Edit: the minor scale doesn't count because C major = A minor if you start on A, fair enough, forget that one.
Edit: the minor scale doesn't count because C major = A minor if you start on A, fair enough, forget that one.
It might actually count since the harmonic minor exists. But this is just stressing the point that all of those "separate" scales might perhaps be best introduced as simple variations of the usual diatonic scale. Then sure, you might want to practice them a little bit, but at least you should have "learned" them in that you are not wondering what you're supposed to play.
The prefix of "diatonic" is "dia" ("through"), not "di" ("two"), but nobody really knows what exactly its origin (διάτονος, "diátonos") was supposed to mean[1]: it's probably either something like "through the tones" or "stretched out tones".
The second meaning is closer to the modern definition we have for diatonic: the 7 (out of 12) notes are selected to be as stretched out as possible in the octave, that is, each adjacent note is either 1 or 2 semitones apart, and the two 1-semitone-apart pairs are as far as possible from each other (note that the second requirement excludes e.g. the ascending melodic minor[2] from being considered diatonic, even though it has 7 notes).