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There is no meaning in converting a conventionally destructive, random, chaotic act into a directed, aesthetic, meaningful one?

The fact he has a portrait of Kamala Harris called “glass ceiling breaker” and one of the victims of the Beirut explosion called #weareunbreakable suggests that you don’t need to dig particularly deep to find meaningful subtext in the choice of material and technique.

If anything it’s maybe a bit on-the-nose.

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> If anything it’s maybe a bit on-the-nose.

This is what I was driving at. I should have been more specific to say not particularly meaningful or evocative to me. From the previews I've seen it's all based around shattering and breaking. Where I will give credit, there's one: "Transformation" where natural light is reflected at the shattered glass to portray a face which I find to be fascinating. The rest feel kitschy, it's not quite to my tastes.

Interesting technique, but indeed, painfully kitsch subjects.

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