"There are few who can. The language is that of Opus 5, which I will not utter here... In the common tongue it says... err.. actually I don't know what it says."
And human-readable code, for that matter.
So they generate a code "rubric" and give a model some number of gold stars for how "well" another language model thinks it satisfies specific enumerated aspects (for code, this is gonna be things like using language features idiomatically, compactness, etc; for writing, this is gonna be things like what you'd get graded on in writing assignments in the fifth grade). Incredibly stupid. I'm shocked it works at /all/. But the lack of any truly objective criteria of "quality" wrt. code/prose explains why it doesn't work all too well, IMO.
This is how imperitive languages work. One line executes before the one below it as a default.
I would instead say that choreographic languages enforce global visibility of communication. The global behavior of the system is available syntactically. It doesn’t necessarily or even typically involve mutation, explicit loops, side effects etc at least in the literature.