretty desirable catalog that appeals to a very active online demographic, it would instantly make a competitor relevant, elevating them above the pool of B-grade youtube competitors.
YouTube works, for good reasons.
It'll be interesting how it plays out anyway, now that google has announced it will discontinue video search altogether (in favour of youtube only.)
However you should note that I did not make the argument that all "google fans" were of this type of illogical character, rather that some do and have already begun filing responses of this kind in this thread, making it futile to reply to each, especially when this kind of fanboyism is immune to any contradicting realities presented to them.
Finally my "potshot" makes up a relevant piece of my argument, more specifically the argument that "being a fan of google doesn't invalidate vevos importance or clout".
VEVO is a middle-man who is only as strong as his grip over the conduit between 2 parties.
The artists require exposure and YouTube requires the content. However, as YouTube now has a daily standing audience (network effects/sticky subscribers), the artists want YouTube more than YouTube will want any one artist (for channelling views towards live concerts/creating new fans/selling merchandise offsite). It is to any one artist's detriment if they reduce their YouTube exposure - as their artistic competition will be happy to take their views for themselves (time per person per day is the limiting resource).
VEVO's strength is their subscriber funnel that pushes massive numbers of views towards new/existing artistic content. This is thanks to Metacalf's law and a strength that will be lost if they drop off YouTube.
If VEVO falls off YouTube someone else will take the mantle - and YouTube will extract their pound of flesh.
YouTube used to be weak. They aren't any more. They are the 800 pound gorilla now.
I think a competitor could do more with vevo than the commoditising approach of youtube.
Imagine if vevo were incorporated into facebook for example. It would be a larger audience with highly targeted ad & opportunity to sell network.
VEVO's hold is tenuous - they are no stronger than Freddie Wong/Corridor Digital/Smosh - they all rely on YouTube more than YouTube relies on them for traffic flow (nowadays anyway) - there's always someone there ready to fill audience needs if they went off YouTube.
The music video clips in question are exclusive to the studio for the contracted period, and it's this which vevo are willing to shop around. It's an exclusive product without substitution. I'm yet to find a convincing argument that a consumer will be satisfied with a home remixed version with custom graphics when they're looking for the original clip. (Or rather that they'd choose such a clip when the original is available elsewhere for free.)
As for unlicensed copies, youtube's own system is very good at taking down illegitimate versions. Additionally the studios are lighting fast with DMCA take down notices (within hours) for clips that sneak past one way or another. The system is geared heavily to copyright holders, automatically denying clips that would normally construe as 'fair use' in the USA.
I won't comment on traffic flow, since that's not publicly revealed, however it is reported to be youtube's most watched "channel", that on its own indicates that the traffic result is not due to a unique "youtube experience", but rather the result of being the only place online where the videos can be viewed for free.
This is something Vevo can shop around, I suppose what I'm conveying here is that ultimately they don't need youtube. Youtube to vevo is a commodity video service, it's network was once unique, but now other sites could handle the level of traffic that the catalogue would generate. In another thread I've listed simple examples where it could be better leveraged, possibly producing a better outcome for the studio than what youtube provides.
Also reading the article, Vevo in effect created this situation and to complain publicly does seem in bad taste as I see it as Vevo stole a opertunity from Universal, created a new monoply with the help of Googles youtube and then now that has been established are trying to bully more money from them. This is ontop of the aspect that Vevo said they would control/do the adverts and in that they are perhaps at fault for there own shortcommings and blaming Google for it in a way that is mearly showboating.
But again a youtube without Justin Bieber is one I realy have no issues with at all, were do I sign?
Google will be more than happy to let them walk away and allow remixes and user posted content to fill that hole (it's how YouTube started). VEVO will just come crawling back.
YouTube has a monopoly on online video and they may just turn out to be one of Google's most valuable acquisitions (along with DoubleClick/Android).
> Morris: If Justin Bieber and Adele are somewhere else, that will be where people will go. If you don't have the content, no one will come
YouTube has the people now (daily standing subscriber audience + network effects) - the content comes to YouTube not the other way around. People pay/share video revenue on YouTube by posting via Machinma/IGN just to get exposure.
Not even slightly. Music videos are a market, but YouTube has hundreds of other reasons it is successful. It could lose music videos without breaking it's stride.
Simply put, Facebook is (in theory) for people you already know in real life. YouTube most definitely is not, and is an entirely different beast. Facebook is never going to have a 'VidCon' event.
My experience with Facebook video has been disappointing (improper caching/not enough resources) and at no fault of their own. Pushing Tbits of video each second around the world is much - much harder than hosting pictures and comments (which is what Fb does admirably).
If Fb cracks video infrastructure - perhaps. But YouTube remains the king of video and anyone who wants to run content needs to be on YouTube (at least for the time being - subject to change at any time).
I've got no evidence other than my own sketchy observation, but the though has crossed my mind several times.
Hence, YouTube caches them more heavily (and distributes them closer to viewers) as a result to probabilistically reduce video latency and cost of hosting.
Same with any highly viewed channel - they all load faster than say something new with ~1000 views which hits a foreign data centre hard disk instead of a localised CDN server's RAM.
I'm popping popcorn. These Youtube/Google/Music negotiations are always entertaining (if not consumer friendly).
Vevo is not without leverage here.
http://www.readwriteweb.com/archives/top_10_youtube_videos_o...
The artists rely on YouTube a hell of a lot more than YouTube relies on them - they come to YouTube now (not true in the past though!).
VEVO is separate from the artists - the artists will drop VEVO if their exposure is unnecessarily limited.
VEVO can play this game if they wish - but I doubt the artists care either way.
PS: Bieber and Gaga owe their careers to YouTube - they don't care if it's via VEVO or their own channel - they have absolutely 0 reason to get off the YouTube train. They'd drop VEVO in a heart beat if VEVO hampered their fan base growth and reach.
Sure it could be people hunting for nude pics and news, but given it's Rebecca Black and Adele, it might be safe to say that it's people looking for their music/music videos.
In short, music is a big deal and if a user is hunting for music they're not going to be loyal to any particular site.