Ah, I could have sworn it's Copeland. Thanks for the correction.
And If you google just "Copland", you instead get references to the Stallone/De Niro/Liotta/Sciorra/Keitel/Patrick/Rapaport/Berg/Garofalo/essentially everyone good in cinema movie Cop Land.
(Which I rarely miss an opportunity to recommend, and I guess this is one)
It really exists as an antidote to New York cop antihero movies, or maybe sort of a contentious, jaded superposition of them all. It’s an ensemble piece, full of great acting, complex dynamics, undercurrent of tragedy, abasement etc.; Stallone is brilliant.
The way the tables suddenly turn for Superboy (Rapaport) is a great turning point for the movie.