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I bet if you ran the analysis for Aja you wouldn’t hear 100% perfect quantization.

Legend was that the title track is all musicians in one room recorded live in a single take.

I posted then deleted some anecdotes I heard at NAMM or AES from Gary Katz thirty years ago, but found this Sound on Sound article about the sessions which is way better than my memory. https://www.soundonsound.com/techniques/classic-tracks-steel...

I had never heard the Steve Gadd version of Peg. It sounds so different, more “upright”: https://youtu.be/WcrQ20UCxiM

No need to bet. You are right. It wasn’t possible at the time.