George Lucas Returns to Earth, Bearing Gifts
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It's such a bizarre and idiosyncratic collection that the museum itself inspires as much thought as the art in it.
EDIT: Get it? For the Museum of Narrative Art?
In all seriousness, I think I would have preferred the [Renaissance masterpiece] -> [Pop culture artifact] progression to have been a surprise. People seem to be more and more focused on expressing their own exuberance and less on preserving for everyone else the experience they put so much stock into. It's a bit selfish and hypocritical.
I knew who Luke's father was years before I saw Empire, and I can only imagine what a shock that must have been to people who didn't. I can only imagine. It would have been nice to have known, though.
I never imagined I would be accused of posting spoilers for a museum, but even if we accept the idea that a museum can have spoilers, I think you're reading too much into what I said. There's no overt progression in the curation. I was simply detailing what I was thinking as I browsed the museum. In fact, the museum seems to be specifically designed to let the visitors experience the museum however they want. It was just my personal experience that this attempt to background the curation paradoxically had me thinking more about that curation than if they took a more traditional approach.
You don't think that telling people what's there might get in the way of an unadulterated experience? Some people want to go in blind.
Give me his unrestrained vision. Put it in my veins.
His unrestrained vision is The Phantom Menace. It’s the sand dialogue. It’s JarJar.
I've generally found that most people who didn't like are people who were already adults when it came out, and had a different vision of what they wanted it to be.
I can sum up my biggest problem with the prequels (well, with Lucas really) in one word: midichlorians.
When he decided to explain how the force works, he took something that had been so eloquently portrayed in the OT*, and reduced it to something banal and mechanical. And there was no reason to do that. It's not like Darth Vader needed a blood sample to know that Obi-Wan was on the Death Star. And yet Lucas chose to do it anyway.
That choice showed such a baffling level of cluelessness. Like here's this guy, this supposed visionary, who has carte blanche to do whatever he wants (with what is supposedly his own story, no less) and he just.. doesn't really seem to get it?
It really made me question whether the OT were as a good as they were because of him or in spite of him. Apparently I got something out of the story that he did not.
* I'm referring particularly to Yoda's speech to Luke about the force in ESB. "Luminous beings are we, not this crude matter!". Beautiful writing, still gives me goosebumps. No wonder ESB is often considered the best one.
> It really made me question whether the OT were as a good as they were because of him or in spite of him.
He didn’t get it with the original trilogy either, but had Marsha Lucas to tell him no and patiently explain how normal people work. For the prequels he was surrounded by yes-men.
The worse part of that is seeing clips from between takes: they actually have chemistry! They were actually directed to be unrealistic and unbelievable.
> It really made me question whether the OT were as a good as they were because of him or in spite of him.
Harrison Ford is why Han Solo says "I know" in response to Leia's "I love you". Contrasts directly with Anakin/Padme. "in spite of him" is at least a big chunk of it.
It can be both. Good art tends to allow a measure of interpretation outside of what the artists originally intended.
Dunno how in tune you are with random factoids but Lucas is on the record saying that his favorite episode in "The Clone Wars" is "A Sunny Day in the Void", where a bunch of droids are stuck in the desert. So...yeah, there's definitely _something_ he gets out of this series that might not line up with the fanbase at large.
He also wanted to double down on the midichlorians and the Whills for the sequels, so it definitely wasn't a one-off for him.
As for me, I don't hate the idea that a spiritual quality can have a physical component to it. (Makes you think about if a parting of the Red Sea or an ax head floating are "truly supernatural" events or more "natural, with mechanisms we can't understand".) I suppose it's a bit coarse that it's used to boil mysticism down to a number for comparison, and it certainly wasn't _necessary_ to move the plot along, though.
And after some deep-dive videos I learned that I've missed so much in those prequels. So for lore-heads and theorists there is a lot to chew on.
They are enjoyable movies for everyone!
Hilda's sadly closed for good in the past year or so.
The shelves can't be very high to keep them easily accessible, adding additional levels solves that. Open central area with higher ceiling gives more natural lighting.
[1] https://en.wikipedia.org/wiki/Illinois_Central_Railroad_Co._...
Note that the museum was planned to be built on the actual land that was the subject of that Supreme Court case ;)
Nope. None of the frivolous NIMBY lawsuits ever made it to trial, nor was the museum ever a defendant in any of them (it was the city being sued for approving it). I don't see what you gain from misrepresenting this years after the fact.
The city could've gone to trial for the one case you're referencing, and would've won given enough money and time, but by that point the museum had already started investigating other locations.
“They would have won given enough time and money” is certainly debatable, but this ruling was ultimately what ended the museum in Chicago:
https://cases.justia.com/federal/district-courts/illinois/il...
In federal court. And sure, if you want, you can put “lost” in scare quotes and claim I’m misrepresenting things.
That means sometimes these kinds of developments don't happen and you can argue either way. Lucas got a little pushy about how he wanted the museum to be developed and also turned down alternate sites. So he took his ball and left and that's okay too.
No no. San Francisco must be preserved in state as it existed in 1970 for all time, you see.
From what I've read, George Lucas funded 100% of the project, and the Presidio trust rejected it. Then he tried building the museum in Chicago, but he was sued and blocked for a couple years and eventually gave up. Finally he found a spot in LA. IIRC the project took 12 years. The same source mentioned SF hasn't started any major museum projects since 2016.
America is falling behind on public works. We used to have the largest aquarium in the world, and now we're sitting at #5 or #6.
So I am genuinely curious why you and others are opponents of public works projects? I honestly do not understand.
Need to leave some room for Starfleet Academy as well. Anyway I'm glad it came to Exposition park, which needed some love.
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1. The person, not the company named after him which he founded.
You can call it part of Grant Park if you like, but it is a big paid parking lot. The Lucas proposal would have replaced some of the asphalt with new actual green space that was free and open to the public.