And that mention also gets to why authors often seek authorisation and why subjects often authorise them: Authors gain access to the subject and/or often their material, while the subject or their estates gains some control over how they are portrayed.
An "unauthorized" biography is not necessarily suspect but it is kind of a subgenre. Consider the difference between Isaacson's Musk biography and the work done by Kate and Ryan for Character Limit (https://www.amazon.com/Character-Limit-Elon-Destroyed-Twitte...) - not exactly a biography but the legwork is fundamentally different, reportorial or even adversarial where the narrative gets challenged, as opposed to accepted by the "authorized" Isaacson.
But we'd like to think the crowdsourced editing process gives it some more trustworthiness than a random person self-publishing a book
- Access to records, correspondence, and journals in the subject's possession
- explicit endorsement from the subject encourages their family, friends and colleagues to work with the author.
- Opportunities for the subject themselves to fact-check and contextualize the research.
That must be balanced against the fact that authorization also often provides the subject an opportunity to review the content, giving them a hand in crafting the narrative and/or suppressing unflattering details.