Removes all the uncertainty and risk and puts it on the scalpers.
Removes all the uncertainty and risk and puts it on the scalpers.
2. Are you sure the scalpers and the agency selling the original tickets are independent? Even if they are on paper, in many locations there is evidence of a local cartel.
3. The initial sales provide revenue up front to pay for the costs of the event, vendors, etc. This reduces the amount of cash reserves the seller needs, sometimes very dramatically.
4. Many scalped sales (used to be, not as much anymore) were cash transactions. This used to be used as a pretty significant tax dodge: Sell tickets for $50 face value to your affiliated scalper, pay tax on this sale, scalper sells tickets for $200 and does not pay tax on this secondary sale, or underreports the number of secondary tickets sold. Lots of shenanigans here to make your profitable scalping business look like it's making a small loss on paper.
5. Especially in the context of a local or regional cartel, each ticket sale represents the opportunity to move capital between entities. Physical tickets can be an effective vehicle for small-medium scale money laundering: Dirty money/entity buys the tickets, clean entity resells them.
Basically as soon as you drop the assumption that the ticket sellers and scalpers aren't related in some way, there are a lot more profitable reasons for the ticket sellers to "leave money on the table".
Then there is the slightly more insidious incentive: selling out quickly is in and of itself valuable for a performer: it makes them look popular and exclusive. That alone might just make it worth it altogether.
I have to disagree; performers are absolutely in the business of optimization. Bo Burnham was singing about metrification destroying art 10 years ago. Every standup comic is using social media as a sales funnel to figure out exactly which cities they have an audience in. Even if the performers themselves are not concerned with gaming these numbers, they almost always have someone working for them who does.
So I still don’t quite understand why the scalpers are the ones getting to eat the free lunch.
> selling out quickly is in and of itself valuable for a performer
This one seems like a more likely explanation, but the pattern with a lot of these ticket sales is that the demand is already there organically without scalpers entering the equation. I don’t really follow the space so I really don’t know, but I’d imagine the shows that get targeted the most are the performers who were going to be playing a sold out show regardless of the scalpers.