0 XP: The Zynga Counterrevolution
mediumdifficulty.com
mediumdifficulty.com
Another is to limit the communication to human terms. Maybe you occlude all knowledge like jcromartie says, or maybe you realize that nobody ever feels like they have 18.6 strength. They feel weak, strong, or very strong. They feel nimble, graceful, clumsy, dumb, quick, lethargic, injured, smart, etc. Color gradients might be a non numerical way to give fuzzy information about ability. Your character is not a precision machine (unless maybe you're playing mechwarrior)
An alternative to this is making the environment more complex: changing what the player has to do instead of what he can do. This has been done by some games (Super Meat Boy comes to mind right away), but I don't think it works very well with the tropes of RPGs. The canonical RPG is the hero's journey, and that story really calls for improvement in the hero.
The one game that I can think of as having an excellent portrayal of the hero's journey without character improvement is Journey.
I think that that kind of progression is a more accurate indicator of a) whether the player is ready to handle the complexity that the new ability brings, and b) the value the player has received from the game, so far (if we're dismissing the notion that time spent is necessarily proportional to value).
Note that you can have the character-improvement mechanic in more than RPGs; a game like Half-Life introduces weapons, equipment, and new ways to manipulate the environment as you progress.
Great storyline and writing, with no XP or grinding or anything of the sort. The player does find different - not necessarily better - weapons, and the only sort of 'levelling up' you do is yourself getting better at the combat mechanics.
1. You start weak and finish weak. This gives you games like "I wanna be the guy", which build player skill, but I haven't seen this in RPGs. If the player gets noticeably stronger and then weaker along the way, the part where the character's powers are taken away can make the player feel cheated. (Not always: see e.g., the last fight in Ocarina of Time.)
2. You start strong and finish strong. Everything is easy and boring, unless you are depowered along the way and have to claw your way back up. See Metroid Prime (1 or 2) on the GameCube, or Wonder Boy III: Dragon's Trap on the Master System (or Dragon's Curse on TG-16). Usually the strong start is used to ease the player into the game, so that it's harder to fail while learning the controls and patterns of the game. Regardless, you still have a definite progression: either of tools, stats or something else that means you can go to places you couldn't before.
Wonder Boy III is an interesting example, because although you start with the best armour and weapon at the start of the game (which you then lose), the various forms that the player takes (mouse-man, hawk-man, &c.) give the player a different kind of power than the one that was removed: flexibility of movement as opposed to better offensive/defensive stats.
<aside>I have read about an interesting house-rule for D&D 3.5 called "Epic Six", which gives a similar result but not using the mechanic you suggested: http://www.enworld.org/forum/general-rpg-discussion/206323-e...
Basically, characters do not level up beyond level six, but gain additional feats every 5000XP which provide various small bonuses. This means that the players still get more powerful, but they don't scale up into the world-destroying powerhouses that you get at high levels.</aside>
I don't think that getting rid of XP means that you should throw out the whole concept of power progression in an rpg-like game. You may as well tie power progression to items or other things that will happen along the way. If you have an XP system (with power progression tied mainly to XP), then you as a designer need to match XP progression to story progression. If you don't, players either need to grind (yuk) or everything's too easy because you're levelling too fast (snore). Why not throw that out and go with the metroidvania-style of getting more tools to solve your problems? Metroid did this especially well because if the current fight was too hard, you could backtrack and explore for more energy tanks, missiles and so on so you have more resources at your disposal.
(Or Heavy Rain. Or every point-n-click adventure ever.)
You can skip character development altogether in the Mass Effect series (especially if you lower the difficulty and enable autoleveling). Only the first one requires you to increase a member's e.g tech skills to unlock some devices.
I played the first one without using basically any skills but my player sharpshooting abilities, occasionally upgrading armor and guns, more often than not for the sake of looks.
Telling stories, Resident Evil or Gears of Wars also come to mind, but I'm not sure that's what is asked here.
If someone wants something more freeform, maybe Skyrim, and dialing down the difficulty level will make a warrior's adventure possible (challenging even) without caring about the levels. A thief might be harder (without any points, I manage to stay covert, or pick master locks with patience, precision and a dozen lockpicks, but purse stealing is still a dice roll), while a wizard will be fundamentally limited in available spells unless he increases magicka.
Therefore I suppose here's the point: a game purposely designed on emphasizing on the player's skill (like lockpicking a master lock) instead of a virtually progressing one is something I would certainly like to play.
The original site seems to be down at the moment, but fortunately, someone put it on Flickr.
The roots of the RPG genre are in games like Dungeons and Dragons where character progression (through gaining XP and levelling up and then choosing perks/skills) were how you added additional definition to your character beyond the things you chose at the start (like name, race, etc). Modern RPGs have expanded on this with complex skill systems and relationship systems and such, but almost all of that still sits atop the foundation of character growth through point rewards during gameplay (experience, gold, etc).
Couldn't agree more. It's easier than ever to get games in the hands of eager/bored people via mobile and Facebook, and companies are thus capitalizing on these users by building shallow experiences while optimizing for revenues instead of fun.
Additionally, I think more game devs need to speak out against the "evil" design. I hear a lot of tech-savvy people talking about this stuff verbally, but is the common person really aware of the amount of time that is spent trying to engineer them into being addicted? I realize that as developers, we don't necessarily benefit from spending a lot more time building something just to end up making less money, but the line needs to be drawn somewhere.
Change some of the nouns and that describes most capitalist consumerism. Entertainment, cloths, cars, starbucks et al, etc. (rest of it is based on fear/shame).
The root cause is much, much deeper than Zynga or Facebook.
I love technology. I'm not very good, I'm not very clever or a great coder, but I'm still more geeky than non-geeks. Now, There are plenty of people who are not deeply fascinated with it, but use technology to make their lives easier.
Why can't we just built good things for them, and everybody can go home knowing they haven't been ripping off or been ripped off -- ??
This focus on profit and fads, it's doing my head in. When I was a kid I was ashamed because computers weren't cool, now I'm ashamed because they are, and because of what is done with them without blinking. They're just tools, but he haven't improved much, so we just use them to do BS faster. Come on, there has to be more. /rant
All of these things are designed to let you go somewhere else for a while. I partake in all of them, but also spend time volunteering and going outside.
I don't get the author's argument about how much better he is than slot machine players because he spends his free time using more intricate games than they do. Not to mention he gets about half his assumptions wrong, as pointed out in this thread. As in, which casinos charge money for drinks to anyone who's playing a game?
Every casino I've been to, ever.
The games designers love are slot machines too, are free to play too, and are 'addictive' too but are skinned differently. Is farmville only unethical because it's a farm?
Zynga games are like Krokodil. ( Russian gutter drug, known for causing the skin to rot away. http://www.time.com/time/world/article/0,8599,2078355,00.htm... )
Honestly, I can only hope that this is accurate, and that the downward trends for slot machine games is real and will continue. It's ruining gaming and fun in general, and replacing it with causing - and then satisfying - an addiction.
I remain unconvinced that it will actually happen, though. This current crop of Zyngaville gamers may be tiring of the shenanigans, but I expect it to merely be replaced with something equally draining that people aren't desensitized to, hooking the next generation. We're still addicted to the TV, last time I looked. If anything, games provide more opportunity than one-way media, I would expect them to strictly out-last TV in lifespan and damage.
I find that this instant gratification quickly spoils survival mode. You can give yourself thousands of diamonds without the thrill and danger of mining them the real way. Inevitably I just give myself tons of TNT and blow up the world.
Similarly, if you play chess against a stupid computer, it gets boring.
There's no feedback loop in there anymore for Zynga's cows.