(This obviously doesn't cover every single person -- some are just legitimately pro-IP.)
There's a big corollary to FOSS and gpl, but a lot of people seem to miss it. This future isn't for our culture, it's for business. And since our culture requires making money to make things adjacent to art, less culture will be made.
A lot of generated music is good enough to wind up in playlists. Lots of live bands already fake it, and lots of music venues have already replaced live music. That doesn't mean music will die, it just means it's harder to discover new music and go see a show.
I think there's some European countries that have some kind of basic income/stipend for artists. If this is the direction of the future we need to ensure something like this exists.
This type of vague posting is very popular in HN.
> X thing was originally universally leftist (it wasn't), now it's right wing only (it isn't), something something the real counterculture or grey tribe.
What's particularly funny is when that extremist politician is too stupid to understand the meaning of the song they're playing. I think the most famous example would be a certain somebody who kept playing Fortunate Son at his rallies, both him and the crowd oblivious to the fact that nearly every verse's criticism directly applies to him. A rich kid who got out of serving in Vietnam, cheated on his taxes at every opportunity, and is screaming about how great the country is while vilifying a demographic that has always been one of the strengths of our society.
I'd say that "respecting the property rights of the creative class" is very much indeed a 'left wing' perspective, too. Not just on a moral issue of "stealing their work is wrong" but also because artists very often mock or satirize right-wing personalities and platforms - punching up. Right wing artists tend to just punch down at society's weakest.