The story of my home made pipe organ (2000)
sentex.ca
sentex.ca
If you're into homemade instruments and the process behind making them, bellowphone is fun one to check out. He goes into detail about his builds and also has performances of himself playing his wacky creations.
I too approve, but I'm sickly envying a pedal keyboard to exercise. I have no place in my home really, I know I could just buy a Studiologic pedalboard with 17 keys, along with SL X SE, but it's quite expensive and space consuming...
Sometimes when we imagine a project, we think about how big it is, and get discouraged -- but this is a good reminder that some of the best projects are small, and thus, are less daunting and more easily tackled!
Keep in mind that the median American church building is only a few decades old.
I can totally see how people used to think pipe organs were the voice of god.
The _physicality_ of music is maybe the closest thing I can think of to real actual magic. We build these devices to modulate the pressure of air in specific ways so that we can transmit sound. Us humans have got built in hardware that is capable of incredibly fine control of air pressure and hardware for decoding those pressure waves into language - and even sometimes to bypass the language decoding and hit us directly in our emotions.
Take some time to really think about how sound works and how we're able to produce and receive it. It sounds like something out of a fantasy novel!
He does a bunch of awesome stuff with PVC and 3D printed parts.
https://www.youtube.com/playlist?list=PLNE6DEIclzg3WYK2Sqz2x...
Also the Baumorgel https://www.youtube.com/watch?v=weAV0i8fGFE
Question for anyone knowledgeable. I had an idea to take a large block of wood and a router to cut a number of channels. Then put plywood on the top to make a rank of pipes. The lip and throat could be also done with a router.
I imagine the physics of each pipe would work fine monophonically. I think it would work polyphonically but I wonder if there would be interference?
How much does the resonance of the individual pipe contribute to timbre?
Wow, that thing is really a work of art! Also, using bellows instead of a pump is a nice touch...
Because you would be coupling the pipes it would change things. However how much isn't clear. The important thing is each pipes sounds the same other than the pitch so if you go from a flute sound to a trumpet sound that would be bad, but if it all sounds like the same instrument except for the pitch you did great. I think any negative could be mitigated by just having a few "pipes" on the end that never have air but are there only to 'finish' the resonance of the nearby pipes. The important thing is that the pipes end up in tune and sound the same other than pitch. You can do that.
Now the next question is if you follow the same plan again can you get a set of pipes that sound like a different instrument from the first. Or more importantly can you get enough different sounds to be worth it? I'm not clear.
I've never built anything like this and probably never will. I think that's the biggest variable here!
Another thing to be wary of -- pipes too close together sometimes pull together in pitch if both are played at the same time.
The organ itself is a design from the Netherlands. The link you live has some sort of rights to the design in the US, but if you live elsewhere I'm not sure what the legal terms are - likely you can find a different answer.
For those in the US, https://www.agohq.org/ is the place to go to find your local chapter.
The organ which inspired my dreams: https://jehanalain.ch/orgue/
Edit: The Alain Organ, not the Tagliavini, did not check the link closely enough and missed it covered two organs.
His "Converting an Old Organ into a Digital Organ" video [1] quickly became the most popular YouTube video on my tiny channel
I went to a Hauptwerk digital DIY one and it really is better for small and residential use. For one thing, you can have the volume at safe levels!
https://www.npr.org/2025/01/17/nx-s1-5232116/james-mcvinnie-...
I enjoy modular synths and always felt they were essentially pipe organs - with some zzt zzt.
The one thing it does have in common with a modular, is that it is a beast of an instrument, and requires much more understanding of the working than e.g. a piano.
BTW, if you like "new" organ music, you might like Anna Lapwood's album "Luna," although it's more conventional than your link.
"String" sounds are implemented by having two ranks tuned slightly different from each other. They're not plugged "into" each other, but they're definitely working together to produce a certain sound.
Anna Lapwood is a very exciting organist. She has the social media skills to build a huge following, enjoys exploring all facets of the instrument in both traditional and non-traditional contexts, and is an exceptional musician.
Totally agree on Anna Lapwood.
The effect you describe is called "voix celeste" (or just "celeste") on pipe organs. But it's common to have "string" stops without the detuning. These are just open flue pipes with unusually narrow scaling, which causes them to produce lots of upper harmonics and weak fundamentals, like real bowed string instruments.