This nightmare scenario involves selling the rights to your character to a company that has the ability to produce, advertise and cast a movie with talented actors.
I'm certain I never would have heard of Roger rabbit had it not been sold.
This nightmare scenario involves selling the rights to your character to a company that has the ability to produce, advertise and cast a movie with talented actors.
I'm certain I never would have heard of Roger rabbit had it not been sold.
Bonus if it randomly starred or was directed by someone who later became famous, or if there are blog posts calling it an unknown masterpiece.
Nice to hear that didn't happen in this case and the author gets a second chance!
Isn’t that most of the work?
You get: A lumpsum for your initial research that ended up as a character that people like,
They get: The idea of a character, but then they have to invest billions, build projects that work, tie relationships with cinemas and actors, advertise worldwide and maybe they make billions if they worked properly, but sometimes they make losses. Sounds like they worked for it, and building the initial character is like 0.0…1% of the talent involved.
Unionist gets: A nice story about how it’s always multibillion dollars companies that have all the money.
Maybe ideas are free and implementation is everything?
That tells me that ideas aren’t free. There’s a value to a fully cooked, ready to wear, tried and tested ideas.
As a second point, many good Hollywood pitches remain in development hell, unable to get a satisfying script, or a “second act that works”.
Plenty of people earn lots of money licensing their art to Hollywood. Some people just have more business acumen than others.
And yes if you are selling art for money you are a businessman. Get an agent if you cannot hack it for crying out loud.